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  The Life of Riley Collection 1

  Black Eye Entertainment

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  Created by Irving Brecher, The Life of Riley  starred William Bendix as Brooklyn-born Chester A. Riley, a family man who worked as an airplane riveter at the fictional Cunningham Aircraft plant in California. The stories were usually set at home, cheerfully disrupting life with his malapropisms and ill-timed intervention into minor problems. His stock answer to every turn of fate "what a revoltin' development this is!" became a popular catch phrase. Paula Winslowe was Riley's wife, Peg; John Brown doubled as undertaker "Digger" O'Dell and as Riley's co-worker, Jim Gillis; Tommy Cook, Bobby Ellis and Scotty Beckett each played the role of Riley's son, Junior; and Sharon Douglas played the Riley's daughter, Babs. Alan Reed (the voice of Fred Flintstone) played multiple characters, including Riley's boss, Mr. Stevenson and Peg's father. Whereas Gillis gave Riley bad advice that got him into trouble, Digger gave him good advice that "helped him out of a hole." The Life of Riley aired on radio from 1944 until 1951 making a successful transition to television in 1949. Due to a contract dispute, Bendix couldn't initially play Riley on television so the role went to Jackie Gleason. In 1953, William Bendix was free to star as Riley on the small screen and continued with it until 1958.  
   
  10/5/46 "Good Neighbor Week"12/28/46 "New Year's Eve"3/29/47 "The New Chair"4/5/47 "Accused of being a Child Beater"4/12/47 "Is Peg Cheating?"4/19/47 "Riley think Junior is a Coward"5/3/47 "Launching Babs into Society"5/10/47 "Mother's Day Show"6/7/47 "Courting Peg at Camp"6/14/47 "Soap Box Derby"6/28/47 "Vacation without the Wives"7/5/47 "Riley Thinks Peg is Leaving Him"

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  Jez Butterworth Plays: Two (NHB...

  Jez Butterworth

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  When Jez Butterworth's Jerusalem premiered at the Royal Court Theatre, London, in 2009, it served notice of an astonishing development in the career of a writer whose debut, Mojo, had premiered on the same stage nearly fifteen years before.
  Unearthing the mythic roots of contemporary English life, and featuring Mark Rylance in an indelible central performance as Johnny 'Rooster' Byron, the play transferred to the West End and then to Broadway, before returning to the West End in 2011. 'Storming… restores one's faith in the power of theatre' Independent. 'Unarguably one of the best dramas of the twenty-first century' Guardian.
  Jerusalem was followed by the bewitching chamber play The River (Royal Court, 2012), a 'magnetically eerie, luminously beautiful psychodrama' Time Out. 'A delicately unfolding puzzle… all of it is wrapped in marvellous language… extraordinary' The Times.
  This volume concludes with the multi-award-winning The Ferryman (Royal Court and West End, 2017; Broadway, 2018), an excavation of lives shattered by violence, set in a farmhouse in Northern Ireland in 1981. 'A richly absorbing and emotionally abundant play… an instant classic' Independent. 'A magnificent play that uses, brilliantly, the vitality of live theatre to express the deadly legacy of violence' Financial Times.
  Also included here is the screenplay for the short film The Clear Road Ahead (2011), published here for the first time, and an edited transcript of a conversation between Butterworth and the playwright Simon Stephens.

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  Happy Talk - A Play

  Jesse Eisenberg

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  A suburban woman with a love for community theater attempts to play matchmaker in this play by the Academy Award–nominated actor. 
   
  Lorraine is a saint of the suburbs. On top of trying to save her dying mother, miserable husband and estranged daughter, she’s starring as Bloody Mary in the Jewish Community Center production of South Pacific. When her mother’s home aide, Serbian immigrant Ljuba, asks for help finding a husband, Lorraine takes on her most challenging role to date: matchmaker. 
   
  In Jesse Eisenberg’s hysterical and devastating play, Happy Talk, he reveals the absurd lengths people go to save themselves in the name of saving others.

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  Out of Love (NHB Modern Plays)

  Elinor Cook

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  A tale of friendship, love and rivalry over thirty years from award-winning playwright Elinor Cook.
  Lorna and Grace do everything together. They share crisps, cigarettes and crushes. That's what happens when you're best friends forever.
  But when Lorna gets a place at university, and Grace gets pregnant, they suddenly find themselves in starkly different worlds. Can anything bridge the gap between them?
  Elinor Cook's play Out of Love was first produced in 2017 by Paines Plough in their pop-up theatre, Roundabout, in a co-production with Theatr Clywd and the Orange Tree Theatre.

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  Remotely Annoying

  Larry Enright

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  This 1 hour, 3 actor, 3 scene comedy is meant to be enjoyed with friends around the dinner table after a good meal and plenty of libations.  
  The premise: The two main characters, Albert and Larry, are 80 year-old twins who have been picking at each other all their lives. They share an apartment, have just purchased a new TV, and are having some difficulty getting it to work. Sounds simple, but things go downhill fast from there and eventually off the cliff when the landlord arrives. The play has a lot of quick back-and-forth dialog so it reads like a comedy routine. It can be performed sitting around the table if someone is reading the stage directions. Actual age of actors is not important. 
  Minimum props required: TV remote, cell phone, two pieces of paper with Awww! and Clap! written on them, two foldout brochures of any kind to function as TV Quick Start Guide and headphone guide. The rest can be mimed. 
  If your plan is to perform it onstage, go for it. You have my blessing as long as you credit the work. Posting a review with a pic of the production would be possibly hilarious, but definitely cool. 
  ​​​​​​​Reviews: The Lansdowne Times might call Remotely Annoying the funniest thing since sliced bread, but nobody thinks sliced bread is funny and there is no Lansdowne Times. However, this play has been fully tested and approved by 8 brave souls who, shall they rest in peace, died laughing. 

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  Japanese Poetry

  Various Various

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  The classical poetry of Japan focuses on direct experience of fleeting moments, in total contrast with its Occidental counterpart. These seminal poems were passed down orally, before great collections assembled works of art spanning several centuries in written form as early as the 8th century, from the Kojiki to the Kokinshu. Later, a number of female writers rose to prominence (Murasaki Shikibu, Sei Shonagon); then in the 17th century, the haiku form became extremely popular, in large part due to the work of Matsuo Basho, a prolific writer and traveler.Discover a selection of the most important poems of classical Japan, beautifully translated, as an immortal evanescence.

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