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  Brooklyn Is - Southeast of the...

  James Agee

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  “Agee’s prose poem captures the textural variety of Brooklyn in language that bears reading aloud for its lilt, melody, and pleasingly pungent vocabulary.” —Booklist (starred review)For the first time in book form—from the Pulitzer Prize–winning authorForeword by Jonathan Lethem, author Motherless Brooklyn In 1939, James Agee was assigned to write an article on Brooklyn for a special issue of Fortune on New York City. The draft was rejected for “creative differences,” and remained unpublished until it appeared in Esquire in 1968 under the title “Southeast of the Island: Travel Notes.” Crossing the borough from the brownstone heights over the Brooklyn Bridge out through backstreet neighborhoods like Flatbush, Midwood, and Sheepshead Bay that roll silently to the sea, Agee captured in 10,000 remarkable words, the essence of a place and its people. Propulsive, lyrical, jazzy, and tender, its pitch-perfect descriptions endure even as Brooklyn changes; Agee’s essay is a New York classic. Resonant with the rhythms of Hart Crane, Walt Whitman, and Thomas Wolfe, it takes its place alongside Alfred Kazin’s A Walker in the City as a great writer’s love-song to Brooklyn and alongside E. B. White’s Here Is New York as an essential statement of the place so many call home.“Agee’s rhapsodically detailed essay/prose poem is a Whitmanessque catalog, evoking a Brooklyn of ordinary people.” —Berkshire Eagle“Strikingly successful in uncovering America’s Brooklyn, its neighborhoods and its people . . . the book is startlingly beautiful.” —The Brooklyn Rail“Agee is a wonderfully poetic writer, and he weaves a beautiful portrait of the borough, covering the people and places in every corner of Brooklyn’s seventy-one miles” —Park Slope Reader

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  Cultural Repercussions -...

  Bradley J. Birzer

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  A revised & expanded examination of the words and ideas of the man of letters and drummer extraordinaire of the rock band Rush. In January 2020, the world lost not only one of the greatest drummers, but also one of the most insightful lyricists. And a brilliant writer.  Though Neil Peart was universally lauded as drummer for legendary rock band Rush, few studies have been devoted to his writings. Yet, Peart was very much a man of his words. He wrote lyrics, travelogues, essays, cultural criticism, short stories, and fantasy novels. The themes in his writings are timeless: personal journeys, exploration, excellence, growth, philosophy, art, satisfaction and happiness, religion, politics, individualism, natural history, life, love, loss, redemption, and beauty.  Peart wanted every person to persevere through individual trials, find unique gifts and abilities and, ultimately, true happiness. He did not just profess such things; he lived them. Never satisfied with second best or any form of defeat, Peart challenged himself to live up to his own philosophy. And he always succeeded with grace, which earned him even more fervent admirers. Since his death in 2020, Neil Peart has continued to inspire thousands through his music, his words, and his example.  This book—revised and expanded to incorporate Peart’s final years—carefully examines the influence that his life, his witness, and his words have had on others. Neil Peart lived life to the fullest, and he made us each better for it. “Includes some of the strongest analysis of Peart’s lyrics that you’ll find, and does a rigorous job of nailing down the tenets of Peart’s ever-evolving philosophy.” —PROG Magazine

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  92 Acharnon Street - A Year in...

  Jon Lucas

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  Greece has always had its admirers, though none seems to have cherished the Athenian tavernas, the murderous traffic and the jaded prostitutes, the petty bureaucratic tyrannies, the street noise and the heroic individualists with the irony and detachment of John Lucas. 92 Acharnon Street is a gritty portrait of a dirty city and a wayward country. Yet Lucas's love for the realities of Greece triumphs -for the Homeric kindness of her people towards strangers, for the pleasures of her tavernas and for the proximity of islands in clear blue water as a refuge from the noise and pollution of her capital city. This is Greece as the Greeks would recognise it, seen through the eyes of a poet.

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  Scotland Yard's First Cases - A...

  Joan Lock

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  When Scotland Yard’s first detective branch was set up in 1842, crime was very different from today.The favoured murder weapon was the cut-throat razor; carrying a pocket watch was dangerous; the most significant clue at a murder scene could be the whereabouts of a candlestick or hat; large households (family, servants and lodgers) complicated many a case; and servants sometimes murdered their masters.Detectives had few aids and suffered many disadvantages.The bloody handprints found at two early murder scenes were of no help, there being no way of telling whether blood (or hair) was human or animal.Fingerprinting was 50 years away, DNA profiling another hundred, and photography was too new to help with identification.The detectives had no transport and were expected to walk the first three miles on any enquiry before catching an omnibus or cab and trying to recoup the fares.All reports had to be handwritten with a dip pen and ink, and the only means of keeping contact with colleagues and disseminating information was by post, horseback or foot. In spite of these handicaps and severe press criticism, the detectives achieved some significant successes.Joan Lock includes such classic cases as the First Railway Murder, as well as many fascinating, fresh reports, weaving in new developments like the electric telegraph against a background of authentic Victorian police procedure.Charles Dickens said that Scotland Yard detectives gave the impression of leading lives of strong mental excitement. Listeners of this book will understand why....

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  Kook - What Surfing Taught Me...

  Peter Heller

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  With grit, poetry, and humor, Peter Heller, acclaimed author of The Whale Warriors, recounts his remarkable journey of discovery-of surfing, an entirely new challenge; of the ocean's beauty and power; of the strange surf subculture; of love; and, most of all, of how to seek adventure while crafting a meaningful life.Having resolved to master a big-hollow wave-that is, to go from kook (surfese for beginner) to shredder-in a single year, Heller travels from Southern California down the coast of Mexico in the company of his girlfriend and the eccentric surfers they meet. Exuberant and fearless, Heller explores the technique and science of surfing the secrets of its culture, and the environmental ravages to the stunning coastline he visits.As Heller plumbs the working of his own heart and finds joy in both love and surfing, he affords listeners vivid insight into this fascinating world, with all of its perils and pleasures, its absurdity and wonder. Exhilarating, entertaining, and moving, Kook is a love story between a man and his surfboard, a man and his girlfriend, a not-so-old man and the sea.

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  Where's Your Mama Gone? - A True...

  Kay O'Gorman

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  How bad does it have to be for a mother to leave?
  It would have been easy to say that Kay O'Gorman just continued the cycle of her own neglect and abandonment, but she thought that too easy an excuse. It would have been easy to place the blame on her own traumatic childhood, on the early death of her mother, on her domineering but charismatic father. To escape this background, she married early but, like many such marriages, it was not a happy union. She hoped that children would change things, but they did not.
  Her circumstances grew ever more desperate. Kay fled. She formed a new relationship, but her sense of guilt at having abandoned her children oppressed her to the point that she herself developed problems with alcohol. It took a long time, but finally she sorted out her life.
  In Where's Your Mama Gone?  she writes with unflinching truth about her past and the motivations for her actions. It recalls an Ireland of casual cruelty, all-powerful authority figures, sexual ignorance and non-existent choice.

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