Altri libri che potrebbero interessarti

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  The Satires - Poetry of Lord Byron

  Lord Byron

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  In this, the fourth volume of this series, we hear the poetry in which Byron began to make his mark on the world. Though his major breakthrough with Childe Harold is yet to come, his English Bards and Scotch Reviewers was a definite hit in its time, establishing Byron as a known poet and ensuring that his reputation as a literary bad-boy was off to a good start. 
  English Bards and Scotch Reviewers was his first major satire and one of his most effective; we can't help seeing that the "Scotch Reviewers" who had harshly criticized Byron find themselves on the losing end of the battle. 
  However, Byron's satirical shots didn't end with the reviewers. He took on the literary lions of the day - a remarkable feat for so young a writer - and scored well there too, though later in his life he deeply regretted having been so harsh on his fellow poets. He continued to lambaste the poets of his time in Hints from Horace, in which he takes on the task of admonishing the rest of the poets of his world to do things his way while showing up quite a few of them for having committed, in Byron's view, the crime of writing bad verse. For the modern reader or listener, this volume is a useful antidote to the image of Byron we take from his romantic poetry. Byron wasn't always the dreamy romantic, head in the clouds and heart on fire. He could be, as here, as sharp, as pointed, and as firmly rooted in the polemics of this world as any other satirist in the English tradition from Pope to Swift and beyond. Satire was not his major gift, but it was a real one, and we can hear it in these poems and thereby learn to know the other side of Lord Byron. Enjoy!A Freshwater Seas production.

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  Female Poets of the Eighteenth...

  Hannah Moore, Charlotte Smith,...

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  For much of history women have been seen rather than heard. Their thoughts, their views have lain too long in the shadows of our culture.  Whilst this traditional view has some merit it is not entirely accurate. 
  Here, gathered together in these volumes, we can, through their words, experience their lives; we can hear their voices, their thoughts, joys, loves and losses. 
  For the Female Poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere.  These lines, these gilded verses often protest otherwise. 
  The contribution of women in these earlier centuries is immense and in this series we bring together poets who have created some of the most beautiful and expressive verses ever written.  And remember these words, these telling lines, have been written against the grain of society's male bias.  With their remembered words these female poets have given us a history that we can all now share. 
  This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Other Desert Cities - A Play

  Jon Robin Baitz

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  A political family confronts its dark history in this Pulitzer Prize-finalist play “with gleaming dialogue [and] tantalizing hints of a dangerous mystery” (Ben Brantley, The New York Times).  Winner of the Outer Critics Circle Award for Outstanding New Off-Broadway Play    Brooke Wyeth hasn’t been home to visit her parents in years. But now she’s back in Palm Springs for Christmas, and she has a startling announcement to make. Brooke is about to publish a detailed and intimate family memoir—one that will open a wound her politically prominent parents don’t want reopened.   First appearing on Broadway in a hit production starring Stacy Keach and Stockard Channing, Other Desert Cities “examine[s] the fractiousness of American politics through the prism of one family” (David Rooney, Hollywood Reporter).  

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  Ten Thousand Rocks

  Ndirangu Githaiga

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  Will’s abrupt decision to leave his medical practice in Atlanta and take up a new job in Virginia Beach catches Laura by surprise. But moving back to their hometown was always going to be complicated since Will never told his family about their eight-year marriage. Still fresh in their minds is the stinging memory of Laura’s disastrous first meeting with his parents, particularly his mother—for whom a white daughter-in-law is an anathema. As Will settles into the tedious routine of his new job, the simmering estrangement between him and Laura gradually deepens, until the day comes when he is involved in a near-fatal car accident. Laura is left reeling in the aftermath and forced to come face to face with her in-laws at the hospital, when complex medical decisions need to be made in the absence of clear-cut answers, and where strong opinions and poorly disguised animosities seem to have the upper hand. Weeks later, Will emerges from a coma, and upon discovering he is quadriplegic becomes uncharacteristically vicious towards Laura, sending their relationship into dark, unfamiliar territory. Amidst this rising turmoil, the ocean remains a source of serenity, with the rhythmic breaking of waves and joyous cries of seagulls serving as an abiding reminder that life is worth living even when we go astray and need help finding our way back home.

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  Dracula (stage version) (NHB...

  Bram Stoker

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  A thrilling adaptation, by acclaimed poet and playwright Liz Lochhead, that stays refreshingly close to Bram Stoker's classic novel.
  Asked to adapt it by the Royal Lyceum Theatre, Edinburgh, she immersed herself in the book. 'After a sleepless night,' she writes in the Introduction, 'my hair was standing on end, what with the mad Renfield in his lunatic asylum eating flies and playing John the Baptist to his coming master' and with Lucy's description of her "dream" of flying with the red-eyed one above the lighthouse at Whitby, and Jonathan's "dream" of the three Vampire Brides' advances upon him and of their being repelled at the last minute by the furious Dracula'
  'This was before I'd even got to the abducted children or "the loving hand" of Lucy's fiane staking her through the heart' or that shocking rape-like bit where, with Mina's newly-wed husband Jonathan asleep in a flushed stupor by her side, Dracula, at her throat, takes his fill of her life's-blood'
  'Still, what really attracted me to the story was Rule One for becoming a vampire-victim: "First of all you have to invite him in."'
  Ideal for schools and drama groups, this Dracula is all the more chilling for the respect it shows for Stoker's original nightmare creation.
  Liz Lochhead's version of Dracula premiered at the Royal Lyceum Theatre, Edinburgh, in March 1985.
  'Despite remaining faithful to Bram Stoker's original, Lochhead's version grapples with contemporary preoccupations: gender roles, the horrors of the 20th century, the battles between faith and reason, madness and sanity, democracy and aristocracy... an erudite revisiting of a primal myth' The Stage

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  Mrs Klein (NHB Modern Plays)

  Nicholas Wright

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  A haunting and poignant study of mother-daughter relationships, about the controversial psychoanalyst Melanie Klein .
  In 1934 the son of Melanie Klein, Britain's most admired psychoanalyst, was reported killed in a climbing accident. There were no witnesses. Nicholas Wright's play shows the effect of this shattering and unexpected death on Mrs Klein, on her daughter and on her new assistant Paula, a young refugee from Hitler's Berlin.
  Melanie Klein had herself come to Britain from Berlin with a controversial mission to extend psychoanalysis to infants. But her analysis of her own children has damaged her relationship with them almost beyond repair, and the news of her son's death provokes a bitter confrontation with her daughter.
  Mrs Klein premiered at the Cottesloe, National Theatre, London, in August 1988.
  'so literate, intelligent, amusing and, finally, moving' Telegraph
  'intense... exerts an increasingly powerful grip' Guardian
  'brilliant... coruscating dialogue and knowing humour' The Stage

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