Unisciti a noi in un viaggio nel mondo dei libri!
Aggiungi questo libro allo scaffale
Grey
Scrivi un nuovo commento Default profile 50px
Grey
Iscriviti per leggere l'intero libro o leggi le prime pagine gratuitamente!
All characters reduced
Octopus Mind - cover

Octopus Mind

Rachel Carney

Casa editrice: Seren

  • 0
  • 0
  • 0

Sinossi

Octopus Mind plays with an array of rich and original metaphors to explore the intricacies of neurodiversity, perception and the human mind. These poems articulate the desire to understand and be understood by oneself and others in a complex world. They observe the nuances of creativity, art, relationships, and self-expression through the lens of neurodiversity, reflecting on the poet's experience of being diagnosed with dyspraxia as an adult. They delve into the challenges of neurodiversity, but also reveal its gifts.
Poems respond to visual artists like Gwen John, whose paintings break new ground for women representing their own visions of themselves. Other poems suggest that this can be a struggle however, as Pablo Picasso paints not a woman but his own despair in 'Blue Nude', while Elizabeth Siddal reflects on her own image, fetishized by the Pre-Raphaelite painters, and Henri Rousseau's painting becomes an outlet for self-deception and frustration. 
Some of the most stunning poems in this collection perform a kind of magic or sleight of hand, as dyspraxia is explored through unique and remarkable metaphors, including a series of artefacts in a museum, a walk along the seashore, and a swaying tree. The 'Octopus Mind' evokes the possibilities of what it means to be human, through obsession, self-deception, realisation, and acceptance.
The speaker in Octopus Mind is endearingly humble and we journey with them beyond self-criticism to reclaiming the self. In 'Growing', the narrator declares 'I will grow // into myself, climbing, steady, / grip by grip, leaf by leaf'. In 'Understood' the narrator describes the complex process of re-imagining one's place in the world, armed with new knowledge: 'Slowly, we adjust / our own soft ignorance / unroll our prejudice / in gentle waves.' 
"A poet of multiple uncanny self-portraits, of the 'octopus mind', who explores the gaps between mind and body, and body and world, with deft, diverse diagnoses."Damian Walford Davies
"Extraordinary poems of self-encounter, of divergence, of bruised bodies out of balance with themselves, laid bare – and of new-found identities, and joyous release." Richard Marggraf Turley 
"Rachel Carney's debut collection delights in its curiosity and surrealism. This is a collection that 'swims out into deep ocean currents' to explore the workings of the mind and the impacts of this on the self." Katherine Stansfield
Disponibile da: 01/07/2023.
Lunghezza di stampa: 72 pagine.

Altri libri che potrebbero interessarti

  • Velvel's Violin - cover

    Velvel's Violin

    Jacqueline Saphra

    • 0
    • 0
    • 0
    Velvel's Violin, a deeply moving and political fifth collection by TS Eliot Prize-shortlisted poet Jacqueline Saphra places us on the shifting ground between past and present. Through its search for missing histories of the Jewish diaspora, the book is a call for empathy and a warning to a world where the legacy of the Holocaust echoes current narratives of prejudice, war, displacement, and migration.
    Saphra's precisely-tuned writing ranges through tones of dark humour, lyrical beauty and moments of transcendent joy to find assonance between the turbulence of now and a family history of fragmented stories, irreparable loss and miraculous escapes. Between each poem - forgotten songs, weeping forests, buried violins - sound and silence combine to speak of love, absence and survival.
    Mostra libro
  • Mojo Mickybo (NHB Modern Plays) - cover

    Mojo Mickybo (NHB Modern Plays)

    Owen McCafferty

    • 0
    • 0
    • 0
    Two Belfast lads, Mojo and Mickybo, relive the summer of 1970, when they were growing up in the city, playing headers, building huts and re-enacting cowboy movies.
    At first, their friendship is immune to the sectarian violence taking place around them. But nobody is safe from it forever...
    
