Editorial: Tales of Terror
Included in this book are 50 reviews of horror and horror-adjacent Gothic films. Gothic films are medieval romance or films of Victorian inspiration. Each book in the Subgenres of Terror 2020 collection contains a ranked thematic watchlist.
Johann Sebastian Bach today has a reputation as the Godfather of Western European music, as a fountainhead of classical music theory and the creator of some of the greatest works the world has ever produced. Better known as a keyboard virtuoso, Bach was not regarded as a genius in his day, so how did this headstrong and belligerent but ambitious young musician become so extremely productive? What were his influences? How did he end up in jail and what did he get up to in Café Zimmerman? Discover all of this and more in this fascinating biography of a composer who, to Max Reger, represented 'the beginning and end of all music'. The narrative is illustrated with musical excerpts including the Brandenburg Concertos, Concerto for Two Violins in D minor, Harpsichord Concerto in D minor, The Art of Fugue, St Matthew Passion and the Mass in B minor among many others.Ver libro
Tilly and the Pocket Dragon: Tiny Wings, Big Dreams In a quiet village nestled between the hills, a curious young girl named Tilly discovers a secret that will change her world forever—a tiny dragon no bigger than her hand, with shimmering scales and a heart full of courage. His name? Nimbus. Together, Tilly and Nimbus form an unbreakable bond and embark on magical adventures that prove you don’t need to be big to dream big. As they face mysterious forests, grumpy trolls, and riddles of ancient magic, Tilly learns that bravery comes in all sizes—and that sometimes, the smallest wings can carry the biggest hopes. Perfect for readers aged 6–10, "Tilly and the Pocket Dragon: Tiny Wings, Big Dreams" is a heartwarming tale of friendship, wonder, and the magic of believing in yourself.Ver libro
Making Mary Poppins reveals the extraordinary true story behind the creation of one of the most beloved films of all time―and the two little-known songwriters who helped make it possible. Long before Mary Poppins danced across the rooftops and into the hearts of millions, Robert and Richard Sherman were struggling songwriters in Los Angeles, trying to find their voices―and their futures. In this vivid and deeply researched narrative, author and Disney historian Todd James Pierce traces the unlikely path that brought the Sherman brothers to Walt Disney's attention, and how their personal history, musical genius, and emotional lives shaped the film's unforgettable songs and surprising storyline. From their early days writing novelty tunes to the high-stakes drama of working with P. L. Travers and Walt Disney himself, the Sherman brothers' story is rich with behind-the-scenes intrigue, creative breakthroughs, and quiet triumphs. Their work on Mary Poppins not only launched their careers―it transformed Disney's live-action division and influenced an entire era of musical filmmaking. Filled with never-before-published details, Making Mary Poppins is a story of art, ambition, and resilience.Ver libro
A new edition of the first book in the acclaimed Pop Classics series The Worst. Movie. Ever. is a masterpiece. Seriously. Enough time has passed since Showgirls flopped spectacularly that it’s time for a good hard look back at the sequined spectacle. A salvage operation on a very public, very expensive train wreck, It Doesn’t Suck argues that Showgirls is much smarter and deeper than it is given credit for. In an accessible and entertaining voice, the book encourages a shift in critical perspective on Paul Verhoeven’s Showgirls, analyzing the film, its reception, and rehabilitation. This in-depth study of a much-reviled movie is a must-read for lovers and haters of the 1995 Razzie winner for Worst Picture. This expanded edition includes an exclusive interview between the author and Showgirls director Paul Verhoeven, as well as a new preface.Ver libro
Everyone wanted Madonna’s 1992 album Erotica to be a scandal. In the midst of a culture war, conservatives wanted it to be proof of the decline of family values. The target of conservative loathing, gay men reeling from the AIDS epidemic wanted it to be a celebration of a sexual culture that had rapidly slipped away. And Madonna herself wanted to sell scandal, which is why she released Erotica in the same season as her erotic thriller Body of Evidence and her pornographic coffee-table book simply titled Sex.But Erotica is more sentimental than pornographic. This ambivalence over sex is what makes the album crucial both for understanding its time and for navigating culture a generation later. As queer politics were transitioning from sexual liberation to civil rights like same-sex marriage, Madonna tried to do both. Her songs proved formative for works of queer theory, which emerged in the academy at the same time as the album. And Erotica was—and is—central to a developing consciousness about cultural appropriation. In this book, Michael Dango considers Erotica and its legacy by drawing both on the intellectual traditions at the center of today’s hysteria over critical race theory and “don’t say gay” and on his own experiences as a gay man too young to know the original carnage of AIDS and too old to grow up assuming he could get married. Madonna offered up Erotica as a key entry in the 1990s culture wars. Her album speaks all the more urgently to the culture wars of today.Ver libro
Disability critiques of architecture usually emphasize the need for modification and increased access, but The Architecture of Disability calls for a radical reorientation of this perspective by situating experiences of impairment as a new foundation for the built environment. With its provocative proposal for "the construction of disability," this book fundamentally reconsiders how we conceive of and experience disability in our world. Stressing the connection between architectural form and the capacities of the human body, David Gissen demonstrates how disability haunts the history and practice of architecture. Examining various historic sites, landscape designs, and urban spaces, he deconstructs the prevailing functionalist approach to accommodating disabled people in architecture and instead asserts that physical capacity is essential to the conception of all designed space. By recontextualizing the history of architecture through the discourse of disability, Gissen presents a unique challenge to current modes of architectural practice, theory, and education. Envisioning an architectural design that fully integrates disabled persons into its production, it advocates for looking beyond traditional notions of accessibility and shows how certain incapacities can offer us the means to positively reimagine the roots of architecture.Ver libro
