Weitere Bücher, die Sie mögen werden

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  Harry Potter Quiz Book

  Esme-Rose Sneller, Hattie McTeer

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  You may think you know everything you possibly could about Harry Potter but the authors of this book are ready to test your knowledge on all things Hogwarts and beyond. With hundreds of questions to test your loyalty to the wizarding world will you become a Headmaster/mistress at Hogwarts or a prisoner of Azkaban? This book is the ultimate quiz book for all Harry Potter fans who want to swat up on their knowledge or simply show off their wizarding skills to their friends. If you are totally potty about Harry Potter or know someone that is then this is a must have!

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  A New Garden Ethic - Cultivating...

  Benjamin Vogt

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  In a time of climate change and mass extinction, how we garden matters more than ever:  “An outstanding and deeply passionate book.” —Marc Bekoff, author of The Emotional Lives of Animals 
   
  Plenty of books tell home gardeners and professional landscape designers how to garden sustainably, what plants to use, and what resources to explore. Yet few examine why our urban wildlife gardens matter so much—not just for ourselves, but for the larger human and animal communities. 
   
  Our landscapes push aside wildlife and in turn diminish our genetically programmed love for wildness. How can we get ourselves back into balance through gardens, to speak life's language and learn from other species? 
   
  Benjamin Vogt addresses why we need a new garden ethic, and why we urgently need wildness in our daily lives—lives sequestered in buildings surrounded by monocultures of lawn and concrete that significantly harm our physical and mental health. He examines the psychological issues around climate change and mass extinction as a way to understand how we are short-circuiting our response to global crises, especially by not growing native plants in our gardens. Simply put, environmentalism is not political; it's social justice for all species marginalized today and for those facing extinction tomorrow. By thinking deeply and honestly about our built landscapes, we can create a compassionate activism that connects us more profoundly to nature and to one another.

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  Knitting Stashbusters - 25 great...

  Fiona Goble

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  For knitters who want to know how to make use of their stash and avoid waste, this collection of patterns has the answer.
  Every knitter knows that sometimes you have yarn left over after finishing a make – maybe a whole ball, often slightly less than a ball, but either way too much to just throw it away and not enough to return it to the seller. Then there's the yarn you buy without a particular make in mind, just because it's a beautiful colour, or you love the feel of it, or it was in a flash sale. But what can you do with all these lovely bits and pieces? Knitting Stashbusters has the answer: 25 lovely projects specially chosen to use up your yarn. Some can be made with one ball, others use up smaller amounts of several different shades, but all of them are chosen to save you from wasting what you already have in store. You can make a cute garland of hearts to brighten up a room, or knit a penguin toy for a new baby. Perhaps you'd like to make all sorts of cosies, or knit storage pots and a pencil case. Or you could choose to make a cute cottage doorstop using colours that match your own house. And once you've reduced the size of your stash, what better excuse could you have to go out and buy more yarn!

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  James McNeill Whistler

  Patrick Chaleyssin

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  Whistler suddenly shot to fame like a meteor at a crucial moment in the history of art, a field in which he was a pioneer. Like the impressionists, with whom he sided, he wanted to impose his own ideas. Whistler’s work can be divided into four periods. The first may be called a period of research in which he was influenced by the Realism of Gustave Courbet and by Japanese art. Whistler then discovered his own originality in the Nocturnes and the Cremorne Gardens series, thereby coming into conflict with the academics who wanted a work of art to tell a story. When he painted the portrait of his mother, Whistler entitled it Arrangement in Grey and Black and this is symbolic of his aesthetic theories. When painting the Cremorne Pleasure Gardens it was not to depict identifiable figures, as did Renoir in his work on similar themes, but to capture an atmosphere. He loved the mists that hovered over the banks of the Thames, the pale light, and the factory chimneys which at night turned into magical minarets. Night redrew landscapes, effacing the details. This was the period in which he became an adventurer in art; his work, which verged on abstraction, shocked his contemporaries. The third period is dominated by the full-length portraits that brought him his fame. He was able to imbue this traditional genre with his profound originality. He tried to capture part of the souls of his models and placed the characters in their natural habitats. This gave his models a strange presence so that they seem about to walk out of the picture to physically encounter the viewer. By extracting the poetic substance from individuals he created portraits described as “mediums” by his contemporaries, and which were the inspiration for Oscar Wilde’s The Picture of Dorian Gray. Towards the end of his life, the artist began painting landscapes and portraits in the classical tradition, strongly influenced by Velázquez. Whistler proved to be extremely rigorous in ensuring his paintings coincided with his theories. He never hesitated in crossing swords with the most famous art theoreticians of his day. His personality, his outbursts, and his elegance were a perfect focus for curiosity and admiration. He was a close friend of Stéphane Mallarmé, and admired by Marcel Proust, who rendered homage to him in A La Recherche du Temps Perdu. He was also a provocative dandy, a prickly socialite, a demanding artist, and a daring innovator.

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  The No-Prep Gamemaster - Or How...

  Matt Davids

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  Do you play D&D or Pathfinder? Tired of spending hours preparing for an RPG session? 
  This book provides helpful tips, so you can become a no-prep gamemaster. It is organized into three sections: Arcana, Three Keys, and Arrows in the Quiver. The Arcana section deals with my history and struggles with learning how to gamemaster and why I decided to stop preparing for sessions. The Three Keys section is the heart of the No-Prep Gamemaster. These short chapters provide the framework on which anyone can begin to gamemaster without preparation. Arrows in the Quiver is a selection of tips and tricks that any GM can use to cut down preparation time.

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  The Worst Call Ever! - The Most...

  Kyle Garlett, Patrick O'Neal

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  In any sport, whenever an official takes the field, court, ice, ring, or pitch, they do so with a bright red bull's-eye on their backs. For even with their great accuracy and passion for the game, they do make errors—occasionally, great big fat ones—that change the tide of sports history.In The Worst Call Ever, keepers of truth and enlightenment, sportswriters Kyle Garlett and Patrick O'Neal, expose the most injurious mistakes and desecrations, document their lasting damage—which to some wronged parties has evolved into a condition akin to post-traumatic stress disorder—and hopefully become the soothing balm of reconciliation.Each piece details the play in question and examines the players and stakes involved, the scope of the injustice, and the path of change that was often its result. Garlett and O'Neal cover mishaps in all sports, from the four Major Leagues to golf and auto racing to even curling, in this fascinating look at the worst calls in sports history.

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