Other books that might interest you

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  Naming the Trees

  Ness Owen

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  In this our imagined future we watch them sound the trees hoping for deadwood, knowing the living are always harder to cut.
  – Show Us What it is to Love a Forest with Song
  A deep-dive into the human relationship with trees and how trees have shaped folklore and literature. Sparked by a campaign to save the ancient forest of Penrhos, an SSSI on Ynys Môn, from being turned into a holiday camp, Ness explores Welsh folklore of trees and her own love for and engagement with the trees and other wild aspects of her home, as well as more common garden flowers, which should be treated with respect (Daffodils are Dangerous). Ness has an ongoing conversation with her native language and some poems are presented bilingually: there is a link to be made between the disregarding of native language and the disregarding of native habitat. Far more than a book of nature poems there is a simmering frustration at the casual way we despoil our environment without any concern for what is destroyed or the ongoing impact of that destruction.

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  Oh What a Tangled Web

  Brian Brady

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  After coming across an unexpected discovery in their storage unit, a couple enlists the help of the SFPD's Homicide Bureau to decipher their findings. The case becomes part of the workload for a two-officer team, Inspectors John O'Neill and Liam Donnelly, who follow a broken trail to find the criminal. With the help of Inspector Kathy Sullivan from Vice, the inspectors uncover the recent disappearances of girls in the escort and mail order bride services. The question remains – who is the man behind all this? This novel is an unraveling of twisted events that shakes up the SFPD and the city's justice system, with everyone involved giving it their all to solve this intriguing case.

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  Leave Taking

  Winsome Pinnock

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  'What doctor know about our illness? Just give you pills to sick you stomach and a doctor certificate. What they know about a black woman soul?'
  In North London, Del and Viv are soul-sick. Del doesn't want to be at home; staying out late – 3 p.m.-the-next-day late – is more her thing. Viv scours her schoolbooks trying to find a trace of herself between their lines.
  When Enid takes her daughters to the local obeah woman for some traditional Caribbean soul-healing, secrets are spilled. There's no turning back for Del, Viv and Enid as they negotiate the frictions between their countries and cultures.
  Two generations. Three incredible women. Winsome Pinnock's play Leave Taking is an epic story of what we leave behind in order to find home. It premiered in 1987, and was revived at the Bush Theatre, London, in 2018, in a production directed by the Bush's Artistic Director, Madani Younis.
  Winsome Pinnock has written numerous plays, including Talking in Tongues, for which she won the George Devine and Pearson Best New Play Awards.
  'The godmother of Black British playwrights' Guardian

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  The Moon That Turns You Back -...

  Hala Alyan

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  From the author of The Arsonists’ City and The Twenty-Ninth Year, a new collection of poetry that traces the fragmentation of memory, archive, and family–past, present, future–in the face of displacement and war.  
  A diaspora of memories runs through this poetry collection—a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form—small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement. 
  These poems take stock of who and what can displace you from home and from your own body—and, conversely, the kind of resilience, tenacity, and love that can bring you back into yourself and into the context of past and future generations. Hala Alyan asks, What stops you from transforming into someone or something else? When you have lived a life in flux, how do you find rest?

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  Yellow Rain - Poems

  Mai Der Vang

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  In this staggering work of documentary and poetry, Mai Der Vang reopens a wrongdoing that deserves a new reckoning. As the US abandoned them at the end of the Vietnam War, many Hmong refugees recounted stories of a mysterious substance that fell from planes during their escape from Laos in the mid-1970s. This substance, known as "yellow rain," caused severe illnesses and thousands of deaths. These reports prompted an investigation into allegations that a chemical biological weapon had been used against the Hmong in breach of international treaties. A Cold War scandal erupted, wrapped in partisan debate around chemical arms development versus control. American scientists argued that yellow rain was the feces of honeybees defecating en masse—still held as the widely accepted explanation. The truth of what happened to the Hmong, to those who experienced and suffered yellow rain, has been ignored and discredited. 
   
   
   
  Integrating archival research and declassified documents, Vang calls out the erasure of a history, the silencing of a people who at the time lacked the capacity and resources to defend and represent themselves. In poems that sing and lament, that contend and question, Vang restores a vital narrative in danger of being lost, and brilliantly explores what it means to have access to the truth and how marginalized groups are often forbidden that access.

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  Wedlock

  Jenny Grahame

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  This poem is taken from A Book of Women’s Verse published in 1921. ( Summary by David Lawrence )

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