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  Morphine - This story is perhaps...

  Mikhail Bulgakov

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  Mikhail Bulgakov was born on 15th May 1891 in Kiev, in the Kiev Governorate of the Russian Empire, into a Russian family.  He was one of seven children. 
   
  In 1901, Bulgakov attended the First Kiev Gymnasium, and developed a keen interest in Russian and European literature, theatre and opera.  After the death of his father in 1907, his mother assumed responsibility for his education.  After graduating Bulgakov entered the Medical Faculty of Kiev University and then took up a post as physician at the Kiev Military Hospital. 
   
  At the outbreak of the First World War, he volunteered as a doctor and was sent directly to the front, where he was badly injured at least twice.  To suppress chronic pain, especially in the abdomen, he injected morphine.  It took years to wean himself off. 
   
  He now took up medical posts in various towns and in 1919, he was mobilised by the Ukrainian People's Army and assigned to the Northern Caucasus.  There, he became seriously ill with typhus and barely survived.  
   
  After this illness, Bulgakov abandoned his medicine to pursue writing.  He moved to Vladikavkaz and had two plays staged there with great success.  He wrote too for various newspapers and other outlets, but his critics were many.  And growing. 
   
  When a Moscow's theatre director severely criticised Bulgakov, Stalin personally protected him, saying that a writer of Bulgakov's quality was above ‘party words’ like ‘left’ and ‘right’.   Indeed, it is said that Stalin watched ‘The Days of the Turbins’ at least 15 times. 
   
  It was not to last and by March 1929, Bulgakov's career was ruined when Government censorship stopped publication of any of his work and plays. 
   
  In despair, Bulgakov wrote a personal letter to Stalin.  He requested permission to emigrate.  He received a phone call from the Soviet leader, who asked the writer whether he really desired to leave. He replied that a Russian writer cannot live outside of his homeland.  Stalin thus gave him permission to continue working. In May 1930, he re-joined the theater, as stage director's assistant.  
   
  During the last stressful decade of his life, and in poor health, Bulgakov continued to work on ‘The Master and Margarita’, wrote plays, critical works, stories, and continued translations and dramatisations of novels.  Many of them were not published, others were derided by critics.  
   
  On 10th March 1940, Mikhail Afanasyevich Bulgakov died from nephrosclerosis.  He was 48. 
   
  ‘The Master and Margarita’ was not published in any form until the mid-1960’s 
   
  In this story Bulgakov relates the terrifying and hellish descent into addiction that seems so avoidable and yet so chillingly not.

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  Paying the Price 1 - Mothers and...

  Paula Mann

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  Master Matchek is a Czechoslovakian maths teacher in his mid-fifties who has two great passions. He loves maths and he loves spanking women's bottoms, both young and old. He has a reputation for getting his girls very high marks in their final exams but his reputation for spanking girls who do not do their homework or wear the wrong clothes for his extra lessons is also well known. In book 1, Layla Turnbull is spanked so that the tutor will let her daughter Chloe attend the extra maths lessons. After that Chloe and her mother are spanked regularly when Chloe makes mistakes. Chloe’s friend Mary is also spanked regularly and their mothers admit that they enjoy the spankings. 
  Another great story 
  Another great story well written. I really enjoyed reading this book and can not wait for the sequel. Keep up the great writing

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  Classic Short Stories - Volume...

  Edith Nesbit, Stacy Aumonier,...

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  Stories are one of mankind’s greatest artistic achievements.  Whether written down or spoken they have an ability to capture our imagination and thoughts, and take us on incredible journeys in the space of a phrase and the turn of a page. 
   
  Within a few words of text or speech, new worlds and characters form, propelling a narrative to a conclusion with intricate ease. Finely crafted, perfectly formed these Miniature Masterpieces, at first thought, seem remarkably easy to conjure up. But ask any writer and they will tell you that distilling the essence of narrative and characters into a short story is one of the hardest acts of their literary craft.  Many attempt, but few achieve.

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  Wessex Tales

  Thomas Hardy

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  Wessex Tales (1888) by Thomas Hardy is a collection of short stories. Hardy writes of the true nature of nineteenth century marriage and its inherent restrictions, the use of grammar as a diluted form of thought, the disparities created by the role of class status in determining societal rank, the stance of women in society and the severity of even minor diseases causing the rapid onset of fatal symptoms prior to the introduction of sufficient medicinal practices. A focal point of all the short stories is that of social constraints acting to diminish one's contentment in life, necessitating unwanted marriages, repression of true emotion and succumbing to melancholia due to constriction within the confines of 19th century perceived normality.

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  The Washington Irving Library

  Washington Irving

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  Washington Irving's tales of romance, travel, biographical discourse, and literary musing introduced such classic characters as Rip Van Winkle, Ichabod Crane, and the Headless Horsemen of Sleepy Hollow. A sage, storyteller, and wit, Irving earned his preeminence in early American literature with these miniature masterpieces that have stood the test of time. This collection includes seven tales read by a variety of noteworthy actors and actresses: “Rip Van Winkle” read by Elliott Gould “The Legend of the Rose of the Alhambra” read by Eleanor Mondale “The Devil and Tom Walker” read by Efrem Zimbalist Jr. “Life Rural in England” read by Efrem Zimbalist Jr. “The Pride of the Village” read by Jamie Farr ”The Widow and Her Son” read by Susan Anspach ”The Legend of Sleepy Hollow” read by Efrem Zimbalist Jr.

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  Out There - A Short Tale of the...

  Justine Avery

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  It's a day just like any other day... until something utterly unfamiliar suddenly lands in your back yard. 
   
  Susan is the epitome of the happy housewife, contentedly conducting her daily ritual of cleaning her home and keeping everything just as it should be. Wrapped up in her own little world within those familiar walls, she hardly notices the altogether different arrival in her own back yard.She may ignore the sudden shaking beneath her slippered feet, she might even neglect to spot the conspicuous sight itself—but she can't evade the stench.Something's wrong. Very wrong. And Susan's incapable of determining just what to do about the uninvited eyesore in her back yard.Turning to her best friend for help with the impromptu emergency threatening to shake up her very existence and happy home, Susan combines efforts with neighbor Trisha to decipher the composition and meaning of the frightfully large and utterly unpleasant new arrival.But are these two women really capable of realizing the gift of new awareness they've just been given by an unseen entity? Or will they continue to fail to see the world that exists out there? 
   
  What a difference a day makes... unless you choose to ignore it.

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