Casa editrice: Nick Hern Books
A boldly theatrical tale of grief and denial, set against the economic crisis of the 1930s. After years apart, two families come together to rediscover their lost friendship. Instead, they conjure up the spirit of a buried tragedy. Presented by the Tricycle Theatre and Shared Experience, Bracken Moor premiered in June 2013.
Samuel Taylor Coleridge was an English poet, literary critic and philosopher who, with his friend William Wordsworth, was a founder of the Romantic Movement in England and a member of the Lake Poets. He wrote the poems The Rime of the Ancient Mariner and Kubla Khan. His critical work, especially on Shakespeare, was highly influential, and he helped introduce German idealist philosophy to English-speaking culture. He coined many familiar words and phrases, including the celebrated suspension of disbelief. He was a major influence on Emerson, and American transcendentalism.Throughout his adult life, Coleridge suffered from crippling bouts of anxiety and depression; it has been speculated by some that he suffered from bipolar disorder, a condition not identified during his lifetime. Coleridge suffered from poor health that may have stemmed from a bout of rheumatic fever and other childhood illnesses. He was treated for these concerns with laudanum, which fostered a lifelong opium addiction. (Summary from Wikipedia)Mostra libro
Poet and lyricist Fran Landesman occupies the ironic territory between Dorothy Parker and Edna St. Vincent Millay. Landesman’s work combines pathos and humor and glows with the tough wisdom gleaned from a lifetime of riding in fast convertibles and hanging out in smoky bars. This ebook contains Landesman’s books Invade My Privacy, The Ballad of the Sad Young Men and Other Verse, and More Truth Than Poetry.Mostra libro
Barbara is a major in the Salvation Army - but she’s also the daughter of Andrew Undershaft, a man who’s made millions from the sale of weapons of war. The real battle, however, rages between between the devilish father and his idealistic daughter as they answer the question: does salvation come through faith or finance? This sparkling comedy traverses family relations, religion, ethics and politics - as only Shaw, the master dramatist, can!An L.A. Theatre Works full-cast performance featuring J.B. Blanc, Kate Burton, Matthew Gaydos, Brian George, Hamish Linklater, Henri Lubatti, Kirsten Potter, Roger Rees, Russell Soder, Amelia White, Missy Yager and Sarah Zimmerman.Mostra libro
1979. Clarence House, London. The Queen Mother's receptions are in full swing and the champagne is flowing. Guiding the proceedings is William 'Billy' Tallon, page of the backstairs, keeper of the keys, holder of the royal corgis – and the royal secrets. Outside the palace walls, unemployment, inflation and industrial action are bringing Britain to its knees, and the country is on the verge of changing seismically under Prime Minister Margaret Thatcher. These two worlds are about to collide, with dizzying consequences for everyone… Backstairs Billy examines the fifty-year relationship between the Queen Mother and her most loyal, most outrageous servant, who joined her household at the age of fifteen. Marcelo Dos Santos's irreverent comedy was first produced by the Michael Grandage Company at the Duke of York's Theatre, London, in 2023, directed by Grandage and starring Penelope Wilton and Luke Evans. 'One can't help where one is born. Or one's station, of course. The trick to happiness is to be content where one is. Or so I am told.' 'The best royal drama in a decade… Abounding with witty entertainment and curiosity value, it confirms the promise shown by Marcelo Dos Santos' - Telegraph 'Gleefully subversive and unexpectedly hard-hitting, with some great one-liners' - Time Out 'Smart and shrewd… the most unusual depiction of an unlikely duo since Judi Dench crossed wits with Billy Connolly in Mrs Brown… by turns devastating and delicious' - Arts Desk 'Plays like a cross between The Crown and X-rated PG Wodehouse' - The Times 'An early festive delight… makes The Crown look too careful' - Independent 'Bubblingly witty, with many great one-liners' - Financial Times 'A comedy of manners with a sprinkling of farce, conducted in cut-glass bon mots and bitchy sideswipes' - The Stage 'Full of zinging one-liners and laugh-out-loud moments… Every joke lands with the precision of a targeted missile, always suggesting the sharpness behind the smile… has all the trappings of a West End hit… Dos Santos is undoubtedly a talented writer, with a distinctive voice and a welcome wit' - WhatsOnStage 'Deliciously frothy… consistently funny and entertaining' - Evening Standard 'Fascinating… the writing has sophistication… the Queen Mother would have loved it' - GuardianMostra libro
This is Carl Sandburg's fourth collection of poetry. His signature style, a rough-and-ready free verse that often transforms into poetic prose, is in full view. Like Whitman before him and like Masters and Frost in his own time, he puts his focus directly on life as he sees it around him, life in the rough-and-tumble Chicago of the early 20th century and life in the American West, at a time when that wild country was finally succumbing to civilization. Sandburg can be emotionally brutal; he writes of death with a rare and unflinching directness. He can also be emotionally transcendent, writing of the beauty of the world with a soaring eye. Sandburg is a newspaperman turned poet, or perhaps a poet turned journalist; his writing has the direct immediacy of the daily beat. There is nothing dated about his work; in fact, he speaks to us today as if he wrote today, hitting fundamentals about the way we live with clarity and force.Mostra libro
Exploring place and displacement, boundaries and borders, Passport is the second collection by Richie McCaffery, and follows his acclaimed debut Cairn (Nine Arches Press, 2014). In moving to the Belgian city of Ghent, McCaffery finds "What I see and what happens / are two different countries." In a place of dualities and unrealities, the poems find the usual definitions themselves becoming unstable; the old currency that is no longer valid, the postcards home unsent and the present tense ill at ease. Written in crisp detail, these fluent poems weigh up whether leaving is a form of running from or coming back to home, wherever that may be. At the heart of this tender and compelling collection, McCaffery writes directly of anxiety, loss and dislocation, asking us to consider what belonging is, and how we find our place in life, in love, and in language.Mostra libro
