Altri libri che potrebbero interessarti

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  Diamond is Fragile

  Rustem Valayev

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  "The novels about precious stones tell about the nature, structure and search of the gems, as well as their history. Some of them are dedicated to the Russian gems, specifically to the Ural and Ukrainian emeralds, topazes and decorative stones. The thrilling storylines of the novels are interwoven with folk legends, myths and fairy tales." - Rustem Valayev, author 
  "Diamond is Fragile was one of my favorite books from my late grandfather's library. Much to my surprise (and dismay) it was only published once in the former Soviet Union approximately 50 years ago and (to the best of my knowledge) has never been published abroad. 
  I was inspired to translate Diamond is Fragile into English by my father-in-law - Thom Seymour, Sr. - due to his passion for geology and history (topics amply covered in the book). I hope that other English-speaking readers who are interested in these disciplines will enjoy it as well." - Maria K., translator

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  I'm Not Your Muse - Uncovering...

  Lori Zimmer

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  An illuminating exploration of 31 incredible women—across art, architecture, dance, literature, and more—whose culture-defining contributions have, until now, been overshadowed by their role as "muses" to history's better-known men.  What does it mean to be someone's "muse"? Historically, to be called a “muse” among artistic circles has been marketed as a flattering title. It is a commendation that most often refers to a woman whose vivacity and beauty are the source of inspiration for a (usually) male artist or creator. Perhaps her inspiring presence is even credited in the story of his success. But the very concept of a muse underestimates these women and their abilities. At its root, muse is a support role, the title a consolation prize that claims to recognize a woman’s greatness—but only in her support of another.I'm Not Your Muse reclaims the narrative of 31 of these extraordinary women, from "The Mother of the Movies" Alice Guy-Blaché to Modernist designer Eileen Gray, prima ballerina Maria Tallchief, storied Harlem Renaissance editor Jessie Redmon Fauset, and many more. Each of these women advanced the narrative of culture and society, pushing the boundaries of visual arts, dance and movement, commercial architecture, music, journalism, and the performing arts. Whether by historical accident or cruel design, their contributions have historically been overshadowed by those of their male counterparts, and often collaborators. In this briskly written, incisively researched compendium, author and researcher Lori Zimmer repositions these women as the main characters of their own lives. Each profile is accented with original illustrations—including jaunty portraits in playfully constructed frames—by artist Maria Krasinski. Together, they highlight the contemporary accomplishments and historical legacies of a wide-ranging group of revolutionary women. Featured women include:  Louise Blanchard Bethune  Claude Cahun and Marcel Moore  Minnette de Silva  Clara Driscoll  Jessie Redmon Fauset  Loie Fuller  Martha Gellhorn    Eileen Gray  Belle da Costa Greene  Alice Guy-Blaché  Miss La La  Edmonia Lewis  Neysa McMein  Hildreth Meière  Lucia Moholy  May and Jane Morris    Na Hye-Sŏk  Fernande Olivier  Pan Yuliang    Ethel Reed    Clara Rockmore    Ada Bricktop Smith  Maria Tallchief  Alice B. Toklas  Suzanne Valadon    Baroness Elsa von Freytag-Loringhoven  Leonora Carrington  Remedios Varo  Kati Horna

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  Hairspray - A Screenplay

  John Waters

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  A feel-good fable and an enduring critique of conformity told with true John Waters flair. Listen as Waters himself acts out each role!Tracy Turnblad, a spunky, full-figured Baltimore teen, wants nothing more than to be a featured dancer on The Corny Collins Show. So when she gets chosen to be on the air, it seems like all her dreams are about to come true. But when she and some of the Black cast of the show try to integrate the segregated dancing, things take on a life of their own. A sweet, hopeful parable about the dangers of conformity and segregation, Hairspray is perhaps the one optimistic entry in John Waters’s shocking and delightfully deranged oeuvre. Both a clear-eyed social critique and a celebration of the dizzying aesthetics of Baltimore in the early 1960s, this is another, softer side to the essential John Waters.A Macmillan Audio production from Farrar, Straus and Giroux

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  British Cinema - A Very Short...

  Charles Barr

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  Cinema has had a hugely influential role on global culture in the twentieth century at multiple levels: social, political, and educational. The part of British cinema in this has been controversial—often derided as a whole, but also vigorously celebrated, especially in terms of specific films and film-makers. 
   
   
   
  In this Very Short Introduction, Charles Barr considers films and filmmakers, and studios and sponsorship, against the wider view of changing artistic, socio-political, and industrial climates over the decades of the twentieth century. Considering British cinema in the wake of one of the most familiar of cinematic reference points—Alfred Hitchcock—Barr traces how British cinema has developed its own unique path, and has since been celebrated for its innovative approaches and distinctive artistic language.

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  Isokon and the Bauhaus in Britain

  Leyla Daybelge, Magnus Englund

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  In the mid-1930s, three giants of the international Modern movement, Bauhaus professors Walter Gropius, Marcel Breuer and László Moholy-Nagy, fled Nazi Germany and sought refuge in Hampstead in the most exciting new apartment block in Britain. The Lawn Road Flats, or Isokon building, was commissioned by the young visionary couple Jack and Molly Pritchard and designed by aspiring architect Wells Coates. Built in 1934 in response to the question 'How do we want to live now?' it was England's first modernist apartment building and was hugely influential in pioneering the concept of minimal living. During the mid-1930s and 1940s its flats, bar and dining club became an extraordinary creative nexus for international artists, writers and thinkers. Jack Pritchard employed Gropius, Breuer and Moholy-Nagy in his newly formed Isokon design company and the furniture, architecture and graphic art the three produced in pre-war England helped shape Modern Britain.
  This book tells the story of the Isokon, from its beginnings to the present day, and fully examines the work, artistic networks and legacy of the Bauhaus artists during their time in Britain. The tales are not just of design and architecture but war, sex, death, espionage and infamous dinner parties. Isokon resident Agatha Christie features in the book, as does Charlotte Perriand who Jack Pritchard commissioned for a pavilion design in 1930.
  The book is beautifully illustrated with largely unseen archive photography, and includes the work of photographer and Soviet spy Edith Tudor-Hart, as well as plans and sketches, menus, postcards and letters from the Pritchard family archive. In Spring 2018, the Isokon building and Breuer, Gropius and Moholy-Nagy were honoured with a Blue Plaque from English Heritage. 

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  Between a Rock and a Hard Place

  Robert Storr

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  Focal Points is a new book series of essays, articles and reviews by acclaimed curator and critic Robert Storr. Expertly edited by art historian and curator Francesca Pietropaolo, and richly illustrated, it lends Storr’s illuminating insights into some of the critical themes across recent decades that are of timely urgency. Brilliantly scholarly, accessible and engaging, Focal Points offers fresh interpretations of the varied territory of modern and contemporary art. This third volume grapples with one of the most critical topics at the heart of culture in the United States: racial division. In the essay, originally produced in 1994 when Storr lived in the diverse neighborhood of Flatbush, Brooklyn and worked as a curator in the then predominantly white, male world of New York’s Museum of Modern Art, the author vividly describes the role of the modern art museum and multiculturalism, and analyses issues of identity and representation explored in the works of a range of artists including David Hammons, Byron Kim, Glenn Ligon and Adrian Piper, among others.

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