Altri libri che potrebbero interessarti

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  Catching Stars - Read and...

  Rachel Lawson

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  Poet's short tome read by the author

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  The Death of Sitting Bear - New...

  N. Scott Momaday

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  Pulitzer Prize winner and celebrated American master N. Scott Momaday returns with a radiant collection of more than 200 new and selected poems rooted in Native American tradition.  
   
  “The poems in this book reflect my deep respect for and appreciation of words. . . . I believe that poetry is the highest form of verbal expression. Although I have written in other forms, I find that poems are what I want and need most to read and write. They give life to my mind.” 
  One of the most important and unique voices in American letters, distinguished poet, novelist, artist, teacher, and storyteller N. Scott Momaday was born into the Kiowa tribe and grew up on Indian reservations in the Southwest. The customs and traditions that influenced his upbringing—most notably the Native American oral tradition—are the centerpiece of his work. 
  This luminous collection demonstrates Momaday’s mastery and love of language and the matters closest to his heart. To Momaday, words are sacred; language is power. Spanning nearly fifty years, the poems gathered here illuminate the human condition, Momaday’s connection to his Kiowa roots, and his spiritual relationship to the American landscape. 
  The title poem, “The Death of Sitting Bear” is a celebration of heritage and a memorial to the great Kiowa warrior and chief. “I feel his presence close by in my blood and imagination,” Momaday writes, “and I sing him an honor song.” Here, too, are meditations on mortality, love, and loss, as well as reflections on the incomparable and holy landscape of the Southwest. 
  The Death of Sitting Bear evokes the essence of human experience and speaks to us all.

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  Salvation Blues - One Hundred...

  Rodney Jones

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  Rodney Jones has been called "the supreme example of the southern human person speaking in American poetry" (Southern Review) and one of the nation's "best, most generous, and most brilliantly readable poets" (Poetry). Salvation Blues traces the career of this popular narrative poet through one hundred choice poems, including twenty-four bold new pieces.

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  The Tower

  Paul Legault

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  W. B. Yeats meets Gregg Araki at a gay bar.
   
  The Tower is a "translation" of W. B. Yeats's The Tower—an homage and reinvention of the poet’s greatest work. Whereas Yeats’s book contended with his mortality as an aging spiritualist Irish Senator, this version contends with a new mortality: ours.
   
  The poems in this collection crystallize the transition from Legault’s late twenties to his early thirties, situated in North America during a time of political upheaval. It takes each of Yeats’s poems as a starting point and queers them. It translates Yeats’s modernist urge, on the other side of a long century.
   
  In her review of The Tower, Virginia Woolf says Yeats has “never written more exactly and more passionately.” One might imagine she’d conclude the same here. You can’t fault these poems for lacking passion.
   
  Yeats used to talk to ghosts. His wife would let ghosts talk through her. They would talk to Yeats, and he would write down what they say. Another way you could put it is that Yeats talked to his wife. Ghosts are much closer than you think. They like to live in books. So Legault spent some time talking to Yeats’s ghost. Or, Yeats’s ghost talked to him. This is him talking back.
   
  "Through Legault, the opening of Yeats’ words in the title poem shift and turn from absurdity to one of anxieties around ageing" —rob mclennan's Blog
   
  "If you've never cared about poetry, you will after reading these modern-day renderings..." —Maria-Claire

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  Kiss Me Quickstep (NHB Modern...

  Amanda Whittington

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  Dazzling and sequin-studded, Kiss Me Quickstep is a play about the world of ballroom dance, taking us behind the fixed smiles and fake tan to look at the real lives of those for whom ballroom dancing is everything.
  Justin and Jodie have finally made it to the national ballroom-dancing championships in Blackpool - via the motorway hard shoulder. Luka's come all the way from Russia. Nancy's been training for this since she was three. Lee and Samantha arrive on a wave of success.
  But what if your dance-floor dreams are turning into a nightmare? How do you stop dancing to other people's tunes? What can you do if your partner's secret could cost you the crown? And, even when the whole world's at your feet, it only takes one false step...
  Amanda Whittington's Kiss Me Quickstep premiered at New Vic Theatre, Newcastle-under-Lyme, in 2016, in a co-production between the New Vic and Oldham Coliseum Theatre.

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  Deaf Republic - A Lyric Essay

  Ilya Kaminsky

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  Finalist for the National Book Award; finalist for the PEN/Jean Stein Award; finalist for the National Book Critics Circle Award; winner of the Los Angeles Times Book Prize; winner of the Anisfield-Wolf Book Award; winner of the National Jewish Book Award; finalist for the Kingsley Tufts Poetry Award; finalist for the T. S. Eliot Prize; and a finalist for the Forward Prize for Best CollectionIlya Kaminsky's astonishing parable in poems asks us, What is silence?Deaf Republic opens in an occupied country in a time of political unrest. When soldiers breaking up a protest kill a deaf boy, Petya, the gunshot becomes the last thing the citizens hear—they all have gone deaf, and their dissent becomes coordinated by sign language. The story follows the private lives of townspeople encircled by public violence: a newly married couple, Alfonso and Sonya, expecting a child; the brash Momma Galya, instigating the insurgency from her puppet theater; and Galya's girls, heroically teaching signing by day and by night luring soldiers one by one to their deaths behind the curtain. At once a love story, an elegy, and an urgent plea, Ilya Kaminsky's long-awaited Deaf Republic confronts our time's vicious atrocities and our collective silence in the face of them.

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