Altri libri che potrebbero interessarti

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  Breathing in Broken Spaces -...

  Belinda Daou

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  Breathing in Broken Spaces 
  Heartbreak. Trauma. Loss. Healing. Rebirth. 
  Some wounds don’t just fade—they shape us. 
  Breathing in Broken Spaces is an unfiltered and deeply personal poetry collection that delves into the rawest corners of heartbreak, trauma, and survival. Through piercingly honest verses, Belinda Daou lays bare the loneliness of grief, the weight of past wounds, and the quiet, aching process of piecing oneself back together after being shattered. 
  This book is for those who have loved and lost, for the ones carrying silent battles within them, and for anyone searching for words that echo their unspoken pain. It is a safe space where emotions aren’t just expressed—but truly seen, understood, and honored. 
  This collection gives voice to the devastation of toxic love, the suffocation of manipulation, and the slow erosion of self-worth at the hands of the wrong person. It speaks to the ones who have stayed too long, who have fought for love that only broke them, and who are now learning to unlearn the lies they were told about themselves. 
  More than just poetry, Breathing in Broken Spaces is a reckoning with the past and a testament to the resilience of the human spirit. It is breathtakingly raw, unapologetically vulnerable, and deeply real. It is the brutal honesty of suffering, the messy in-between of healing, and the quiet strength it takes to keep breathing, even when the air feels heavy. 
  This collection is not just about pain—it is about survival. About learning to breathe again through the cracks of brokenness. About reclaiming the parts of yourself you thought were lost forever. 
  For those who have been lost in the darkness, this book is a whisper: 
  You are not alone. You were never too much. You deserve to be whole.

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  Antony and Cleopatra

  William Shakespeare

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  Antony and Cleopatra (First Folio title: The Tragedie of Anthonie, and Cleopatra) is a tragedy by William Shakespeare. The play was first performed, by the King's Men, at either the Blackfriars Theatre or the Globe Theatre in around 1607; its first appearance in print was in the Folio of 1623.
  The plot is based on Thomas North's 1579 English translation of Plutarch's Lives (in Ancient Greek) and follows the relationship between Cleopatra and Mark Antony from the time of the Sicilian revolt to Cleopatra's suicide during the Final War of the Roman Republic. The major antagonist is Octavius Caesar, one of Antony's fellow triumvirs of the Second Triumvirate and the first emperor of the Roman Empire. The tragedy is mainly set in the Roman Republic and Ptolemaic Egypt and is characterized by swift shifts in geographical location and linguistic register as it alternates between sensual, imaginative Alexandria and a more pragmatic, austere Rome.
  Many consider Shakespeare's Cleopatra, whom Enobarbus describes as having "infinite variety", as one of the most complex and fully developed female characters in the playwright's body of work. She is frequently vain and histrionic enough to provoke an audience almost to scorn; at the same time, Shakespeare invests her and Antony with tragic grandeur. These contradictory features have led to famously divided critical responses. It is difficult to classify Antony and Cleopatra as belonging to a single genre. It can be described as a history play (though it does not completely adhere to historical accounts), as a tragedy (though not completely in Aristotelian terms), as a comedy, as a romance, and according to some critics, such as McCarter, a problem play. All that can be said with certainty is that it is a Roman play, and perhaps even a sequel to another of Shakespeare's tragedies, Julius Caesar.
  Among the most significant works William Shakespeare: Hamlet, Othello, King Lear, Macbeth, Orpheus, Romeo and Juliet, Julius Caesar, Troilus and Cressida, The Tempest, Venus and Adonis, Antony and Cleopatra, Measure for Measure, The Winter's Tale and many more.

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  Sorry You're Not a Winner (NHB...

  Samuel Bailey

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  Liam and Fletch grew up together. Born on the same street. Best mates since primary. Inseparable. The only difference was while Fletch was getting suspended from school, Liam was studying. And now he's going to Oxford. But with Liam gone, who's going to keep Fletch out of trouble?
  Sorry, You're Not a Winner explores aspiration, social mobility and getting caught between classes. It asks: if 'making it' means leaving everything you know and everyone you love behind – what's the point?
  This powerful and striking play by Samuel Bailey was first produced in 2022 by Paines Plough and Theatre Royal Plymouth, in association with the University of Plymouth's School of Society and Culture, before touring nationally.
  'An intricate and moving study of social mobility... gripping and nuanced... Bailey continues his development as one of the most socially engaged writers working in theatre today' - Guardian

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  The Poetry of Alfred...

  Alfred Lichtenstein

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  Alfred Lichtenstein was born on the 23rd August 1889, in Berlin-Wilmersdorf, the son of a Jewish manufacturer.  He grew up in Berlin before studying law at Erlangen in Bavaria.   
   
  A writer in the Expressionist style his poems and stories are short but beautifully honed works.  His tragically curtailed life allowed only a small part of his talents to rest with us.  Undoubtedly a full life would have given the world a very gifted literary force. 
   
  Alfred Lichenstein volunteered for duty in the German Army for World War I.  He died on the front at the Somme in the early months of combat on the 25th September 1914.  He was 25.

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  Pessimism is for Lightweights -...

  Salena Godden

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  One of the very first publications to come off the Rough Trade Books press, Pessimism is for Lightweights began life as thirteen pieces of courage and resistance from the pen of the one and only Salena Godden. These are poems written for the Women's March, poems that salute peaceful protest, poems on sexism and racism, class discrimination, poverty and homelessness, immigration and identity. This new edition expands the collection to full book length and shows Godden at her inimitable best—deft technique and powerful emotional heft, with additional new poems reflecting on our fast- changing world with her trademark humour and resilience. This is a book full of light, courage and most of all hope..

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  Dracula

  Bram Stoker

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  Dracula is a novel by Bram Stoker, published in 1897. It is an epistolary novel with no single protagonist. The narrative is related through letters, diary entries, and newspaper articles. 
  It was mostly written in the 1890s and drew extensively from Transylvanian folklore and history. Some scholars have suggested that the character of Dracula was inspired by historical figures like the Wallachian prince Vlad the Impaler or the countess Elizabeth Báthory, but there is widespread disagreement. Stoker's notes mention neither figure. He found the name Dracula in Whitby's public library while on holiday, thinking it meant devil in Romanian. 
  Dracula is one of the most famous pieces of English literature. Many of the book's characters have entered popular culture as archetypal versions of their characters; for example, Count Dracula as the quintessential vampire, and Abraham Van Helsing as an iconic vampire hunter. The novel, which is in the public domain, has been adapted for film over 30 times, and its characters have made numerous appearances in virtually all media.

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