Altri libri che potrebbero interessarti

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  Behind Closed Doors

  Dr. Empress Rose Green

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  The Behind Closed Doors lists eight (8) autobiographical impactful Short Stories summarized in the form of Poems. The Anthology includes excruciating innate circumstances such as my miracle birth, poverty, sexual assault, homelessness and cancer. The book boasts variations of Poems that are an Ode, Sonnet, Ballad, Haiku, Limerick, Villanelle, Acrostics, and a Free Verse. A bonus variation of a poem, an Elegy is highlighted as a Dedication to my deceased Dad, Dr. Lloyd Green, MDThe publication comes at an important time to motivate others, as well as to redefine my unique strength and for others to understand the art of resilience as documented within the pages of the autobiographical poetic stories.

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  Ashes in the Milk - A Poetic Memoir

  Valerie Johns

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  "Ashes in the Milk" will remind readers that their greatest path to healing lies within—all they must do is walk down a path of self-discovery with curiosity, open mindedness and willingness. 
  Valerie Johns, MA, MFT, is a prolific poet, author, and therapist who is passionate about helping others heal from their deepest wounds.  She began writing Ashes in the Milk during the pandemic, identifying a need where readers were looking for guidance on their journey of trauma healing and to get inspiration for their own work by exploring their stories and dreams on an intimate, creative level.

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  Metamorphoses

  Publius Ovidius Naso

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  Ovid's Metamorphoses is an epic poem written in Latin, composed of fifteen books, which explores the theme of transformation and change. The narrative follows a chronological order, beginning with the world's creation and ending with the reign of Julius Caesar. Ovid retells traditional Greek and Roman myths, focusing on the transformations of gods, heroes, and mortals as they undergo physical, emotional, and psychological changes that reflect the complexities of the human experience. Some of the most famous stories in the Metamorphoses include the tales of Apollo and Daphne, Pyramus and Thisbe, Narcissus and Echo, and the fall of Icarus.
  While modern scholars consider this epic poem to be Ovid's magnum opus, the work was not well received by its contemporaries; the Roman emperor Augustus went so far as to exile Ovid and ban his books from Rome's libraries. Today, this work is considered one of the most influential works in Western culture and has inspired countless authors like Shakespeare, Chaucer, and Dante.

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  Shifters

  Benedict Lombe

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  'Something is shifting between you – again.
  Something terrifying
  and comforting.'
  Dre and Des. Young. Gifted. Black. He stayed. She left.
  Years later, Des and Dre come crashing back into each other's lives, carrying new secrets and old scars. With the clock counting down until Des has to leave again, memories of their past collide with their present and they're forced to question if destiny has brought them back together for a reason.
  Benedict Lombe's play Shifters is a fierce, funny and beautifully intoxicating celebration of the enduring power of memory and first love. It was performed at the Bush Theatre, London, in 2024, directed by Artistic Director Lynette Linton, before transferring to the Duke of York's Theatre in London's West End.
  Benedict Lombe's other plays include Lava, also for the Bush Theatre, which won the Susan Smith Blackburn Prize for Playwriting.

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  Thresh & Hold

  Marlanda Dekine

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  A New York Times New-in-Poetry feature 
  Marlanda Dekine’s debut collection is a holy, radical unlearning and reclamation of self. What does it mean to be a Gullah-Geechee descendant from a rural place where a third of the nation’s founding wealth was harvested by trafficked West and Central Africans? Dekine’s poems travel across age and time, signaling that both the past and future exist in the present. Through erasure and persona, Dekine reimagines intergenerational traumas and calls institutions from the Works Progress Administration narratives to modern-day museums to task. 
  Beyond gospel music, fear, and the stories of generations past, Thresh & Hold offers magic, healing, and innovative pathways to manifest intimacy. Dekine remembers, remakes, and brings forth their many selves, traveling far in order to deeply connect to a spiritual home within and all around them, calling: “I am listening to Spirit. I am not dying today.”  
  Marlanda Dekine is the winner of the 2021 New Southern Voices Poetry Prize, judged by Gabrielle Calvocoressi.

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  The Poetry of Charlotte Perkins...

  Charlotte Perkins Gilman

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  Charlotte Perkins Gilman was born on the 3rd July 1860 in Hartford, Connecticut, to an unaffectionate mother and a father who abandoned her and her older brother to a life of poverty. 
   
  Inevitably her schooling was limited and by 15 she had attended seven different schools but received only four years of education.  However, Charlotte was resourceful and did spend time with her father’s aunts – the suffragist Isabella Beecher Hooker and the ‘Uncle Tom Cabin’s’ author, Harriet Beecher Stowe as well as many hours at the public library studying ancient civilizations. 
   
  In 1878, she enrolled in classes at the Rhode Island School of Design where she met Martha Luther and they developed a close relationship until Luther married another woman in 1881.  Charlotte was devastated and detested romance and love until she met and married the artist Charles Walter Stetson.  
   
  Their only child, Katharine Beecher Stetson, was born in 1885 but left Charlotte with post-natal depression, then often dismissed as a case of hysteria or nerves.  Unsuited to domestic life she ruptured her life and moved to California with Katherine.  She divorced in 1894 and then sent Katharine east to live with her father and his second wife confirming that his paternal rights be acknowledged, and that Katherine establish a relationship with her father. 
   
  After her mother died in 1893, Charlotte moved back east and became involved with her first cousin, Wall Street attorney, Houghton Gilman who she married in 1900.  After his death she moved back to California, where Katherine now lived.   
   
  In this volume we bring her extensive poetry writings to the fore.  Her talents in the poetic arena are indisputable, bringing a brave and focused eye to a world of her words that is too often neglected.  
   
  Charlotte lectured widely for social reform, wrote important non-fiction works that questioned our patriarchal system and left a legacy as a leading and positive spokesperson for feminism.  
   
  She was diagnosed with incurable breast cancer in 1932 and, as she wrote in her suicide note and autobiography, she ‘chose chloroform over cancer’    
   
  Charlotte Perkins Gilman took her own life on the 17th August 1935, aged 75, in Pasadena, California.

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