Weitere Bücher, die Sie mögen werden

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  The Haystack in the Floods - The...

  William Morris

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  William Morris was born in Walthamstow, London on 24th March 1834 he is regarded today as a foremost poet, writer, textile designer, artist and libertarian.  
  Morris began to publish poetry and short stories in 1856 through the Oxford and Cambridge Magazine which he founded with his friends and financed while at university. His first volume, in 1858, The Defence of Guenevere and Other  Poems, was the first published book of Pre-Raphaelite poetry. Due to its luke-warm reception he was discouraged from poetry writing for a number of years.  
  His return to poetry was with the great success of The Life and Death of Jason in 1867, which was followed by The Earthly Paradise, themed around a group of medieval wanderers searching for a land of everlasting life; after much disillusion, they discover a surviving colony of Greeks with whom they exchange stories. In the collection are retellings of Icelandic sagas. From then until his Socialist period Morris's fascination with the ancient Germanic and Norse peoples dominated his writing being the first to translate many of the Icelandic sagas into English; the epic retelling of the story of Sigurd the Volsung being his favourite.  
  In 1884 he founded the Socialist League but with the rise of the Anarchists in the party he left it in 1890.  
  In 1891 he founded the Kelmscott Press publishing limited edition illuminated style books.  His design for The Works of Geoffrey Chaucer is a masterpiece.  
  Morris was quietly approached with an offer of the Poet Laureateship after the death of Tennyson in 1892, but declined.  
  William Morris died at age 62 on 3rd October 1896 in London.

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  The Wonder Paradox - Embracing...

  Jennifer Michael Hecht

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  Religion once formed the rhythms and structures of society: marking time with calendars, carving out space for contemplation, creating connection, reinforcing legacy and morality. Now, for many, religion no longer runs the show. So where shall we find our magic? How do we celebrate milestones? Which texts can focus our attention but still offer space for inquiry, communion, and the chance to dwell for a dazzling instant in what can’t be said? The answer, Jennifer Michael Hecht?the historian, poet, and bestselling author of Doubt?tells us, is poetry. In twenty chapters built from years of questions and conversation with those looking for an authentic and meaningful life, Hecht offers ways to excavate the useful aspects of tradition and to replace what no longer feels true. Through cultures and poetic wisdom from around the world?Sappho, Rumi, Shakespeare, Issa, Tagore, Frost, Szymborska, Angelou, and others?she blends literary criticism with spiritual guidance rooted in the everyday. Linking our needs to particular poems, she helps us better understand those needs, ourselves, and poetry. Our capacity for wonder is one of the greatest joys of being human; The Wonder Paradox celebrates that instinct and that yearning. Like Julia Cameron’s The Artist’s Way and Anne Lamott’s Bird by Bird, it promises to inspire generations.

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  The Matter of Little Losses -...

  Rachel Marie Kang, K.J. Ramsey

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  Life is full of love, but it is also full of loss. Like paper cuts to the heart, every big and seemingly insignificant loss—the loss of friendships, faith, dreams, health, community, and everything in between—grieves us more than we think it will, and often more than we let on. Why? Because they matter. 
   
   
   
  In this compassionate and deeply personal book, Rachel Marie Kang invites you to see and be seen in the midst of your sorrow, your suffering—your story. Through prose and poetry that gives voice to all the things we lose along the way, this gracious book will help you 
   
   
   
  ● ponder your loss without judgment 
   
   
   
  ● remember what was and make meaning of your memories 
   
   
   
  ● reflect on what is yet to be as you heal with hope 
   
   
   
  You don't have to bury your pain, and you don't have to pretend you're over it just because the world thinks you should be. Let Rachel walk hand in hand with you, giving space for sorrow and welcoming you as you find your way along the path to healing.

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  The Ballad Of The White Horse -...

  Gilbert Keith Chesterton

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  "The Last Great Epic Poem in the English Language"- Dale Ahlquist"The ending is absurd. The brilliant smash and glitter of the words and phrases (when they come off, and are not mere loud colours) cannot disguise the fact that G. K. C. knew nothing whatever about the 'North', heathen or Christian."- JRR TolkienThe tale of King Alfred, the Christian king who in 878AD battled a Viking invasion that had conquered the rest of England and burnt some cakes. He then became the last holdout of resistance against the invaders and forced the conversion of the Danish king Guthrum to Christianity after the battle of Ethandun. Chesterton says "This ballad needs no historical notes, for the simple reason that it does not profess to be historical. All of it that is not frankly fictitious, as in any prose romance about the past, is meant to emphasize tradition rather than history. That is the use of tradition: it telescopes history."Named after the chalk horses carved into English hills (and partly set at Uffington), it begins with an exhortation to true Christianity in the face of despair and defeat, and ends with a prediction of more barbarian invasions. It focuses on the nature of faith in times of despair, and on the true strength of local kings in the face of empires."... you and all the kind of ChristAre ignorant and brave,And you have wars you hardly winAnd souls you hardly save...."In some far century, sad and slow,I have a vision, and I knowThe heathen shall return...."They shall come mild as monkish clerks,With many a scroll and pen;And backward shall ye turn and gaze,Desiring one of Alfred's days,When pagans still were men."

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  Shade of Hugs

  Fiona Onedawta Ellis

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  The shade of Hugs is a collection of poetry, these are the thoughts and questions that plagued me while I tried to maneuver my grief. I wrote the words as they came; these are my journal entries, my story. They gave me comfort and a release in the moments I hardly had any. In these words, I found my path to healing, back to self. May they remind you, You are not alone. 

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  Bad Hobby - Poems

  Kathy Fagan

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  From Kingsley Tufts Award finalist Kathy Fagan comes Bad Hobby, a perceptive collection focused on memory, class, and might-have-beens.In a working-class family that considers sensitivity a “fatal diagnosis,” how does a child grow up to be a poet? What happens when a body “meant to bend & breed” opts not to, then finds itself performing the labor of care regardless? Why do we think our “common griefs” so singular? Bad Hobby is a hard-earned meditation on questions like these—a dreamscape speckled with swans, ghosts, and weather updates.Fagan writes with a kind of practical empathy, lamenting pain and brutality while knowing, also, their inevitability. A dementing father, a squirrel limp in the talons of a hawk, a “child who won’t ever get born”: with age, Fagan posits, the impact of ordeals like these changes. Loss becomes instructive. Solitude becomes a shared experience. “You think your one life precious—”And Bad Hobby thinks—hard. About lineage, about caregiving. About time. It paces “inside its head, gazing skyward for a noun or phrase to / shatter the glass of our locked cars & save us.” And it does want to save us, or at least lift us, even in the face of immense bleakness, or loneliness, or the body changing, failing. “Don’t worry, baby,” Fagan tells us, the sparrow at her window. “We’re okay.”

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