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  Why Harry Met Sally - Subversive...

  Joshua Louis Moss

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  From immigrant ghetto love stories such as The Cohens and the Kellys (1926), through romantic comedies including Meet the Parents (2000) and Knocked Up (2007), to television series such as Transparent (2014–), Jewish-Christian couplings have been a staple of popular culture for over a century. In these pairings, Joshua Louis Moss argues, the unruly screen Jew is the privileged representative of progressivism, secular modernism, and the cosmopolitan sensibilities of the mass-media age. But his/her unruliness is nearly always contained through romantic union with the Anglo-Christian partner. This Jewish-Christian meta-narrative has recurred time and again as one of the most powerful and enduring, although unrecognized, mass-culture fantasies. Using the innovative framework of coupling theory, Why Harry Met Sally surveys three major waves of Jewish-Christian couplings in popular American literature, theater, film, and television. Moss explores how first-wave European and American creators in the early twentieth century used such couplings as an extension of modernist sensibilities and the American “melting pot.” He then looks at how New Hollywood of the late 1960s revived these couplings as a sexually provocative response to the political conservatism and representational absences of postwar America. Finally, Moss identifies the third wave as emerging in television sitcoms, Broadway musicals, and “gross-out” film comedies to grapple with the impact of American economic globalism since the 1990s. He demonstrates that, whether perceived as a threat or a triumph, Jewish-Christian couplings provide a visceral, easily graspable, template for understanding the rapid transformations of an increasingly globalized world.

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  Terry Nation - The Man Who...

  Alwyn W. Turner

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  A “splendidly entertaining” biography of the British tv writer acclaimed for his invention of a fictional alien race for Doctor Who (Dominic Sandrook, author of State of Emergency—The Way We Were: Britain 1970–1974). 
   
  The Daleks are one of the most iconic and fearsome creations in television history. Since their first appearance in 1963, they have simultaneously fascinated and terrified generations of children, their instant success ensuring, and sometimes eclipsing, that of Doctor Who. They sprang from the imagination of Terry Nation, a failed stand-up comic who became one of the most prolific writers for television that Britain ever produced. Survivors, his vision of a post-apocalyptic England, so haunted audiences in the Seventies that the BBC revived it over thirty years on, and Blake’s 7, constantly rumored for return, endures as a cult sci-fi classic. But it is for his genocidal pepperpots that Nation is most often remembered, and now, more than 50 years after their creation they continue to top the Saturday-night ratings. Yet while the Daleks brought him notoriety and riches, Nation played a much wider role in British broadcasting’s golden age. He wrote for Spike Milligan, Frankie Howerd and an increasingly troubled Tony Hancock, and as one of the key figures behind the adventure series of the Sixties—including The Avengers, The Saint and The Persuaders!—he turned the pulp classics of his boyhood into a major British export. In The Man Who Invented the Daleks, acclaimed cultural historian Alwyn W. Turner, explores the curious and contested origins of Doctor Who’s greatest villains, and sheds light on a strange world of ambitious young writers, producers and performers without whom British culture today would look very different.

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  Arms and the Man

  George Bernard Shaw

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  It's 1885, and Raina's bourgeois Bulgarian family is caught up in the heady patriotism of the war with Serbia. The beautiful, headstrong Raina eagerly awaits her fiancé's victorious return from battle - but instead meets a soldier who seeks asylum in her bedroom. This is one soldier who definitely prefers romance and chocolate to fear and bullets. War may be raging on the battlefield, but it's the battle of the sexes that heats up this extraordinary comedy and offers very different notions of love and war.An L.A. Theatre Works full-cast performance featuring Al Espinosa, Jeremy Sisto, Teri Garr, Anne Heche, Micahel Winters, Jason Kravits and Sarah Rafferty.

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  Spanish Flu 1918 - PAST PRESENT...

