Altri libri che potrebbero interessarti

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  Selected poems of Fenton Johnson

  Fenton Johnson

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  Fenton was born on May 7th' 1888 in the American state of Chicago. He represented the Harlem Renaissance writers in the early 20th century, and self-published three poetry collections: A Little Dreaming in 1913, Visions of the Dusk in 1915, and Songs of the Soil in 1916. Having made quite a name as a poet, essayist, author, editor and educator, he expired in 1958.

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  Medea

  Euripides

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  Euripides' tragedy focuses on the disintegration of the relationship between Jason, the hero who captured the Golden Fleece, and Medea, the sorceress who returned with him to Corinth and had two sons with him. As the play opens, Jason plans to marry the daughter of King Creon, and the lovesick Medea plots how to take her revenge. (Summary by Elizabeth Klett)CastNarrator/Second Child: KristingjMedea: Elizabeth KlettJason: mbCreon: Algy PugAegeus: T. K. KirvenNurse: Valerie TanAttendant: Robert HoffmanMessenger: Bob GonzalezChorus Leader/First Child: Amanda FridayChorus 1: Margaret EspaillatChorus 2: Rhonda FedermanChorus 3: AvailleAudio editing: Elizabeth Klett

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  Lyrics & Lines by "Carolus"

  Unknown Unknown

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  Written under the pseudonym "Carolus", Lyrics & Lines is a book of poems written, probably circa 1890 - 1900, as a gift to one he had loved and lost.Love, Humour,  Moralisation and the Macabre all come together in a most readable and enjoyable manner. Who he was, when and exactly where he lived and his age at the time he wrote this book  are unknown. That he was a modest man can be gleaned from his description of himself as "...a poetaster". Beautifully written; these poems should not only appeal to lovers of poetry but to those who would never normally consider reading verse.

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  Human Collateral

  Tanya Hilson

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  Millicent Brown is not the perfect mother, as she rents out her Chicago apartment to drug dealers as a trap house. However, when a deal goes wrong with one of her dealers, Mill is arrested as she watches the Director of the Department of Children and Family Services, Mrs. Ross, take her children away. 
  While it is Ms. Ross's responsibility to make sure these children are taken care of, Mrs. Ross instead starts orchestrating the sale of Mill's two children. 
  Will Mill be vindicated, or will she be lost in the system forever?

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  Catastrophic Molting

  Amy Shimshon-Santo

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  CATASTROPHIC MOLTING (FlowerSong Press) Amy Shimshon-Santo uses the tools of language to remind readers there is power in repudiation, comfort in collective mourning, and possibility in reimagining. The book title is inspired by the molting ritual of sea elephants (Mirounga Angustirostris) along the California coast. The mirounga rest together on the shore as social protection from violence when they are the most vulnerable. Only through these periods of dramatic change can they grow sleek new coats. The book’s journey begins with “Contagion,” revealing a world split in half like a calabash by a virus. “Beating, trembling,” a woman pleads for mercy while the poems confront the liminality of profound change. “A new cycle had begun / I would never be the same again.” The second section, Sangue, gives voice to mourning and rage. “when you murder the future of music / you are conjuring extinction.” Dysfunction on planet Earth reverberates from the street into the expansive galaxy. Refusing to normalize violence, the poet gathers war inside her own body to detonate it, then blows “tsunami-wind / to rattle clear the desks.” With the verve of Oya, the goddess of ancestral and radical change, the book claims ground for empathy and inter-being. The collection asks readers to imagine: “what if we were a part of a whole / that loved us without ceasing?” Catastrophic Molting breaks from inertia and seeks new ground. Our “foremothers greet the unborn” and are “betrothed to a story that doesn’t wish us dead.” Shimshon-Santo suggests that “stepping off might actually be, stepping in / turning away might actually be, turning toward.”

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  Personal Values

  Chloë Lawrence-Taylor

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  'You clung on to everything. Her things.'
  Veda and Bea haven't spoken since their dad's funeral; not since Bea scratched something obscene into the bonnet of Veda's cherished convertible. But one wet Tuesday morning, Veda shows up out of the blue on Bea's doorstep, determined to break down the walls built by so many things left unsaid.
  But before they can do that, there's the small matter of the physical walls Bea has surrounded herself with – walls made of newspapers, suitcases, cutlery, commodes, keyboards and hundreds, likely thousands, of bags-for-life...
  Chloë Lawrence-Taylor's play Personal Values is a perceptive, poignant and witty look at sisterhood and grief. It was first performed at Hampstead Theatre, London, in 2025, directed by Lucy Morrison.

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