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  Racing Demon

  David Hare

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  Four clergymen seek to make sense of their mission while being torn in all directions by the Church of England. After a critically lauded debut in 1990 at London’s National Theatre, Racing Demon went on to earn universal acclaim. More than 20 years later, David Hare’s bold and moving revelations on gay ordination and the doctrine of the priesthood ring more resoundingly than ever.An L.A. Theatre Works full-cast recording, starring Jared Harris, Lesley Nichol, Rosie Fellner, Paul Fox, Jason Hughes, Martin Jarvis, Christopher Neame, Alan Shearman, Simon Templeman, Jane Wall, and Matthew Wolf. Directed by Rosalind Ayres. Recorded before an audience by L.A. Theatre Works.

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  Verses

  Susan Coolidge

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  Susan Coolidge was the pen name of Sarah Chauncey Woolsey, who is best known for her What Katy Did series. This is the first of three volumes of her verse. (Summary by Rachel)

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  Stories (NHB Modern Plays)

  Nina Raine

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  How do you have a baby when you're thirty-nine and single?
  You decide. But what happens next?
  The story, like a child, has a life of its own. The story becomes stories…
  A funny and touching play about the fertilisation of an idea, Nina Raine's Stories premiered at the National Theatre, London, in October 2018.

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  Unquestioned Integrity - The...

  Mame Hunt

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  Adapted directly from the actual transcripts by Mame Hunt, Unquestioned Integrity examines the notorious Senate Confirmation hearings when law professor Anita Hill charged Supreme Court nominee Clarence Thomas with sexual harassment.
  
  An L.A. Theatre Works full cast performance featuring:
  
  Edward Asner as The Senator
  Ella Joyce as Professor Hill
  Paul Winfield as Judge Thomas
  
  Directed by Roberta Levitow. Recorded before a live audience at the Guest Quarters Suite Hotel, Santa Monica in May of 1993.

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  Six Characters in Search of an...

  Luigi Pirandello

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  Six Characters in Search of an Author (Sei personaggi in cerca d'autore) is the most famous and celebrated play by the Italian writer Luigi Pirandello.Pirandello, in the preface to the play, says that whenever a reader opens Dante’s Inferno, Francesca will drift down from the dark wind in her circle of Hell and tell the Pilgrim her story; and it will always be for the first time – just as the Mother in Pirandello’s play at one point makes an agonizing cry, always for the first time.Each character sees events and the other characters differently. Their readings of reality do not match up. No one character is more correct than the other. There are as many versions of the story as there are characters in the play. Each character is in fact many characters; each has a sense of who he or she is, but each also is what the others believe he or she is.The play suggests that we are more victims of forces we cannot control than captains of our own fate and demonstrates Pirandello's conception that in place of a continuous ego, self or "I" are states of mind, masks or personae; the temporary result of forces brought to bear on us at that moment. The self becomes an anthology of such roles or masks. Theatricalists thought life was more like theater than vice versa. As in theater, we put on and take off masks, try out various roles, and make up our lives as we go along. (Summary by Wikipedia)CAST:The Narrator: Elizabeth KlettThe Father: Peter YearsleyThe Mother: Ruth GoldingThe Step-Daughter: Miss AvariceThe Son: mbMadame Pace: Diana MajlingerThe Manager: Denny SayersThe Property Man: David LawrenceThe Prompter: om123The Door-Keeper: gobblegobbleThe Machinist: EzwaThe Leading Lady: Piper HaleThe Leading Man: bishL’Ingénue: Bridget TallonJuvenile Lead: LizMourantActors: Miriam Esther Goldman, Availle, Lucy Perry, Sweetlilbirdy, KalyndaAudio edited by Elizabeth Klett

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  Danse Russe

  William Carlos s

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  Williams spent his life as a doctor practicing pediatric medicine in northern New Jersey, a few miles west of New York City. During the work day, between seeing patients, he often dashed off poems on the backs of blank prescription pads that he kept in his pocket. This particular poem was written in just such a spontaneous way, after seeing the Russian Ballet perform in Manhattan. Each of the 16 readers in this collection took the challenge to make the same kind of leap - reading it spontaneously.(Summary by Alan Davis-Drake.)

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