  Oneida Powell

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  Spanish flu, history of the largest global pandemic that hit the world 100 years agoWWI The first wave The second waveCovid-19 and Spanish influence of 1918: analogies, differences, and lessons from the past which are also valid for the presentPathologica in the time of "Spanish flu"Etiology of the epidemicThe Spanish in the two sections of Pathological: "summary of recent publications" and "newsletter"Coronavirus, is it like Spanish?The mystery of Svalbard Coronavirus: four things we learned from Spanish fluTHE POLMONITE RISK.Spanish vs COVID: find the differencesThe Spanish flu: the pandemic that decimated the world populationSpanish flu: symptoms and deaths of the largest pandemic in historyAna, the 107-year-old woman who defeated two pandemics: Spanish flu and Coronavirus"Spanish" influence in 1918, COVID in 2020: a century later, still fragileThe Spanish influence shows what we may have to face againThe Lindenhof hospital in Bern and the Spanish flu Act on time.Lockdown Spanish influence in Eastern Europe: tales from Bulgaria, Romania, and PolandAnalysis of past stock market corrections 1918,Spanish influence: the second epidemic wave was proving worse than the first but the institutions minimizedThe still open questions of scienceAlways tell the truth: the most important lesson of the 1918 pandemicThe Spanish flu mystery of 1918: the pandemic killed 10 million people in two yearsThe history of vaccines How was the Spanish influence defeated?Because Covid-19 is not among the worst pandemics in historyThe second wave: autumn 1918 The experience of the pandemic among soldiers COVID-19 and Spanish influence

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  The American Museum of Natural...

  Colin Davey, Thomas A. Lesser

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  An extensive history of the American Museum of Natural History and Hayden Planetarium, featuring a cast of colorful characters. 
   
  The American Museum of Natural History is one of New York City’s most beloved institutions, and one of the largest, most celebrated museums in the world. Since 1869, generations of New Yorkers and tourists of all ages have been educated and entertained here. Located across from Central Park, the sprawling structure, spanning four city blocks, is a fascinating conglomeration of many buildings of diverse architectural styles built over a period of 150 years. The first book to tell the history of the museum from the point of view of these buildings, including the planned Gilder Center, The American Museum of Natural History and How It Got That Way contextualizes them within New York and American history and the history of science. 
   
  Part II, “The Heavens in the Attic,” is the first detailed history of the Hayden Planetarium, from the museum’s earliest astronomy exhibits, to Clyde Fisher and the original planetarium, to Neil deGrasse Tyson and the Rose Center for Earth and Space, and it features a photographic tour through the original Hayden Planetarium. 
   
  Author Colin Davey spent much of his childhood literally and figuratively lost in the museum’s labyrinthine hallways. The museum grew in fits and starts according to the vicissitudes of backroom deals, personal agendas, two world wars, the Great Depression, and the Cold War. Chronicling its evolution?from the selection of a desolate, rocky, hilly, swampy site, known as Manhattan Square to the present day?the book includes some of the most important and colorful characters in the city’s history, including the notoriously corrupt and powerful “Boss” Tweed, “Father of New York City” Andrew Haswell Green, and twentieth-century powerbroker and master builder Robert Moses; museum presidents Morris K. Jesup, Henry Fairfield Osborn, and Ellen Futter; and American presidents, polar and African explorers, dinosaur hunters, and German rocket scientists. 
   
  Features a new preface by the author and a new foreword by Neil deGrasse Tyson. 
   
  “This is, in many ways, a particularly American story, and anyone interested in history or museums will find this a very satisfying read. Author Colin Davey had a life-long love affair with the museum, growing up in New York and spending many, many hours happily lost in the museum collections, and that shines through in his writing as does his fine, in-depth research. Plenty of excellent graphics and photographs support this fascinating history.” —Seattle Book Review

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  Dragnet - Volume 11 - The Big...

  W.H. Parker, W.A. Wharton

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  Those first four notes of its theme tune were instantly recognised and announced the start of perhaps the most famous police procedural in history.  Set in Los Angeles and headed by police detective Sergeant Joe Friday the show has influenced all the many others that have followed in its illustrious footsteps. 
   
  It was based on real cases from police files. It described the methods used to track down the culprits and its technical language added to its authenticity.  It was a ratings hit year in, year out.  
   
  Played and produced by Jack Webb its pared-down acting brought both the dull routine work and its acts of heroism and unselfishness into the living rooms of ordinary Americans, explaining a side of society that they only read about in the papers, heard in news bulletins or saw fabricated at the movies.  
   
  It’s time for the truth and for Sergeant Joe Friday to set the record straight.

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