    Owen McCafferty's play Mojo Mickybo is an unsentimental portrayal of innocence betrayed by communal hatred. It was first performed at Andrews Lane Studio, Dublin, in October 1998.
    The production subsequently toured in Ireland and Scotland in 1998 and 1999.
    A feature film version, Mickybo and Me, was released in 2004, adapted and directed by Terry Loane, with Julie Walters, Ciarán Hinds and Gina McKee in supporting roles.
    The play was revived at the Arcola Theatre, London, in 2007, afterwards transferring to the Trafalgar Studios in the West End.
    'Mojo Mickybo marries the polished ferocity of Howie the Rookie with the chirpy candour of Disco Pigs... This play is an energising reminder of the fact that all you need for truly magical theatre is a writer inspired by the thought of the stories that can be made on the stage' - Scotsman
    'A glorious, vivid little play full of verbal swagger... creates vast emotional ripples... small but lethal' - Guardian
    Mostra libro
  • The Hurting Kind - cover

    The Hurting Kind

    Ada Limón

    • 0
    • 0
    • 0
    An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.“I have always been too sensitive, a weeper / from a long line of weepers,” writes Limón. “I am the hurting kind.” What does it mean to be the hurting kind? To be sensitive not only to the world’s pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings—and to know that those beings are resolutely their own, that they “do not / care to be seen as symbols”?With Limón’s remarkable ability to trace thought, The Hurting Kind explores those questions—incorporating others’ stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. “Slippery and waddle thieving my tomatoes still / green in the morning’s shade,” writes Limón of a groundhog in her garden, “she is doing what she can to survive.”
    Mostra libro
  • Into His Presence - Praying with the Puritans - cover

    Into His Presence - Praying with...

    Tim Chester

    • 0
    • 0
    • 0
    Collection of Puritan prayers and meditations that will help personal and public prayer.This collection of eighty theologically rich and beautifully written prayers and meditations, adapted from Puritan prayers and prose, will enrich and deepen your prayer life.While retaining the dignity and beauty of the original language, Tim Chester has updated key words and phrases, making the book accessible to modern readers.Each prayer combines beautiful words with profound truths. Read during personal devotions or use to lead rich and deep corporate prayers to give weight and majesty to gathered times of worship.Includes rich and glorious prayers from John Owen, Thomas Watson, Anne Bradstreet, Richard Baxter and more.
    Mostra libro
  • Fire Horse (Metzengerstein) - cover

    Fire Horse (Metzengerstein)

    Filip Halo, Edgar Allan Poe

    • 0
    • 0
    • 0
    A baby is born in 1666, the year of "Fire Horse" according to Japanese tradition, at the House of Metzengerstein in an area between Royal Hungary and the territory inhabited by Transylvanian Saxons. Frederick von Metzengerstein is nurtured by his dependable servant Bela after the Baroness passes away shortly after giving birth to him. The youngster lives a pleasant life for many years until his ailing father Baron Gotfrid is forced to negotiate the future of the region with his mortal rival Baron Willhelm von Berlifitzing. Frederick experiences a nightmare inside that castle, which haunts him for years until his father's passing, at which point the young master assumes ultimate power at the age of 17. During the celebratory ceremonies for the transition of power, Baron Berlifizing dies as a result of a fire that started in the House of Berlifitzing at their stables. By some strange coincidence, that same night, a black stallion, a proper wild beast, is captured by the guards close to the Metzengerstein property. The boy falls in love with the gorgeous animal at first sight, which alteres his fate and mental state. The secret that was eating him alive since he was an infant needs to be revealed sooner than later... 
    The new version of this Edgar Allan Poe tale follows closely the events in the original, with countless added historic elements and details, not mentioned by Poe, but still in his spirit. It can speak to the modern reader or draw in new audience to the works of the great author and poet, since it is now "dirtier", sadder, more dramatic, and feels extremely realistic. The bonus features in this book are directly tied to the narrative, and the graphics will provide a glimpse into the worlds that the stories describe.
    Mostra libro
  • Mrs Warren's Profession - cover

    Mrs Warren's Profession

    Bernard Shaw

    • 0
    • 0
    • 0
    'I am my mother's daughter. I am like you. But my work is not your work, and my way is not your way.'
    Vivie Warren is a woman ahead of her time. Estranged from her wealthy mother, she delights in a glass of whisky and a good detective story, and is determined to carve herself a sparkling legal career in an age ruled by men.
    Her mother, however, is a part of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune and paid for her daughter's expensive education – but at what cost?
    Bernard Shaw's incendiary moral classic was written in 1893, but, after being banned by the Lord Chamberlain, didn't receive a full public production in London until 1925. This version of the play, edited and introduced by director Dominic Cooke, was produced at the Garrick Theatre in London's West End in 2025, starring real-life mother and daughter Imelda Staunton and Bessie Carter.
    Mostra libro