Begleiten Sie uns auf eine literarische Weltreise!
Buch zum Bücherregal hinzufügen
Grey
Einen neuen Kommentar schreiben Default profile 50px
Grey
Jetzt das ganze Buch im Abo oder die ersten Seiten gratis lesen!
All characters reduced
Polish Joke - And Other Plays - cover

Polish Joke - And Other Plays

David Ives

Verlag: Grove Press

  • 0
  • 0
  • 0

Beschreibung

A collection of four works from the American playwright known as “wizardly . . . magical and funny . . . a master of language” (The New York Times).   This collection brings together four full-length plays from the same dazzling pen that produced the one-act comic masterpieces of All in the Timing.  Polish Joke is about a young Polish-American’s trip through ethnic stereotypes. Nine-year-old Midwesterner Jan Bogdan Sadlowski, nicknamed Jasiu, is told by his uncle that Poles are thought to be “backward, stupid, inept, and gloomy.” The only way out is for Jasiu “to impersonate someone not Polish.”   In Don Juan in Chicago, a Renaissance innocent makes a deal with the devil, only to become a reluctant Latin lover.  Ancient History is a comedy-drama about the holy war that breaks out when two people from two very different cultures fall in love.  The Red Address paints a searing portrait of a man with a secret who is forced by tragedy into self-revelation.  Praise for David Ives   “A pitcher with a great many tricks up his sleeve. He throws like an all-star . . . mixing comedic moods and styles with a dizzying assortment of changeups.” —The New York Times  Polish Joke   “Ives skillfully climbs the slippery slope of political incorrectness without a single mean-spirited stumble.” —CurtainUp  Don Juan in Chicago   “Ives invents an irresistible premise and has fun making good on its promise.” —Los Angeles Times  Ancient History   “A riveting theatrical experience.” —Show Business  The Red Address “Mix Glengarry Glen Ross with Glen or Glenda . . . A tough-talking drama that mixes business sharks, blackmail, cross-dressing and murder.” —Variety
Verfügbar seit: 01.12.2007.
Drucklänge: 356 Seiten.

Weitere Bücher, die Sie mögen werden

  • Made in China (NHB Modern Plays) - cover

    Made in China (NHB Modern Plays)

    Mark O'Rowe

    • 0
    • 0
    • 0
    From the award-winning writer of Howie the Rookie comes this blackly comic drama set in a crazed, completely re-imagined Dublin underworld, full of martial arts, rogue cops and savage low-lifes.
    Paddy's weapons of choice are baseball bats and fists. Kilby (who imagines himself as something of an artist) prefers the skill of karate, which he practises on Hughie – who just wants to break the pins of the guy who put the one-legged palmist in hospital... A dreadful accident sets in motion a violent tug-of-war between two criminal footsoldiers over the loyalty of the third. Self-loathing, guilt and loneliness emerge in this frenzied narrative, culminating in a blistering battle for survival.
    'this is pure, exhilaratingly irresponsible theatre' - Guardian
    Zum Buch
  • The Poetry of Charlotte Mew - London born Victorian Poet who wowed peers such as Hardy Woolf & Sassoon - cover

    The Poetry of Charlotte Mew -...

    Charlotte Mew

    • 0
    • 0
    • 0
    Charlotte Mary Mew was born on 15th November, 1869 in London to professional parents – her father was responsible for the design of Hampstead Town Hall. 
     
    Charlotte, one of seven children; three of whom died in early childhood, was educated at Lucy Harrison's School for Girls and attended lectures at University College, London. 
     
    In 1898 her father died but failed to make provision for the family. Her mother, anxious about the family's social standing, did not want that known even though there was heavy ongoing expense for two other siblings who were in mental institutions. 
     
    However for Charlotte helping to support this overhead and her mother and sister, Anne, meant that her ambition to be a paid writer must now become a reality. Initially this meant prose - her poetry was to gestate until later in life. 
     
    During this time Charlotte and Anne made a pact never to marry for fear of passing on insanity to their children. 
     
    As a writer Charlotte was a modernist, resisting the shackles of Victorian society's suffocating demands on behaviour especially for women. Despite her diminutive figure and dainty feet, she wore trousers, kept her hair short, smoked roll ups, was a Lesbian and tried to appear masculine. 
     
    Her difficult family life, although her close relationship with Anne was a constant source of comfort and companionship until her death in 1927, was coupled with rejection in her personal life but also provided inspiration for her wonderfully insightful and original poetry that you can read here. 
     
    Despite her fans including Thomas Hardy, Virginia Woolf and Siegfried Sassoon, Charlotte's works have been shamefully neglected. With your help we hope to put that right with this collection of her best poems. 
     
    Charlotte Mew died on 24th March in 1928 and was buried at Hampstead Cemetery. 
     
