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  Arabian Nights (RSC Version)

  Dominic Cooke

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  A simple and delightfully inventive re-telling of the stories from the Arabian Nights. This revised edition was published alongside the Royal Shakespeare Company's production in 2009.
  It is wedding night in the palace of King Shahrayar. By morning, the new Queen Shahrazad is to be put to death like all the young brides before her. But she has one gift that could save her - the gift of storytelling.
  With her mischievous imagination, the young Queen spins her dazzling array of tales and characters. On her side are Ali Baba, Es-Sindibad the Sailor and Princess Parizade - adventurers in strange and magical worlds populated by giant beasts, talking birds, devilish ghouls and crafty thieves. But will her silver-tongued stories be enough to enchant her husband and save her life?
  'Superb... weaves a potent spell of enchantment as it moves from cruelty to happiness and from the blissfully ribald to the deeply affecting' Telegraph
  'A masterful piece of storytelling... a truly magical piece of theatre that delights the senses' Whatsonstage.com
  'The family show to see this le' Guardian

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  The Poet Laureates Volume 1

  John Skelton, Ben Jonson, Edmund...

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  Poet Laureates. Volume 1.  The office of Poet Laureate is a high honour amongst poets. The Ancient Greeks had the first idea and their heroes and Poets wore wreaths of Laurel in honour of the god Apollo.  Many countries now have a Laureate as do many societies and organisations.  But perhaps ranked first among them all is that of our own Poet Laureate. Unfortunately no single authentic definitive record exists of the office of Poet Laureate of England.  In some form it can be traced back to 1189 and Richard Canonicus who was employed by Richard I with the title “versificator Regis”.  It is said that Geoffrey Chaucer was called Poet Laureate, being granted in 1389 an annual allowance of wine.   After that there were a succession of ‘volunteer Laureates’.  It is not until 1617 that King James I created the post as it is known today for Ben Jonson, although it appears not to have been a formal appointment. That formality:- The title of Poet Laureate, as a royal office, was first conferred by letters patent on John Dryden in 1670 And from there we have procession of outstanding poets among them William Wordsworth, Alfred Lord Tennyson and Alfred Austin.  Among our readers are Richard Mitchley and Ghizela Rowe.

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  Sorrow Tears and Blood - Poetry...

  David Onamade

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  David’s book is one of despair and hope; one that paints a picture of our society that is both dark and broken up by fleeting rays of light. From his plight on the streets in one of England’s richest regions, to the interactions of people he observes and encounters every day, to the impacts of Covid-19 and the changing seasons – this is poetry and prose at its most powerful. It is a book that reveals the double-talk of homeless service provision – a society that consigns people as worthless without knowing their backgrounds; which assumes that homelessness is a choice rather than a predicament. It is impossible not to have read this book and come away changed: to feel the biting need to make a difference and sense of injustice as to why so many individuals – people who could otherwise fulfil their potential, for the benefit of others as well as themselves – are thrown cruelly to the fringes. 
   

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  Don't Call Us Dead - Poems

  Danez Smith

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  Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power.Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality—the dangers experienced in skin and body and blood—and a diagnosis of HIV positive. "Some of us are killed / in pieces," Smith writes, "some of us all at once."Don't Call Us Dead is an astonishing and ambitious collection, one that confronts, praises, and rebukes America—"Dear White America"—where every day is too often a funeral and not often enough a miracle.

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  The Tent Generations -...

  Fadwa Tuqan, Salem Jubran,...

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  From the Introduction by Mohammed Sawaie:
  The Palestinian poets included in The Tent Generations, Palestinian Poems represent different age groups and backgrounds, yet they all express a strong sense of "Palestinian-ness". They include Israeli citizens, the offspring of those who remained in Palestine after 1948. They also include poets who lived or continue to live in the West Bank and Gaza, areas that are still occupied, or controlled by Israelis as of this writing. Finally, they include poets born in Palestine, but whose families were expelled, or migrated to neighboring Arab countries as a result of the Arab-Israeli wars of the Nakba in 1948, and then of 1967 and 1973.
  The educational backgrounds of the poets represented here vary. Salem Jubran, Samih al-Qasim, Tawfiq Zayyad, and Marwan Makhoul, for example, were products of the Israeli educational system. Others attended institutions of learning in various Arab countries. Fadwa Tuqan received little formal education in her city of Nablus; she, however, acquired instruction in language, support in writing poetry, and encouragement to publish her poems from her brother, the well-known poet Ibrahim Tuqan, mentioned previously.
  All these poems are written in fusha Arabic, Modern Standard Arabic, the codified literary, written language shared by educated speakers of Arabic in their various respective regions. Palestinian folkloric poetry, referred to as al-Shi'r al-Sha'bi or Shi'r al-'Ammiyya, is not included in this work. Folk poetry, richly expressed orally in the Palestinian dialect, 'Ammiyya, embraces a variety of themes (national pride, panegyric, love, generosity toward guests/strangers, and so on), including the political themes expressed in the poems in this work. There is a rising interest in collecting and preserving this folkloric poetry, and several anthologies of oral poetry as well as studies have recently appeared.
  The 1948 Nakba, the wars of 1967 and 1973, and their subsequent tragic impact find expression in the work of Palestinian poets. Some of the authors in this collection had firsthand experience of the loss of home, and the up-rootedness from and destruction of their villages and cities. Others acquired knowledge of such experiences, the tragedy that befell Palestinians, through stories told by grandparents or parents, stories of hardship and deprivation transmitted from one generation to another. Thus, poets express in vocabulary specific to the Palestinian experience of the dispossession of homeland, the forced expulsion, the pain of living in the miserable conditions of refugee camps in the diaspora.

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  Baby's Own Aesop

  Walter Crane

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  "Baby's Own Aesop" presents the fables as one-stanza limericks, each "pictorially pointed" by Walter Crane, the noted painter and illustrator. He apprenticed to master wood-engraver, William James Linton, who furnished the draft of the book's poems for Crane to edit. "Baby's Own Aesop" is available in a beautiful facsimile edition of colored engravings from the International Children's Digital Library, with which your child can read along while listening to the recording. (Summary by Denny Sayers)

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