Altri libri che potrebbero interessarti

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  Blithe Spirit

  Noel Coward

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  When novelist Charles Condomine invites a medium into his house in order to learn about the occult for his new book, the last thing he or his second wife dream is that the séance will bring back his first wife, Elvira, who wants Charles all to herself! Things are further complicated by the fact that only Charles can see her, which results in some hilarious exchanges and misunderstandings. Elvira’s plots to get him to "the other side" do not go to plan however, and instead of Charles dying in her contrived "accident" his new wife does! Many consider this to be one of Coward’s best and most unusual farces.

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  Jazz Rhythm Changes One for...

  Klaus Bruengel

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  Jazz Rhythm Changes for Small Orchestra One © Music Klaus Bruengel. Instruments: Flute, Oboe, Violine, Cello, Harp, Bass. Original Musicscore & Parts of the Soundtrack (youtube). The label "Scores &Parts" produces eBooks containing musical scores and parts. The eBooks can be effectively used on stage, with a tablet or eBook reader, to read music whilst playing an Instrument. Klaus Bruengel is a professional composer and arranger, working for the label "Scores And Parts", the interpretation of phrasing may be different.

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  Infinity Net: The Autobiography...

  Yayoi Kusama

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  I am deeply terrified by the obsessions crawling over my body, whether they come from within me or from outside. I fluctuate between feelings of reality and unreality. I, myself, delight in my obsessions.'Yayoi Kusama is one of the most significant contemporary artists at work today. This engaging autobiography tells the story of her life and extraordinary career in her own words, revealing her as a fascinating figure and maverick artist who channels her obsessive neuroses into an art that transcends cultural barriers. Kusama describes the decade she spent in New York, first as a poverty stricken artist and later as the doyenne of an alternative counter-cultural scene. She provides a frank and touching account of her relationships with key art-world figures, including Georgia O'Keeffe, Donald Judd and the reclusive Joseph Cornell, with whom Kusama forged a close bond. In candid terms she describes her childhood and the first appearance of the obsessive visions that have haunted her throughout her life. Returning to Japan in the early 1970s, Kusama checked herself into a psychiatric hospital in Tokyo where she resides to the present day, emerging to dedicate herself with seemingly endless vigour to her art and her writing. This remarkable autobiography provides a powerful insight into a unique artistic mind, haunted by fears and phobias yet determined to maintain her position at the forefront of the artistic avant-garde. In addition to her artwork, Yayoi Kusama is the author of numerous volumes of poetry and fiction, including The Hustler's Grotto of Christopher Street, Manhattan Suicide Addict and Violet Obsession.

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  Brutus and Other Heroines -...

  Harriet Walter

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  'A part we have played is like a person we once met, grew to know, became intimately enmeshed with and finally moved away from. Some of these characters remain friends, others are like ex–lovers with whom we no longer have anything in common. All of them bring something out in us that will never go back in the box.'
  In a varied and distinguished career, Harriet Walter has played almost all of Shakespeare's heroines, notably Ophelia, Helena, Portia, Viola, Imogen, Lady Macbeth, Beatrice and Cleopatra, mostly for the Royal Shakespeare Company. But where, she asks, does an actress go after playing Cleopatra's magnificent death? Why didn't Shakespeare write more – and more powerful – roles for mature women?
  For Walter, the solution was to ignore the dictates of centuries of tradition, and to begin playing the mature male characters. Her Brutus in an all–female Julius Caesar at the Donmar Warehouse was widely acclaimed, and was soon followed by Henry IV. What, she asks, can an actress bring to these roles – and is there any fundamental difference in the way they must be played?
  In Brutus and Other Heroines, Walter discusses each of these roles – both male and female – from the inside, explaining the particular choices she made in preparing and performing each character. Her extraordinarily perceptive and intimate accounts illuminate each play as a whole, offering a treasure trove of valuable insights for theatregoers, scholars and anyone interested in how the plays work on stage. Aspiring actors, too, will discover the many possibilities open to them in playing these magnificent roles.
  The book is an exploration of the Shakespearean canon through the eyes of a self-identified 'feminist actor' – but, above all, a remarkable account of an acting career unconstrained by tradition or expectations. It concludes with an affectionate rebuke to her beloved Will: 'I cannot imagine a world without you. I just wish you had put more women at the centre of your world/stage… I would love you to come back and do some rewrites.'

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  Bob and Ray

  Carl Amari

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  Carl welcomes legendary TV writer David Pollock. David has written a book called Bob and Ray, Keener than Most Folks, which chronicles the careers and lasting influence of the famous comedy duo. Plus, classic radio from Bob and Ray, the Green Hornet, and Peter Lorre.A Falcon Picture Group audio production.

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  Finale - Late Conversations with...

  D.T. Max

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  “Brazenly entertaining. . . . It summons to the page a Broadway voice like no other.”—Los Angeles Times 
  “[An] erudite and affably self-conscious memoir of the creative process.”—Vulture 
  An intimate portrait of a genius: the late Stephen Sondheim in a series of illuminating and deeply personal interviews from the last years of his life—conversations that show the composer-lyricist as he has likely never been seen before. 
  In 2017, New Yorker staff writer D.T. Max began working on a major profile of Stephen Sondheim that would be timed to the eventual premiere of a new musical Sondheim was writing. Sadly , that process – and the years of conversation – was cut short by Sondheim’s own hesitations, then the global pandemic, and finally by the great artist’s death in November 2021. 
  Now, Max has taken the raw version of these conversations and knit them together into an unforgettable work of literature and celebration. Finale reveals Sondheim—a star who disliked the spotlight—at his most relaxed, thoughtful, sardonic, and engaging, as he talks about work, music, movies, family, New York City, aging, the creative process, and much more. 
  Max brings you into the room and gives you a front row seat for their unusual and intimate three-year-long “pas de deux.” The two bond, spar, separate, and reunite, as Max elicits from Sondheim a candor and vulnerability he seldom displayed in public.  
  This is a unique portrait of an artist in his twilight, offering remarkable insight into the mind and heart of a genius whose work changed American musical theater and popular culture forever.

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