Altri libri che potrebbero interessarti

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  A Midsummer Night's Dream |...

  Jeanette Vigon

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  In an age when the enchanting tales of Shakespeare might feel remote, Jeanette Vigon offers a bridge to these classics with her adaptation of "A Midsummer Night's Dream" in the Simple Shakespeare series. Her contemporary retelling injects new life into the whimsical journey of love, magic, and transformation, making the convoluted interplay of romance, mischief, and dreams accessible and captivating for today's audience. Vigon retains the play's charm and fantastical elements while translating its poetic dialogue into language that speaks directly to the modern reader. 
  Ideal for both Shakespeare novices and long-time enthusiasts seeking a novel perspective, this version of "A Midsummer Night's Dream" delves into the complex dynamics and emotional depths of its characters amidst a setting that feels both timeless and immediate. Vigon elegantly unfolds the themes of love’s capriciousness, the blurring of reality and illusion, and the enchanting interferences of the fairy world, ensuring the story’s perpetual themes resonate anew. 
  This adaptation stands out as an indispensable companion for anyone looking to navigate the magical realm of one of Shakespeare’s most beloved comedies, without stumbling over the barriers of Elizabethan English. It serves as an invaluable asset for students being introduced to Shakespeare for the first time and for educators in search of compelling literature for their syllabus. Jeanette Vigon’s "A Midsummer Night's Dream" presents a delightful and profound journey that significantly bridges the gap between contemporary readers and Shakespeare’s vision. Immerse yourself in the entangled narratives of lovers, fairies, and craftsmen, reenvisioned through Vigon’s masterful storytelling. Step into a story where every line magnetizes you closer to the whimsical fate of characters who have never felt more vibrant or relatable.

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  Better Light a Candle

  David Lorimer

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  Better Light a Candle is a distillation of my life experience, a poetic reflection on life’s polarities, on light and darkness, hope and despair, love and fear, healing and wounding, gain and loss, spring and autumn, unfolding and refolding, opening and closing, birth, death and rebirth, remembering and forgetting, fire and water, time and the timeless, breathing in and breathing out, the flow, the rhythm and the cycles of life. The poems hold out possibilities for awakening and transformation without underestimating the gravity of our collective challenges while affirming the ultimate spiritual power of Love, Wisdom and Truth in our perennial quest for authenticity, freedom, peace, community and fulfilment.

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  On Hearing That Constantinople...

  Amelia Opie

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  Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. 
  After the death of her mother on New Year’s Eve 1784 she became her father's housekeeper and hostess. 
  The young Amelia was energetic, attractive, and an admirer of fashion.  She spent much of her youth writing poetry and plays and putting on local amateur theatricals.  At 18 she had published anonymously ‘The Dangers of Coquetry’. 
  Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. 
  Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times.  From this point on published works were far more regular.  The following year her volume ‘Poems’ appeared and was again very popular.  Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works.  She was also keenly involved in a love of society and its attendant frills. 
  Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery.  
  Her husband died in 1807 and she paused from writing for a few years before resuming with further novels and poems.  Of particular interest was her short poem ‘The Black Man's Lament’ in 1826.  Her life now was in the main spent travelling and working for charities and against slavery.  She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. 
  After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom.  
  Amelia Opie died on the 2nd December 1853 in Norwich.  She was 84.

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  Known - Poems of perspective and...

  Heather Pound

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  "This is a collection of gentle poems to slip over the shoulders when we need encouragement  comfort  or simply to know that we are seen by another. Heather writes with a comforting wisdom that holds up the ordinary experiences that each of us encounter as part of this thing called 'being alive'. Each poem calls us to pay attention  whether to the natural world around us or to the rich inner world that we are shaped from." Liezel Graham  Artist and author of The Velveting Bones.

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  Dark Beds

  Diana Whitney

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  Diana Whitney’s seductive second collection juxtaposes the conflicted emotions of motherhood and domesticity with the intoxicating promises of transgression. Fantasies fulfilled or imagined play out against the haunted backdrop of Vermont’s woods and fields, a landscape both harsh and magical, conjuring longing and grief, dissolution and repair. Here we see how time is reflected in our bodies, our children, our choices, and the natural world. Dark Beds is an anthem for the “sandwich generation”—tired adults caught between the demands of growing children and aging parents, yearning to reclaim desire and a sense of self. Sensual, elegant, and deeply resonant, these poems lay bare the dark beds of a marriage, a garden, a human life: the intimate places where truths are buried, exposed, and sown again in hope of renewal.

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  I Remember - I Am Eternally Divine

  Travis Huntley

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  I Remember is a book of poetry inspired while traveling, spending time in nature and from my life's experiences. As a multiracial man in America, I feel I was given the opportunity to experience discrimination and prejudice from people of all walks of life. To learn I needed to love to accept myself first so I can witness firsthand society's most crucial issues of division and polarity. From the systemic illusion of separation from nature and humankind as a whole, due to the fact that most of us have yet to remember who we really are. Although the media is persistently promoting fear and division. The intention of this book is to share a sense of awareness of who we are beyond the body while inspiring the reader to love and have compassion for themselves and others at a greater capacity. Regardless of what one may have learned from their parents, culture, media, movies etc. I Remember is resurfacing to remind the masses we are all equal expressions of the Divine and now have a role to play in co-creating “The More Beautiful World our Hearts Know is Possible.”

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