Other books that might interest you

• 

  The Last Leaf

  O. Henry

  • 0
  • 0
  • 0

  Discover the enduring beauty of hope and sacrifice in The Last Leaf by O. Henry, narrated by Lauren Maza. Set in the artistic enclave of early 20th-century Greenwich Village, this timeless short story follows the intertwined lives of struggling artists and the extraordinary bond that arises amidst hardship. When illness threatens a young woman’s life, a single leaf becomes the symbol of her will to survive—and a testament to the power of friendship and selflessness. 
  Lauren Maza’s heartfelt narration brings to life O. Henry’s masterful storytelling, capturing the poignant emotions and vivid characters of this literary gem. A story that resonates across generations, The Last Leaf is a moving exploration of resilience, love, and the human spirit. 
  Perfect for fans of classic literature and emotionally rich tales, this audiobook is a must-listen for anyone who cherishes timeless stories of hope and sacrifice.

  Show book

• 

  Beyond All Reasonable Doubt...

  Melissa Lozada-Oliva

  • 0
  • 0
  • 0

  From the author of Dreaming of You and Candelaria comes an ethereal and revelatory short story collection about faith, delusion, and the demons that can't get enough of us.A beheaded body interrupts a quinceañera. An obsession with her father's bizarre video game shifts a lonely girl's reality. A sentient tail sprouts from a hospital worker's backside, throwing her romantic life into peril. And in the novella "Community Hole," a recently cancelled musician flees New York and finds herself in a haunted punk house in Boston.This collection, at once playful, grisly, and tender, presents a tapestry of women ailing for something to believe in—even if it hurts them. Using body horror, fabulism, and humor, Melissa Lozada-Oliva mines the pain and uncanniness of the modern world. Reveling in the fine line between disgust and desire, Beyond All Reasonable Doubt, Jesus is Alive! is for the sinner in us all.

  Show book

• 

  At the Mountains of Madness -...

  H. P. Lovecraft

  • 0
  • 0
  • 0

  More classic horror narrations on Jonathan's YouTube channel: https://www.youtube.com/@JonathanDunneHorrorAudiobooks 
  Title: At the Mountains of Madness — Part 3 of 12 
  Author: H. P. Lovecraft 
  Narrator: Jonathan Dunne 
  Original Publication: 1936 
  Public Domain: Yes 
  Series Placement: Timeless Terrors No. 84 — Part 3 of 12 
  Description: 
  In Part Three of At the Mountains of Madness, the Miskatonic University expedition presses deeper into its Antarctic investigations, yielding discoveries that challenge every known boundary of biology and history. The strange fossil specimens recovered from the ice reveal anatomies unlike any life forms previously catalogued—intricate, alien, and disturbingly advanced. 
  As the scientists analyze these findings, the narrative delves into detailed comparisons with known terrestrial life, uncovering evolutionary implications that stretch impossibly far into Earth’s prehistoric past. What should be a moment of academic triumph instead becomes a source of growing disquiet, as the evidence hints at an ancient dominance that predates humanity by unfathomable ages. 
  Lovecraft balances meticulous scientific exposition with a steadily tightening sense of dread, allowing the implications of the discoveries to resonate more strongly than any overt horror. The Antarctic setting remains stark and unforgiving, its frozen silence amplifying the unease that now shadows the expedition’s progress. 
  Narrated by Amazon-bestselling horror author Jonathan Dunne, this chapter deepens the mystery and reinforces the cosmic scale of Lovecraft’s vision, as knowledge itself begins to feel like a dangerous pursuit. 
  This is Part 3 of a 12-part complete audiobook series. The revelations grow darker—and the ice holds far more than fossils.

  Show book

• 

  Forgotten Authors The - Women -...

  Gertrude Minnie Robins, George...

  • 0
  • 0
  • 0

  Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. 
  In literature the ambition is much narrower.  In order to be known, to be popular, you had to be published.  And for that people had to know you existed and your ideas worth reading.  Obviously for most of humanity’s time people couldn’t read and texts couldn’t be published in any great number. 
  In the 15th Century Gutenberg’s printing press began the revolution to address the second and by the 19th century had gathered pace with startling speed and mass distribution.  Education for the many was brought in to help people understand more of their world and, with new skills, how to have a better place within it.  Now, if the powers that owned the presses and means of distribution agreed an audience would now be able to avail themselves of your ideas, your printed words.  
  All too often the talents of women have been scorned, mocked and laughed at.  In reality that was more usually by those who’s own talents were hardly fit to even grace their shadows.   
  But society in general still connived and set women to one side in almost everything that men considered their rightful territory.  And literature was one such territory.  Remarkably resilient as well as talented these women strove to be published, to show themselves as equals.  The results more often than not proved that they were.   
  Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves.    
  But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. 
  In this volume we offer up a small selection of talents whose time has now come again.

  Show book

• 

  Piñen - Stories

  Daniela Catrileo

  • 0
  • 0
  • 0

  A fierce, tender collection of stories about the lives, traumas, and dreams of Mapuche youth in modern-day Chile. 
    
  The word "piñen" comes from Mapudungun and refers to the dust or the dirt that sticks to the body. 
    
  In the all-too-real streets of Santiago de Chile, Daniela Catrileo gives us a portrait of a generation in search of itself. In “Warriache,” two childhood friends whose lives have been marked by their part Mapuche identity and the memories that bind them circle each other at a party. Their dance of delays and inevitable meeting expands into a tale across epochs—one that gives life to the hidden and suppressed experiences of those who live on the margins of other stories. In “Pornomisery,” a young girl considers the sexual violence that seems to lurk behind every closed door in her cloistered community and darken every possible route of exit. 
    
  Piñen is suffused with the humanity of its vivid, complex characters, bringing a side of modern Chile to vibrant life. It also marks the confident next step in the career of a writer poised to become one of the boldest and most uncompromising chroniclers of modern life in Latin American literature. 
    
  "Striking … Throughout, Catrileo paints her characters with a fine brush, showing how they each attempt to thrive amidst their gritty daily lives. It’s a powerful testament to resilience."—Publishers Weekly

  Show book

• 

  The Burial of the Rats

  Bram Stoker

  • 0
  • 0
  • 0

  🎬 Experience the atmospheric visual edition of this tale by searching "Jonathan Dunne Horror" on YouTube. 
  Title: The Burial of the Rats 
  Series Name: Timeless Terrors 
  Series Entry: 140 
  Author: Bram Stoker 
  Narrator: Jonathan Dunne 
  Original Publication: 1896 
  Public Domain: Yes 
  Description: 
  The Burial of the Rats is a grim and suffocating tale of desperation, decay, and the hidden horrors that fester beneath the surface of civilization. Set in the shadowy outskirts of Paris, the story follows a wandering artist who strays too far into a desolate quarter where society’s forgotten souls dwell among refuse and ruin. 
  At first, the place seems merely squalid — a wasteland of dust-heaps and ragged figures scratching out a living from what others have cast aside. But as the artist ventures deeper, he becomes aware of something far more sinister lurking beneath the filth: watchful eyes, silent pursuit, and a growing sense that he has crossed into a domain where mercy does not exist. 
  What begins as curiosity turns to dread, and dread to sheer terror, as he realizes he is no longer an observer… but prey. 
  Stoker crafts a relentless descent into panic and claustrophobia, where the boundaries between human and scavenger blur, and escape becomes a desperate race against something unspeakably patient. In this world of rot and ruin, even the smallest misstep may lead to a fate far worse than death — a fate that waits, hungry and unseen, beneath the rats.

  Show book