The Tapestried Chamber
Walter Scott
Casa editrice: Lighthouse Books for Translation and Publishing
Sinossi
This is another little story from The Keepsake of 1828. It was told to me many years ago, by the late Miss Anna Seward, who, among other accomplishments that rendered her an amusing inmate in a country. Sir Walter Scott, in full Sir Walter Scott, 1st Baronet, (born August 15, 1771, Edinburgh, Scotland—died September 21, 1832, Abbotsford, Roxburgh, Scotland), Scottish novelist, poet, historian, and biographer who is often considered both the inventor and the greatest practitioner of the historical novel. Scott’s father was a lawyer, and his mother was the daughter of a physician. From his earliest years, Scott was fond of listening to his elderly relatives’ accounts and stories of the Scottish Border, and he soon became a voracious reader of poetry, history, drama, and fairy tales and romances. He had a remarkably retentive memory and astonished visitors by his eager reciting of poetry. His explorations of the neighbouring countryside developed in him both a love of natural beauty and a deep appreciation of the historic struggles of his Scottish forebears. Scott was educated at the high school at Edinburgh and also for a time at the grammar school at Kelso. In 1786 he was apprenticed to his father as writer to the signet, a Scots equivalent of the English solicitor (attorney). His study and practice of law were somewhat desultory, for his immense youthful energy was diverted into social activities and into miscellaneous readings in Italian, Spanish, French, German, and Latin. After a very deeply felt early disappointment in love, he married, in December 1797, Charlotte Carpenter, of a French royalist family, with whom he lived happily until her death in 1826. In the mid-1790s Scott became interested in German Romanticism, Gothic novels, and Scottish border ballads. His first published work, The Chase, and William and Helen (1796), was a translation of two ballads by the German Romantic balladeer G.A. Bürger. A poor translation of Goethe’s Götz von Berlichingen followed in 1799. Scott’s interest in border ballads finally bore fruit in his collection of them entitled Minstrelsy of the Scottish Border, 3 vol. (1802–03). His attempts to “restore” the orally corrupted versions back to their original compositions sometimes resulted in powerful poems that show a sophisticated Romantic flavour. The work made Scott’s name known to a wide public, and he followed up his first success with a full-length narrative poem, The Lay of the Last Minstrel (1805), which ran into many editions. The poem’s clear and vigorous storytelling, Scottish regionalist elements, honest pathos, and vivid evocations of landscape were repeated in further poetic romances, including Marmion (1808), The Lady of the Lake (1810), which was the most successful of these pieces, Rokeby (1813), and The Lord of the Isles (1815).
Disponibile da: 27/08/2019.
