Altri libri che potrebbero interessarti

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  Pamphilia to Amphilanthus

  Lady Mary Wroth

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  Pamphilia to Amphilanthus is the first sonnet sequence written by an Englishwoman. Published in 1621, the poems invert the usual format of sonnet sequences by making the speaker a woman (Pamphilia, whose name means "all-loving") and the beloved a man (Amphilanthus, whose name means "lover of two."). It is possible that Wroth based the story on her own fraught relationship with her cousin, William Herbert. (Summary by Elizabeth Klett.)

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  Eggenwise - and Other Poems

  Andrea Davidson

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  Can you feel homesick and at home at the same time? Ever felt lost for words but full of things to say? Meet Andrea Davidson.
  In Eggenwise, Andrea explores moving to a different country, learning a new language, growing up and falling in love through poems that notice the remarkable in the everyday: a salted parsley sprig, thundering raindrops on windowpanes, and the buzzzZZZzzz of a pesky pet fly.
  Through warm and conversational verse, Eggenwise invites you to step into the author's new home in Belgium, to roll your tongue around new words, savour their sound and share your own story through poetry…
  Fully illustrated throughout by Amy Louise Evans.

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  The Wonder Paradox - Embracing...

  Jennifer Michael Hecht

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  Religion once formed the rhythms and structures of society: marking time with calendars, carving out space for contemplation, creating connection, reinforcing legacy and morality. Now, for many, religion no longer runs the show. So where shall we find our magic? How do we celebrate milestones? Which texts can focus our attention but still offer space for inquiry, communion, and the chance to dwell for a dazzling instant in what can’t be said? The answer, Jennifer Michael Hecht?the historian, poet, and bestselling author of Doubt?tells us, is poetry. In twenty chapters built from years of questions and conversation with those looking for an authentic and meaningful life, Hecht offers ways to excavate the useful aspects of tradition and to replace what no longer feels true. Through cultures and poetic wisdom from around the world?Sappho, Rumi, Shakespeare, Issa, Tagore, Frost, Szymborska, Angelou, and others?she blends literary criticism with spiritual guidance rooted in the everyday. Linking our needs to particular poems, she helps us better understand those needs, ourselves, and poetry. Our capacity for wonder is one of the greatest joys of being human; The Wonder Paradox celebrates that instinct and that yearning. Like Julia Cameron’s The Artist’s Way and Anne Lamott’s Bird by Bird, it promises to inspire generations.

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  Enough Rope

  Dorothy Parker

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  “If I abstain from fun and such, / I'll probably amount to much, / But I shall stay the way I am, / Because I do not give a damn.” 
    
  American poet Dorothy Parker lived a life of heartache and hardship, but her writing became her weapon to fight back. She refused to temper her strong opinions, even at the cost of her editorial position at Vanity Fair. Parker continued to write—unfiltered and unapologetic—and found solidarity in community with other writers. Enough Rope was Parker’s first volume of poetry, featuring poems originally published in Life, Vanity Fair, and The New Yorker. Parker’s poetry has galvanized generations of strong-willed women, and the fire in her voice burns strong even a century after the first publication.

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  The Tragedy of King Lear

  William Shakespeare

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  King Lear is a tragedy written by William Shakespeare. It tells the tale of a king who bequeaths his power and land to two of his three daughters, after they declare their love for him in an extremely fawning and obsequious manner. His third daughter gets nothing, because she will not flatter him as her sisters had done. When he feels disrespected by the two daughters who now have his wealth and power, he becomes furious to the point of madness. He eventually becomes tenderly reconciled to his third daughter, just before tragedy strikes her and then the king.
  Derived from the legend of Leir of Britain, a mythological pre-Roman Celtic king, the play has been widely adapted for the stage and motion pictures, with the title role coveted by many of the world's most accomplished actors. 
  The first attribution to Shakespeare of this play, originally drafted in 1605 or 1606 at the latest with its first known performance on St. Stephen's Day in 1606, was a 1608 publication in a quarto of uncertain provenance, in which the play is listed as a history; it may be an early draft or simply reflect the first performance text. The Tragedy of King Lear, a revised version that is better tailored for performance, was included in the 1623 First Folio. Modern editors usually conflate the two, though some insist that each version has its own individual integrity that should be preserved.
  Among the most significant works William Shakespeare: Hamlet, Othello, King Lear, Macbeth, Orpheus, Romeo and Juliet, Julius Caesar, Troilus and Cressida, The Tempest, Venus and Adonis, Antony and Cleopatra, Measure for Measure, The Winter's Tale and many more.

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  Embers

  Uzma Hussain

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  In ‘Embers’, Uzma Hussain presents a bold and deeply resonant debut collection of poetry that delves into the raw realities of love, loss, and survival. With striking honesty and vulnerability, these verses guide readers through the pain of longing and the quiet resilience that follows heartache, making Embers an unforgettable reading experience.
  Though this is her first book, Uzma’s work carries the emotional depth and maturity of a seasoned poet. Her writing captures the universal struggle of heartbreak and the weight of unspoken pain. ‘Embers’ offers a powerful voice for those seeking meaning and solace in the aftermath of emotional wounds.

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