Other books that might interest you

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  Favour

  Ambreen Razia

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  'I'm going to answer all your wishes, bubba! Big or small, it'll be me who makes them come true, no one else.'
  Leila is happy living at home with Noor, her loving but traditional grandmother. But when Aleena, her fiercely independent mother, returns home from prison determined to deliver a new world of fun and excitement, their calm lives are upended in a blur of nail varnish and sweet treats.
  Family secrets come tumbling into the light, and Leila finds the task of deciding on her future more difficult than she first thought.
  Ambreen Razia's play Favour is a touching and hopeful family drama about a working-class Muslim family, tackling duty, addiction and the challenge of pulling yourself back together after it all falls apart. It was a Bush Theatre and Clean Break co-production and premiered at the Bush, London, in 2022, directed by Róisín McBrinn and Sophie Dillon Moniram.

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  Visit - Short science fiction story

  Dr. Amr Mounir

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  In the distant future, students from Atlantic City and their teacher embark on a journey to explore the Capitol Building, the last remnant of a vanished American civilization. Amid the ruins, questions arise that reshape the past.

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  Museum of My Soul

  Dornel Phillips

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  Museums have different exhibits displaying different eras, regions, etc., and so does this book. My goal is to highlight three sections in romantic relationships, as per how I see them. Every good story has a rise, climax, and fall, this is shown through the book's three sections. Many believe relationships to be a mirror, as do I. Our partners act as a reflection of how we show up in the world. They show us the things we need to work on. Whether and how long those relationships last, is a topic for another conversation. The three exhibits (sections) the book is divided into are as follows: Exhibit A: Falling (The infatuation stages of early love) Exhibit B: Being broken (Relationships acting as our mirrors, showing us our faults) Exhibit C: Ending (When the relationship can no longer work and it comes to its conclusion) I hope you enjoy your tour through the Museum of My Soul, enjoy your stay, and hopefully, you'll come again.

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  Princess Essex

  Anne Odeke

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  'Shall I tell you a secret? Anyone can be a queen, but a real queen wears the crown, she doesn't let the crown wear her.'
  It's 1908. Southend-on-Sea, Essex. Princess Dinubolu of Senegal is about to enter the beauty contest at the iconic Kursaal, Europe's largest entertainment complex. Meet Princess Essex.
  But how exactly did she get here? And is she all that she seems?
  Anne Odeke's play Princess Essex is a riotous, satirical comedy based on the amazing true story of the first woman of colour to enter a beauty pageant in the UK. An inspiring account of bravery, beauty and belonging, it was first performed at Shakespeare's Globe, London, in 2024, directed by Robin Belfield and starring the playwright as the Princess.

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  Boy Parts

  Eliza Clark

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  'I wonder what I have to do for people to recognise me as a threat. Do I have to smash a glass over the head of every single man I come into contact with, just so I leave a mark?'
  Irina takes erotic photos of average-looking men. Always behind the lens, she watches, she moulds, and she stalks. These boys are putty in her hands, just the way she likes it.
  When the opportunity to show her photographs in a fashionable London gallery coincides with a new boy to obsess over, cracks begin to appear. How far can she push her new prey for the perfect shot, or has she already gone too far?
  Based on the critically acclaimed debut novel by Eliza Clark, which was a finalist for the Women's Prize Futures Award, Boy Parts is a pitch-black psychological thriller that subverts the erotic gaze and asks what happens when our need for connection gets twisted.
  This stage adaptation for one actor by Gillian Greer was premiered in 2023 at Soho Theatre, London, in a co-production between Metal Rabbit Productions and Soho Theatre, and directed by Sara Joyce.
  Praise for Eliza Clark's novel:
  'Hilariously sardonic… Will make most readers howl with laughter and/or shut their eyes in horror'Guardian
  'A carnival funhouse ride: terrifying, feverish, hilarious' Julia Armfield
  'Boundaries are for breaking and if anyone can crash through and reinterpret the fear of our time, Eliza Clark can'Mslexia
  'Hallucinogenic, electric and sharp' Jessica Andrews
  'Delightfully and deviously rooted in the now with its delectable internet and culture references and evocative and real-feeling portrait of women'Dazed
  'Smart, stylish, and very funny' Lara Williams
  'Explores the darkest corners of artistic practice, sexuality and violence with bold wit and fearlessness. A dazzling, horrifying debut'Irish Times

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  A Requiem For What Could Have Been

  Zachary Phillips

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  I wrote these poems incrementally, but collated, edited, and recorded them collectively. A process that was at first therapeutic and then brutally revealing. A lot of the pieces touch upon regret, lost possibilities, and missed opportunities born of trauma, neglect, mental illness, and fear, as well as the desperation that comes when you find yourself searching for hope inside of darkness.What could’ve been and what is, are not the same thing. A lot of my pain comes from an inability to reconcile those two disparate facets of my existence. I know I can’t have everything I want, no one can. But when you are broken, it can be hard to know what you want, let alone have any idea of how to attain it.Thus, I write. I write to heal, to express the darkness within, to get it onto the page, and into the light. To understand myself and to understand my understanding of the world.If you resonate with my words I encourage you to write some of your own - it will help.what could have beenis brokenand what isfeels like a dreamthese words servedas a temporary anchoragainst the swirling chaosof a corrupted soullonging for restwritingsaved my lifeeditingalmost killed mei hopeit wasworth it

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