Weitere Bücher, die Sie mögen werden

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  The Ballad of a Nun - A decadent...

  John Davidson

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  John Davidson was born at Barrhead, East Renfrewshire on 11th April 1857.  
  In 1862 his family moved to Greenock and there he began his education at Highlanders' Academy.  Davidson would now spend many years at school and the beginnings of a career in various industries before gaining employment in various schools. 
  By now literature was a large part of his activities and his first published work was ‘Bruce, A Chronicle Play’ in 1886. Four other plays quickly followed including the somewhat brilliant pantomimic ‘Scaramouch in Naxos’ (1889). 
  With his reputation gradually providing an income he was also able to explore his true medium; Verse.  ‘In a Music Hall and Other Poems’ (1891) together with ‘Fleet Street Eclogues’ (1893) were ample proof that he possessed a quite rare, genuine and distinctive poetic gift.   
  Davidson now turned further and further towards verse. In 1894 he published his most popular volume, ‘Ballads and Songs’ (1894), and this was followed by a further ‘Fleet Street Eclogues’ (Second Series) (1896) and by ‘New Ballads’ (1897) and ‘The Last Ballad’ (1899). 
  As the new century dawned Davidson was hard at work on a series of ‘Testaments’, in which he gave definite expression to his philosophy and were published over a seven year period; ‘The Testament of a Vivisector’ (1901), ‘The Testament of a Man Forbid’ (1901), ‘The Testament of an Empire Builder’ (1902), and ‘The Testament of John Davidson’ (1908).  
  However, on 23rd March 1909, with his finances in ruins, the onset of cancer and profound hopelessness and clinical depression he left his house for the last time.  His body was only found on September 18th by some local fishermen.

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  One Caribbean Odyssey: Dreams...

  Narayan Sankar

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  A soul-stirring poetry audiobook that captures the spirit of the Caribbean—and the depth of the human journey. 
  Step into a world of vivid landscapes, introspective moments, and lyrical beauty. One Caribbean Odyssey is more than a poetry collection—it’s a personal voyage through dreams, identity, and self-discovery. From sunlit islands to quiet inner awakenings, each poem pulses with rhythm, emotion, and a search for meaning. 
  Perfect for lovers of Caribbean literature, spiritual poetry, and travel-inspired reflection, this audiobook invites you to slow down, listen deeply, and reconnect—with nature, with memory, and with yourself. 
  If you enjoy the works of Rupi Kaur, Derek Walcott, or Nayyirah Waheed, this poetic odyssey belongs in your headphones.

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  Wonder Boy

  Ross Willis

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  'What use is a boy who can't say his own name?'
  Sonny is twelve. He stammers and is finding his way in a world ruled by vicious vowels, confusing consonants, and the biggest beast of all – small talk. His only escape is with a comic-book hero of his own creation, who helps Sonny soar above his reality.
  But when he's cast by the headteacher in the school production of Hamlet, he soon discovers that language is power – and the real heroes are closer than he thinks.
  Ross Willis's play Wonder Boy is a 'boundingly imaginative' (The Times) drama about the power of finding your own voice. It was first directed by Sally Cookson, performed at Bristol Old Vic in 2022, named Best Play at the 2023 Writers' Guild Awards, and revived for a UK tour in 2024.

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  Damengin

  Jenny Wellington

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  Damengin is a country town in Queensland weighed down by the worst drought in living memory and its inhabitants are all desperately waiting for government drought relief. The bad news is that the funds have been sent and spent by Council's Shire Clerk Shifty Grey and his corrupt cohorts. This is a rollicking fast-moving story about political skulduggery, greed, love and lust. It features outrageous characters, blossoming romances, pathos and importantly, has an incredibly happy ending.

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  Contemporary Plays by Black...

  Travis Alabanza, Firdos Ali,...

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  'Welcome. Welcome to Bristol in 1963. Welcome to Waterloo Bridge in 2016. Welcome to a house in May 2017. Welcome to three couples and what might be, what once was and what could have been in 2017. Welcome to a West Indian household in 2018. Welcome to London in 2018. Welcome to the past, present and – crucially – the future.'
  This anthology brings together six plays, all written or performed since 2017, by six brilliant Black British writers – Travis Alabanza, Firdos Ali, Natasha Gordon, Arinzé Kene, Chinonyerem Odimba and debbie tucker green.
  The plays demonstrate a rich range of settings, forms, styles, locations, scales, contents and concerns – and explore themes including politics and protest, grief and colonisation, relationships and gender.
  They have been seen on stages including the National Theatre, the Royal Court, the Bush and Bristol Old Vic, at the Edinburgh Festival Fringe, in the West End, and on tour of the UK.
  Selected and introduced by leading theatre director Natalie Ibu, Contemporary Plays by Black British Writers celebrates a multiplicity of stories authored by Black playwrights in the UK over the last decade.

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  I Didn't Screw the Mayor He...

  MBA Sid Simone

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  The City Council of Mendacious Crest has a historic strategy for dealing with problems: ignore it and it will go away.  The game of avoidance is over. Payment is due. The Piper must be paid. What currency does it cost them? 
  Mysterious, witty, and unapologetically bold, I Didn’t Screw the Mayor. He Screwed Me is a true political drama that unearths the principles in a predatory political system—and what it costs a Michigan businesswoman (or is she) to stand tall in the city that made her, now hellbent to break her. 
  Searing with financial betrayal, persona deception, and political cunning, the cost of getting compensated is more than suspicious.

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