Maison d'édition: Imagination Books
Japan Beauty Through Watercolors A wonderful collection of watercolor paintings of this beautiful country, showcasing the sublime and amazing sites through the beauty of the brush stroke…Get it now!
Los Angeles, 1976. David Bowie is holed up in his Bel-Air mansion, drifting into drug-induced paranoia and confusion. Obsessed with black magic and the Holy Grail, he's built an altar in the living room and keeps his fingernail clippings in the fridge. There are occasional trips out to visit his friend Iggy Pop in a mental institution. His latest album is the cocaine-fuelled Station To Station (Bowie: "I know it was recorded in LA because I read it was"), which welds R&B rhythms to lyrics that mix the occult with a yearning for Europe, after three mad years in the New World.Bowie has long been haunted by the angst-ridden, emotional work of the Die Brucke movement and the Expressionists. Berlin is their spiritual home, and after a chaotic world tour, Bowie adopts this city as his new sanctuary. Immediately he sets to work on Low, his own expressionist mood-piece.Voir livre
A Guardian Guide Cultural Book of the Year 2023An Irish Times Music Book of the Year 2023'A deep, engrossing history' The Observer'A fascinating deep dive' Jeremy DellerFrom the illicit reggae blues dances and acid-rock free festivals of the 1970s, through the ecstasy-fuelled Second Summer of Love in 1988, to the increasingly corporate dance music culture of the post-Covid era, Party Lines is a groundbreaking new history of UK dance music, exploring its pivotal role in the social, political and economic shifts on which modern Britain has been built.Taking in the Victorian moralism of the Thatcher years, the far-reaching restrictions of the Criminal Justice Act in 1994, and the resurgence of illegal raves during the Covid-19 pandemic, Party Lines charts an ongoing conflict, fought in basement clubs, abandoned warehouses and sunlit fields, between the revolutionary potential of communal sound and the reactionary impulses of the British establishment. Brought to life with stunning clarity and depth, this is social and cultural history at its most immersive, vital and shocking.____'Excellent' The Sunday Times'Reminds us why the dance floor matters . . . fascinating' TelegraphVoir livre
Considering that her film career lasted just six years, it would seem as though the reputation of Grace Kelly far outweighs her actual output. Indeed, from the time of her arrival in Hollywood in 1951 through her final film, High Society, in 1956, Kelly acted in just 11 films, leaving viewers to wonder whether Kelly was still in the beginning of her career or whether High Society was a proper culmination to an extraordinarily brief stay in the film industry? Ultimately, it is might be most accurate to state that Kelly was still in the prime of her career, but it’s unclear what direction her career would have taken, as well as who inherited the void she left. Ingrid Bergman’s fame cannot be doubted, but the international quality of her career has prevented most people from gaining a complete understanding of her filmography. Moreover, the immense success of her most famous films obscured her other achievements; one of Bergman’s persistent lamentations late in her career was that even though she appeared in other films she deemed more significant, the only film of hers that people wanted to discuss was Casablanca. Although Fontaine and de Havilland would make history by becoming the only sisters to both win an Academy Award for Best Actress, that anecdote was just one of the various stories about the siblings that has shed light on their notoriously contentious and complicated relationship. As Fontaine once put it, “I married first, won the Oscar before Olivia did, and if I die first, she'll undoubtedly be livid because I beat her to it!" Kim Novak’s most famous role was as one of Alfred Hitchcock’s legendary “icy blondes” in Vertigo (1958), beguiling Jimmy Stewart’s character to the point of madness in what is widely considered one of the greatest films ever made. The girl who originally wanted to be an artist reached the upper echelon of Hollywood itself before she had even turned 30.Voir livre
The Yuan Dynasty emerged from the ambitions of Kublai Khan, the grandson of Genghis Khan, who sought to consolidate Mongol rule over China. Before the establishment of the Yuan, the Mongols had waged a relentless military campaign against the Song Dynasty, the ruling power in southern China. After decades of conflict, Kublai Khan successfully defeated the Song in 1279, marking the first time in history that all of China was under foreign rule. His ascension to the throne not only signified the dominance of the Mongols but also introduced a new era of governance that blended Mongol traditions with Chinese administration. Kublai Khan declared himself emperor in 1271 and named his dynasty "Yuan," meaning "Great Origin," a term rooted in Chinese philosophy and symbolic of the vast scope of Mongol rule. Unlike his predecessors, who maintained a nomadic lifestyle, Kublai recognized the necessity of adopting Chinese customs to effectively govern a vast and diverse population. He moved the capital from Karakorum to Dadu, present-day Beijing, reinforcing his commitment to ruling as a Chinese emperor while still maintaining Mongol authority. His reign sought to balance the military-driven expansion of his ancestors with the complexities of ruling a settled, bureaucratic society. Despite his efforts to integrate into Chinese political traditions, Kublai faced challenges in legitimizing his rule. Many Han Chinese viewed the Mongols as outsiders and resisted their authority. To solidify his claim, Kublai adopted Confucian principles and retained elements of the Chinese imperial structure, appointing Chinese officials in lower government positions while keeping key positions reserved for Mongols and trusted foreign allies. This approach ensured Mongol dominance while utilizing the administrative expertise of the Chinese.Voir livre
The new millennium offers perfect timing for publication of a large volume on the history of eroticism. Today, we paradoxically face both new freedoms and increasingly stereotyped language. Political correctness is the new norm and images now stand raised to the status of icons, especially images of women. In earlier millennia, women were goddesses or Holy Virgins, but today they are fashion models. This demotes Apollo into a male model or movie star. What happened to the insolence of the 18th-century libertines or the carefree excesses of the Belle Epoque and legalised brothels? Except for a handful of dusty outdated images, that era is now long gone. This book disregards conventional thinking to present 800 reproductions that illustrate erotic art from Ancient Greece down to the present era in both Europe and Asia. With no inhibition or hesitation, erotic art asserts itself as a key factor of societal development where the quest for pleasure is the sinless attitude of men and women who have determined that reproduction need be no end in itself. Previous books by Hans-Jürgen Döpp include The Erotic Museum in Berlin, The Temple of Venus and Paris Eros.Voir livre
Karolina's Sweet Dreams.This is the 3rd Poem about the audaciously talented Karolina Protsenko.It is just simply a reverie of her music playing ability.A series of her poems have now been created.Voir livre