    01 - The Poetry of Charlotte Mew - An Introduction 
    02 - The Farmer's Bride by Charlotte Mew 
    03 - Madeline in Church by Charlotte Mew 
    04 - The Voice by Charlotte Mew 
    05 - Ken by Charlotte Mew 
    06 - Moorland Night by Charlotte Mew 
    07 - The Trees Are Down by Charlotte Mew 
    08 - In the Fields by Charlotte Mew 
    09 - I So Like Spring by Charlotte Mew 
    10 - The Forest Road by Charlotte Mew 
    11 - On the Asylum Road by Charlotte Mew 
    12 - On the Road to the Sea by Charlotte Mew 
    13 - Sea Love by Charlotte Mew 
    14 - Pecheresse by Charlotte Mew 
    15 - Monsieur Qui Passe by Charlotte Mew 
    16 - A Quoi Bon Dire by Charlotte Mew 
    17 - My Heart is Lame by Charlotte Mew 
    18 - The Fete by Charlotte Mew 
    19 - Fin de Fete by Charlotte Mew 
    20 - The Sunlit House by Charlotte Mew 
    21 - Not For That City by Charlotte Mew 
    22 - May 1915 Charlotte Mew 
    23 - The Centoaph by Charlotte Mew 
    24 - In Nunhead Cemetery by Charlotte Mew
    Zum Buch
  • Mamiaith - cover

    Mamiaith

    Ness Owen

    • 0
    • 0
    • 0
    Ness Owen lives on Ynys Môn off the North Wales coast. This is her first collection, and is partly bilingual. The poems journey widely from family and motherhood, to politics, place and belonging: an underlying connection to the earth of Ness' home, that feeds a longing/desire/determination to write in the Mamiaith (Mothertongue) that she speaks, but did not learn to write fluently. The interplay of languages and the shifts of meaning from one to the other feed the musicality of the poems.
    Most of the poems were written in English, five have been additionally translated into Welsh (with help from Sian Northey) one was written in Welsh and translated into English by Ness.
    Zum Buch
  • A Pinch of Salt - cover

    A Pinch of Salt

    Robert Graves

    • 0
    • 0
    • 0
    LibriVox volunteers bring you 19 different recordings of A Pinch of Salt by Robert Graves.    Perhaps now best known as the author whose book of the same name inspired the Masterpiece Theater series I, Claudius, Robert Graves wrote prolifically throughout his 90 years, concentrating on myth in a scholarly vein. Many of his works were academically controversial. And yet, first and foremost, he considered himself a poet. This poem, which first appeared in 1920, shows Graves to be not only a careful and cautious man, but also exceedingly passionate (Summary by Alan Davis-Drake).    This was the weekly poetry project for the week of June 3rd, 2007.
    Zum Buch
  • Domesticated Volume Two - cover

    Domesticated Volume Two

    James Domestic

    • 0
    • 0
    • 0
    In the second Domesticated instalment, East Anglian punk poet, James Domestic, is once again taking potshots at work, so-called-punk-rock, outdoor and indoor pursuits, aging, right wing lunatics, politics, feet, and himself. As if that wasn’t enough, you’ll also find his trademark surrealism, sarcasm, and quintessentially British whimsy applied to animals, emails, food, and the power of music, alongside his idiosyncratic illustrations, and photographs from his murky past. A man in too many bands to count, a solo artist, a vocalist, a songwriter, a DJ, a poet, a painter, and a punk. James Domestic failed miserably at school through the distractions of music, alcohol, and girls, spent his early post-school life between the chemical factory and the dole, and somehow now has a PhD. A square peg in life’s round hole. A face that never fitted. He couldn’t care less. Come along for the ride. “A sardonic, sarcastic wit, a penchant for the surreal, and a dynamic pace” (Nathan Brown, Louder Than War) “Words that bite, belch, and bleed in their brilliance” (Mark Grist, multi-award-winning poet and battle rapper) “A unique collection of poetic ventures into the human condition, with humour, anger, and a canny use of language: inspired and inspiring!” (Dick Lucas, Subhumans, Culture Shock etc.) “Relentless” (Attila the Stockbroker, social surrealist poet and songwriter).
    Zum Buch
  • Room Swept Home - cover

    Room Swept Home

    Remica Bingham-Risher

    • 0
    • 0
    • 0
    In a strange twist of kismet, Remica Bingham-Risher's paternal great-great-great grandmother, Minnie Lee Fowlkes, is interviewed for the Works Progress Administration Slave Narratives in Petersburg, Virginia in 1937, and her maternal grandmother, Mary Knight, is sent to Petersburg in 1941, diagnosed with "water on the brain"—postpartum depression being an ongoing mystery—nine days after birthing her first child. Braiding meticulous archival research with Womanist scholarship and her hallmark lyrical precision, Bingham-Risher's latest collection of poems treads the murky waters of race, lineage, faith, mental health, women's rights, and the violent reckoning that inhabits the discrepancy between lived versus textbook history, asking: What do we inherit when trauma is at the core of our fractured living? Utilizing primary and secondary sources, Bingham-Risher weaves together a richly textured vision of her foremothers' everyday and exceptional living: two very different women at opposite ends of their lives, converging upon the same space and time. The lives these women inhabit and generations they fostered add infinite layers to the fabric of the American tapestry. Room Swept Home serves as a gloriously rendered portrait of all that is held in the line between the private and public, the investigative and generative, the self and those who came before us.
    Zum Buch