Altri libri che potrebbero interessarti

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  How to Lay an Egg with a Horse...

  Brian Bilston

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  Read by the author and poet, Brian Bilston.Why do we write poetry? Who should write it? And where do you even start?Well, Brian Bilston, one of the UK’s most hilarious and best-loved poets, is here to take us through the hows, whys and whats of reading, writing and enjoying poetry every day.With his characteristic wit and charm, Bilston accompanies us through the jungle of imagination to the source of inspiration, takes us under the bonnet of a sonnet and over the fear of literary devices. He gives us a whirlwind tour through the history of verse, and shows us why human poetry will always triumph over any attempts by AI.Showcasing over a hundred brand new poems, and including practical critiques of some of his greatest hits, every page is an immensely pleasurable deep-dive into the life-affirming craft of poetry and a passionate argument for why we should all pick up a pen.How to Lay an Egg with a Horse Inside is for anyone who loves words and all the things they can do.

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  Tender Buttons

  Gertrude Stein

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  A classic work of experimental poetry by a titan of modernist literatureTender Buttons, Stein’s first published work of poetry, debuted in 1914 as a volume of powerful avant-garde expression. This meditation on ordinary living is presented in three compelling sections—“Objects,” “Food,” and “Rooms”—through which Stein delights in experiments with language. Emphasizing rhythm and sonority over traditional grammar, Stein’s wordplay has garnered praise from readers and critics alike. In “A Piece of Coffee,” for example, Stein plays with conventional language and cubist imagery to produce a stunningly original literary effect:A single image is not splendor. Dirty is yellow. A sign of more is not mentioned. A piece of coffee is not a detainer. The resemblance to yellow is dirtier and distincter. The clean mixture is whiter and not coal color, never more coal color than altogether.   This ebook has been professionally proofread to ensure accuracy and readability on all devices.

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  For the Marriage of Faustus and...

  Hart Crane

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  Harold Hart Crane was born on the 21st July 1899 in Garrettsville, Ohio. 
  Crane was drawn to literature at an early age, becoming a voracious reader and pursuing self-education rather than attach himself to a more formal college education, although he did attend East High School in 1913.  His developing love of poetry was nurtured with the works of the English Romantics and the French Symbolists, as well as near contemporary American poets. 
  Much of his youth was spent shuttling between Cleveland and New York as his parents’ marriage descended into continuing conflict before they separated with Crane still in his teens.  Shortly after Crane attempted to enlist in the U S Military but was rejected for being a minor. 
  His first published poem also came in 1917 with ‘C33’ and its reference to the cell number that Oscar Wilde was incarcerated in. 
  Crane now centred more of his time in New York and immersed himself in the vibrant artistic scene of Greenwich Village.  Alongside this he dabbled in various jobs to support himself, including copywriting and work in a munitions factory, as he continued to develop his ambitions for a poetic career.   
  His early work was already being noticed for its lush and rich use of words and by the time ‘White Buildings’ was published in 1926 he was being critically acclaimed. 
  Despite this success his personal life was troubled.  It was both nourishing his work and fuelling complex patterns of despair as he sought to establish his identity.  In a time when homosexuality was openly condemned his openly gay attitude sat uneasily as he pursued relationships that were both intense and emotionally fraught. 
  His acclaimed work ‘The Bridge’ in 1930 was both ambitious and a foundation stone for new American poetry.  Against this his battles with depression and alcoholism were being lost. 
  Hart Crane died on the 27th April 1932 by jumping from the deck of a steamship into the Gulf of Mexico upon his return to the United States from Mexico.  He was 32.

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  Useful Junk

  Erika Meitner

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  A master of documentary poetry, Erika Meitner takes up the question of desire and intimacy in her latest collection of poems.In her previous five collections of poetry, Erika Meitner has established herself as one of America’s most incisive observers, cherished for her remarkable ability to temper catastrophe with tenderness. In her newest collection Useful Junk, Meitner considers what it means to be a sexual being in a world that sees women as invisible—as mothers, customers, passengers, worshippers, wives. These poems render our changing bodies as real and alive, shaped by the sense memories of long-lost lovers and the still thrilling touch of a spouse after years of parenthood, affirming that we are made of every intimate moment we have ever had. Letter poems to a younger poet interspersed throughout the collection question desire itself and how new technologies—Uber, sexting, Instagram—are reframing self-image and shifting the ratios of risk and reward in erotic encounters.With dauntless vulnerability, Meitner travels a world of strip malls, supermarkets, and subway platforms, remaining porous and open to the world, always returning to the intimacies rooted deep within the self as a shout against the dying earth. Boldly affirming that pleasure is a vital form of knowledge, Useful Junk reminds us that our selves are made real and beautiful by our embodied experiences and that our desire is what keeps us alive.

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  Martyr!

  Kaveh Akbar

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  This work offers concise Key Insights & Analysis of Martyr!, by Kaveh Akbar. It is not the original book and is not affiliated with or endorsed by Kaveh Akbar. Designed for readers seeking a clear, thought-provoking overview that captures the novel’s central themes and emotional depth. 
  A raw, lyrical journey through pain, devotion, and the search for meaning in a fractured world. The poet confronts loss, desire, and faith with unflinching honesty, weaving moments of beauty and brutality into a tapestry of the human condition. Each poem challenges the boundaries between suffering and transcendence, offering a voice that is both intimate and universal—a meditation on mortality, resilience, and the sacrifices we make for the sake of understanding ourselves.

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  A Gateway Has Opened

  Liam Blackford

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  A Gateway Has Opened is a poetry collection by Hong Kong-based poet, LIAM BLACKFORD, containing 36 missives on truth and reality, anger and rage, complexity and change, and power as manifested in people, corporations, governments, borders and cultures. The poems inhabit a chaotic and psychedelic world where water flows into the sky, nightclubs have hundreds of floors and where banks and malls publish theories on knowledge and personhood. Therein, human society is fraught with harm and violence but also euphoric with the widening horizons of possibility. The collection is notable for its strict adherence to a unique poetic form (each poem has six stanzas, each stanza with six lines, and each line with six syllables), which in its red-eyed absoluteness suggests that the poems are giving voice to an alien, an angel or a machine. Though avant-garde and philosophical, the collection is highly reflective of the poet’s place and time, in which Hong Kong is at the epicentre of epochal political and cultural change. 
  “The poems ... ‘quiver with tension’ as the speaker straddles the liminal space between dreams and the mundane.” —Ryan Fenton. “In Blackford’s verse, one is in our world, with its political and environmental anxieties, with its affluence and parallel unease.”―Andrew S. Guthrie, Proverse Prize Finalist 2013. “... what bubbles beneath the surface is the courage to find astounding beauty and inspiration amidst confounding and cruelty, and hold them both.” —Jack Mayer, Winner of the Proverse Prize 2019. “...unique explorations of poetic form.”—Philip Mead, Emeritus Professor, University of Western Australia.  “Blackford’s worlds are jarring and harsh; psychedelic yet pungent with our reality. His strict form is muscular and fascinating. Gateway seethes with energy – I loved it.”―David West, Western Australia.

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