Verlag: Nick Hern Books
Elayne doesn't want company but company won't leave her alone. Everyone's got an opinion but no one's listening and things are starting to slip. nut premiered at The Shed at the National Theatre in October 2013, directed by the author.
'I dunno. Like…I think I just wanna do something different, I don't wanna do things the way everyone else is doing them but I don't know how and I don't know what I even mean.' It's the middle of the night, and Peebs and Epi are the only students left at school over half-term. At the end of their night out, former step-siblings Red and Jazz try to navigate their reunion. With only a couple of hours until morning, Jaffa tries to help Keesh finish an essay. As day breaks, Wolfie is getting up the courage to confess a secret to VJ at a party. Their choices are small yet momentous. The hours are small but feel very, very long. And when the night finally ends, the future is waiting – every last bit of it. Katherine Soper's play The Small Hours was written specifically for young people. It formed part of the 2019 National Theatre Connections Festival and was premiered by youth theatres across the UK. The play offers rich opportunities for a large cast of young performers.Zum Buch
Rome, 78 BC. The ruler, Sulla, has just died, and professional mourners have been appointed to wail at his state funeral. But Sulla was hated by the poor and the working classes, and the wailers - led by Macu - threaten to strike, with dire consequences for them and for Macu's daughter... Written in vivid, contemporary language, Chris Hannan's modern epic The Baby is about a polyglot, violent city at the heart of a divided nation. The play was first produced at the Tron Theatre, Glasgow, in October 1990, directed by Michael Boyd. 'An epic play humanised by Hannan's concerns for the lives of ordinary people caught up in events seemingly beyond their control' The Times 'A period epic complete with all the trappings you would expect from the great Elizabethan and Jacobean classicists who wowed their audiences with heightened language, earth-shattering emotion, weighty moral dilemmas, lowbrow comedy and disturbing, bloody tragedy.' Scotland on Sunday 'Chris Hannan's new play explores love and the grief it can engender when marred by circumstances. And for the fullness of that grief, add in anger and guilt, distraction to the point of self-destruction, and bewildered hurt that makes flesh feel as if skin would burst, it is so uncontainable. The context is Ancient Rome but the issues are timeless and on-going... touching directly on any place or age where ordinary lives are wracked by power politics.' The HeraldZum Buch
It's in the window of Sam's, behind the rusty display. Two wheels, shiny body, handlebars ready to be gripped. Mum's promised him that bike, so even when school or homelife bites, he knows to keep his chin up, his head down and his shirt clean. No harsh word, no sudden push to the ground, will distract him from growing up to be a good man. Set during the early noughties, good dog is a theatrical monologue that chronicles growing up in a multicultural community, and the everyday injustices that drive people to take back control. Because even the most patient among us can't wait forever. Delicately observed and fearlessly told, good dog was first produced by tiata fahodzi in association with Watford Palace Theatre in spring 2017. 'One of Britain's most exciting young playwrights' GuardianZum Buch
Voltairine de Cleyre (November 17, 1866 – June 20, 1912)was an American anarchist. She was skilled in many subjects and wrote essays, poems, letters, sketches, stories and speeches. These are her selected poems. (Summary by enko)Zum Buch
White Ghosts, the debut collection by poet and novelist Katie Hale, traces maternal lines, and the legacies of slavery and whiteness interwoven into the fabric of America, through revealing, unflinching poems. Travelling deep into an intimate history that spans both sides of the Atlantic, Hale unravels the language haunting those narratives we choose to tell in official versions – through museum labels and civic statues – and in handed-down stories. Transformational and challenging, these sharply-detailed poems interrogate the bare bones of silence, complicity, difficult inheritances and racial constructs. Via wagon routes or interstates, on desert highways or in the landscapes of northern England, through nature and through human culture, questions of ownership and power are writ into the journey. Through four hundred years of female migration, the poems in White Ghosts use art, music, and lyrical reworking of the curated space, to address white guilt: what is lost through generations, and what is passed on?Zum Buch
Samson Agonistes, the "dramatic poem" by John Milton, was published in 1671, three years before the poet's death. Written in the form of a Greek tragedy, with the Chorus commenting on the action, it follows the biblical story of the blind Samson as he wreaks his revenge on the Philistines who have imprisoned him. A powerful subject, with a personal resonance for the blind Milton, it is a perfect work for the medium of audiobook where poetry and drama can be balanced equally. This production, adapted for BBC Radio 3, broadcast in 2008 and directed by John Tydeman, features Iain Glen in the title role, with Samantha Bond as Dalila, Philip Madoc as Harapha and Michael Maloney as the Messenger.Zum Buch
