Casa editrice: Interactive Media
A powerful drama set in the United States during the early 20th century. The play explores the experiences of Rachel, a young woman of mixed-race, who is struggling to find her place in a society that is deeply divided by racism.
Set against the backdrop of a small college town, the Heyst's familial tensions converge during the holiday weekend; not only is the family's livelihood at stake, but the debt collector has just come into town, the youngest daughter has returned from an institution unprompted, and there's even a question of fidelity to boot. However, against the simplicity of communal gatherings and the warmth of familial bonds, the worries that once seemed insurmountable begin to fade. And through the lens of Easter's promise of renewal, Strindberg suggests that life's burdens may be lighter than they appear, offering a glimpse of hope amidst the chaos of everyday existence.Mostra libro
An action-packed play bursting with songs and imagination, celebrating curiosity, resilience and exploration. Mary Moon is nine years old and dreams of travelling across the galaxy, just like her brave and brilliant astronaut father. But Mary hasn't seen her dad since last week, and nobody will tell her where he is… Follow Mary on her journey through the solar system, as she faces meteors, monsters and the Sea of Sorrow in her mission to bring her dad back home. Helen Stanley's play Space Girl was first staged at the Broadway Theatre, London, performed by Lewisham Youth Theatre. It is especially suitable for younger audiences and performers, including those under twelve years old. The Nick Hern Books Multiplay Drama series features large-cast plays specifically written to be performed by and appeal to older teenagers and young adults.Mostra libro
Edwin Arlington Robinson was born on the 22nd December 1869 in Tide in Lincoln County, Maine. His childhood was described by him as ‘stark and unhappy’. His name was drawn out of a hat from a fellow vacationer from Arlington Massachusetts when fellow holiday makers decided that his parents had waited long enough at 6 months to name him. It was a name he despised and reflects the station to which his parents had placed him; their great hope at his birth were that he was a girl to complement their two sons. His pessimistic mood carried him to adulthood and a doomed encounter with Emma Loehen Shepherd who constantly encouraged his poetry. Edwin was thought too young to be her companion and so his elder, middle brother, Herman was assigned to her. It was a great blow to Edwin and during their marriage on February 12th, 1890, he stayed home and wrote ‘Cortege’ In the fall of 1891 Edwin entered Harvard, taking classes in English, French and Shakespeare. He felt at ease with the Ivy League and made great efforts to be published in one of the Harvard literary journals. Indeed, the Harvard Advocate published ‘Ballade of a Ship’ but then his career appeared to stall. His father died and although he returned to Harvard for a second year it was to be his last but also the start of some life-long friendships. In 1893 he returned to Gardiner Maine as the man of the household. Herman by this time had become an alcoholic, having suffered business failures, and was now to become estranged from Emma. Edwin began farming whilst he wrote and quickly developed a close relationship with Emma who had now moved back to Gardiner after Herman’s death with her children. Although he proposed twice, he was rejected and in consequence moved to New York to start afresh. But it was a salutary experience. Although surrounded by artists he had little money and life was difficult. In 1896 he published his own book, ‘The Torrent and the Night Before’, paying 100 dollars for 500 copies. Edwin wanted it to be a surprise for his Mother, but days before its arrival she died of diphtheria. His second volume, ‘The Children of the Night’, had a wider circulation. At the behest of President Roosevelt, whose son was an avid admirer, he was given a job in 1905 at the New York Customs Office although it appears his real job was “to help American letters”. Either way his success began to widen and his influence proper. During the 1920s he won the Pulitzer Prize for Poetry on three separate occasions. In 1922 for ‘Collected Poems’ again in 1925 for ‘The Man Who Died Twice’ and finally in 1928 for ‘Tristram’. During the last twenty years of his life he became a regular summer resident at the MacDowell Colony in New Hampshire, where he became the object of fascination by several women. But he never married. Edwin Arlington Robinson died of cancer on the 6th April 1935 in the New York Hospital in New York. He was 65.Mostra libro
The latest book by Gillian Sze, author of the Pat Lowther Memorial Award–winning book Quiet Night Think This prosimetrical work is a meditation on motherhood, language, and art. The central speaker witnesses the earliest utterances of her child and launches into a poetic inquiry of words themselves, asking, How to measure one’s mouth by its words? The speaker seeks an answer amidst the language that surrounds her — words misspoken, mispronounced, remembered, unwritten — and, in doing so, struggles with signification and significance. Each prose poem in the five-part collection darts between the many meanings of “fit” — as in “a sudden burst of emotion” or “to be the right size and shape,” and the archaic “fytte” (a section of a poem). A text becomes an open mouth, a square day of a calendar, or a bare fragment of a narrative. The final section of the book is an intimate and ekphrastic engagement with the work of Danish painter Vilhelm Hammershøi. Drawn to Hammershøi’s paintings of the empty rooms of his apartment, the speaker recognizes a familiar space of art’s insistence. An Orange, A Syllable details a period of maternal and artistic transformation.Mostra libro
This is a father-son coming-of-age story about a transsexual and her son.Mostra libro
Based on the historical record of Bessie’s ‘confession’ to witchcraft in sixteenth-century Scotland, the episodic structure of the play shows the many characters and events that supposedly made up the catalogue of her crimes, but which in fact testify to her innocence and goodness. Bessie Dunlop, the Witch o Dalry introduces students to different levels and varieties of Scots and English and contains teaching notes, suggestions for classroom activities, and questions for discussion or writing. The original version of Bessie Dunlop, the Witch o Dalry was written by John Hodgart and Martin Clarke in 1977. Hodgart rewrote the play for an EIS Drama competition before revising it again for Hodder and Staunton who published it as a school text in 1995. This 2021 shorter edition is the fourth version of the play.Mostra libro
