Weitere Bücher, die Sie mögen werden

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  Happy Now? (NHB Modern Plays)

  Lucinda Coxon

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  A painfully truthful, darkly comic take on contemporary life and how to survive it.
  A chance encounter at a conference hotel plays upon Kitty's mind as she struggles to balance personal freedom with family life, fidelity and a testing job. Her husband seems more interested in misplaced apostrophes than his marriage, her parents are looking down the barrel of oblivion and, although she might toy with joining a gym, Kitty's running out of time for big changes.
  'the best new play to have arrived on a British stage for at least a year... unsparing observation, baleful humour and underlying compassion... a richly rewarding gem of a play' - Telegraph
  'wonderfully funny and painfully accurate... hits nail after nail on the head' - Independent
  'Everything about the play rings with a horrible truth, and the writing is consistently funny and flecked with pain' - Whatsonstage.com

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  Sunset in the Tropics

  James Weldon Johnson

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  LibriVox volunteers bring you 14 recordings of "Sunset in the Tropics." This is the Weekly Poetry for the week of August 10, 2014.The author of this poem, James Weldon Johnson, served as U. S. Consul to Venezuela and Nicaragua, was an early leader in the NAACP and contributed to the Harlem Renaissance of the 1920s. He had a broad appreciation for black artists, musicians and writers, and worked to heighten awareness of their creativity. (from Wikipedia)

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  Earth Spirit

  Frank Wedekind

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  Earth Spirit (1895) (Erdgeist) is a play by the German dramatist Frank Wedekind. It forms the first part of his pairing of 'Lulu' plays (the second is Pandora's Box [1904]), both of which depict a society "riven by the demands of lust and greed". Together with Pandora's Box, Wedekind's play formed the basis for the silent film Pandora's Box (1929) starring Louise Brooks and the opera Lulu by Alban Berg in 1935 (premiered posthumously in 1937). The eponymous "earth spirit" of this play is Lulu, who Wedekind described as a woman "created to stir up great disaster." Indeed, she is a purely sexual creature who scandalizes the community and drives men to ruin. The play has attracted a wide range of interpretations, from those who see it as misogynistic to those who claim Wedekind as a harbinger of women’s liberation. (Summary by Wikipedia and ChuckW) 
   
  CastLulu: Amanda FridayDr. Schon: Algy PugAlva Schon: Chuck WilliamsonDr. Goll/Schigolch: Alan MapstoneSchwartz: Aidan BrackPrince Escerny/Ferdinand: balaEscherich/Narrator/Prologue: Elizabeth KlettRodrigo: WupperhippoHugenberg: Charlotte DuckettCountess Geschwitz: Caprisha PageHenriette: Naomi ParkAudio edited by Chuck Williamson and Elizabeth KlettPronunciation guide by Karlsson

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  Idylls of the King

  Alfred Tennyson

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  Idylls of the King is a series of twelve narrative poems which recite the legend of King Arthur, his knights, his love for Guinevere and her tragic betrayal of him, and the rise and fall of Arthur's kingdom. The whole work recounts Arthur's attempt and failure to lift up mankind and create a perfect kingdom, from his coming to power to his death at the hands of the traitor Mordred. Individual poems detail the deeds of various knights, including Lancelot, Geraint, Galahad, and Balin and Balan, and also Merlin and the Lady of the Lake. There is little transition between Idylls, but the central figure of Arthur links all the stories. Tennyson's metaphors of nature are derived from observations of his own surroundings, collected over the course of several years.

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  Are You Judging Me Yet? - Poetry...

  Kim Moore

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  Five 'lyric essays' exploring the dynamics of performing poetry as a female poet – confronting the implications of being a female on public display, with the connotations of sexual objectification, in a context that traditionally disregards the body. Kim states "With the strides and gains made through the #MeToo movement, I believe the time is right for a book like this to make an impact. As a female poet, I know there is a need for such a book to examine the intersection between writing, performing, feminism and sexism. I wish this book had been written when I first started working as a freelance writer and I've had many conversations with other female poets who have also confirmed my thinking – that female poets are navigating these things regularly, and yet nobody is really writing or talking about them."
  The book draws on her experiences of writing and performing the poems in her second collection All the Men I Never Married. It is a balance of memoir, academic treatise and poetry, though the author's emphasis is on writing in a popular way and making the subject accessible to a wide audience. To achieve this her models have been Maggie Nelson's Bluets, Claudia Rankine's Citizen and Sarah Ahmed's Living a Feminist Life. 
  The book's subjects include heckling at poetry readings and other interactions; problems with the 'male gaze' and what the 'female gaze' might look like in poetry; 'guilty for being a man': how guilt can be useful if it can bring about change; how writing poetry about sexism can shed add meaning to the term; the objectification of men and women, and 'bad faith' arguments.
  Are You Judging Me Yet?, by Kim Moore, is a remarkable collection of essays and poetry that explore, as the tagline suggests, everyday sexism. – neverintimate
  '…Moore's work becomes an even more vital tool in the work being done to challenge everyday sexism. Reading her work is not only a window into her own experiences, but may also act as a means of education, and that's something we all need to see more of.' – Wales Arts Review

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  A Glee for Winter

  Alfred Domett

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  LibriVox volunteers bring you 9 different recordings of A Glee for Winter by Alfred Domett, published in "A Victorian Anthology" in 1895. This was the weekly poetry project for the week of December 23rd, 2007.

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