Weitere Bücher, die Sie mögen werden

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  Blood of the Sun - Poems

  Salgado Maranhão

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  “A perfect English rendering of Salgado Maranhão’s deft expression of the tonality of this people and land.” —Gregory Rabassa, acclaimed American translator 
   
  In poems brilliantly textured and layered, Salgado Maranhão integrates socio-political thought with subjects abstractly metaphysical. Concrete collides with conceptual—butcher shops, sex, and machine guns in conversation with language, absence, and time—resulting in a collection varied as well as unified, an aesthetic at once traditional and postmodern. Writing in forms both fixed and free, Maranhão’s language suggests a jazz-like musicality that rings true in Alexis Levitin’s masterful translations. For readers who enjoy the complexity of Charles Simic, or the stylistically innovative syntax of César Vallejo, Maranhão’s Blood of the Sun is a sensually provocative amalgamation of both. 
   
  “Alexis Levitin’s translation of the Afro-Brazilian poet Salgado Maranhão’s Blood of the Sun succeeds in negotiating the quirky experimental richness of Maranhão’s Pre-Columbian, Amazonian, and Yoruba influences with his traditional rhymed lyrics and jazz-like syncopations . . . Levitin skillfully alerts us to the presence of a complex and offbeat poet whose work merits a wide audience.” —Colette Inez, author of The Secret of M. Dulong 
   
  “What we see are classic themes of chivalry, reflections on the rural, a playful, imaginative use of language, a mix of romance and realism, and—oh yes—love, lyric narratives of calm resignation.” —Harvest Time 
   
  “Salgado Maranhão deliberately stretches the meanings of words up to their very limits to see if he can get more meaning out of words than they normally have.” —Plattsburgh Press-Republican

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  Beacon Hill - Series 1 -...

  Jerry Robbins

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  New England. 1898. The Prescott Family is Boston. In that bygone golden age, Patriarch Charles presides over both his shipping line and family with a sure and strong hand, while wife Jocelyn is feeling her authority usurped by her powerfully minded mother-in-law, Augusta. Their children, Marietta, Aurora and Barton find themselves trying to make their way in a constantly changing world - filled with social upheaval and technological advancements.  The Prescott's house staff goes about their duties under the supervision of the taciturn butler, Williams. Effortlessly integrating historical events into its narrative (including the second running of the American Marathon - later re-named the Boston Marathon), and filled with intrigue, warmth, and drama writ large, the Colonial Radio Theatre invites you into the Prescott household for an evocative, unforgettable depiction of Boston life as lived by those who set the pace.  Williams has set an extra place for you at the table - won't you join us on Beacon Hill?

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  Rubáiyát of Omar Khayyám The...

  Omar Khayyám

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  Rubaiyat of Omar Khayyam. The Rubáiyát is a collection of poems, originally written in the Persian language and of which there are about a thousand, attributed to the Persian mathematician and astronomer Omar Khayyám (1048 – 1123). Rubaiyat" (derived from the Arabic root word for 4) means "quatrains": verses of four lines." (summary from Wikipedia.)

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  What Day Is It? - Who Gives a...

  Jan Brierton

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  POEMS AND ILLUSTRATIONS INSPIRED BY LOCKDOWN
  Before the COVID-19 global pandemic, Dubliner Jan was working as a freelance fashion stylist and creative director. Now, she is an experienced homeschool teacher, playground chaperone, cook, cleaner, fed-up walker and kitchen disco DJ. At the height of the restrictions, Jan's own internal dialogue finally tumbled onto the page. The result is this book of poems: raw, honest and funny observations on family and relationships, on feeling a bit crap and being perfectly imperfect.
  Jan's lyrical writings offer a fresh perspective on modern life, written with humour, heart and honesty.
  What Day Is It? Who gives a f*ck expresses all the rage, loss,fun and love that have stunned and occupied us since March 2020.
   

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  The Merchant of Venice

  William Shakespeare

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  “How far that little candle throws his beams! So shines a good deed in a weary world.”Bassanio is a man in love, but he does not have much money to his name, and thus is unable to woo the rich heiress Portia. His friend Antonio suggests that they borrow money from Shylock, a Jewish moneylender who has had many dealings with Antonio in the past. Shylock, being of Antonio’s ability to repay, agrees to grant the loan with a difficult condition. If the loan is not repaid in full by the agreed date, Shylock will take a pound of Antonio’s flesh.The loan is not paid in time, and what follows is a dramatic courtroom scene in which Shylock’s demands are met with legal intricacies that turn the tables on him. The lengthy legal discussion ends up with lives and fortunes on the line, and through the opposition’s knowledge of in-depth legal rules and policies, the result of the trial is not what anyone expects. Depending on the critical lens with which this text is approached, Shylock or Antonio can each be portrayed as the villain or hero from a certain point of view.The Merchant of Venice is often read and analyzed for its portrayal of Judaism and antisemitism, its spin on the common courtroom drama, and for Shakespeare’s signature witty writing and observations about humanity. It is a play that, like many of Shakespeare’s works, can be read and interpreted in many ways, and leaves the final judgments of the characters to the audience to decide.

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  Catch A Liar

  Vicky Vanna

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  After a chance meeting between a European DJ and an elite Arabic businessman at an airport, the narrative unfolds as we discover that all is not what it seems... The story transpires in the luxurious Arabian backdrop of Dubai. In the superficial, dazzling gold leafed, wealthy world of Dubai. The story challenges stereotypes of Arabic culture along with themes of the collision of opposite worlds, mistrust, mystery and curiosity.

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