Maison d'édition: BookRix
Softly and Tenderly (String Quartet) Sheet Music for String Quartet 1. Solo Instruments: (Violin 1, Violin 2, Viola, Cello) 2. Full Score As-Major Tune: Will L. Thompson 1880 Instrumentation: String Quartet Type of Score: 4 Solo Parts, Full Score Difficulty Level: Advanced/Professional Arranged and Produced by Viktor Dick
Preface Welcome to the vibrant, unpredictable world of Slab City California—a place where trials and transformation intersect amidst the desert ruins. In the season of 2024, I embarked on a journey to this otherworldly post-apocalyptic landscape, seeking refuge from the constraints of modern society and discovering profound lessons in resilience and human connection. My experiences in Slab City were nothing short of transformative. What began as a quest for escape evolved into a profound exploration of self-discovery and communal living. Here, amidst the remnants of a forgotten military base, I encountered a community unlike any other—a gathering of souls navigating their own purgatories, seeking solace and renewal in the desert expanse. As you delve into the pages of this book, you'll join me on a journey of personal evolution and collective wisdom. From the vibrant art installations of East Jesus to the camaraderie of the Oasis Club, each encounter in Slab City left an indelible mark on my spirit. The Slabbers I met—resilient, resourceful, and irreverently creative—taught me invaluable lessons about living authentically and embracing the unexpected. Through the trials and tribulations of Slab City, I discovered that true transformation begins with the courage to embrace the unknown and the willingness to connect deeply with others. This book is a testament to the enduring spirit of humanity, a celebration of unconventional living, and a reminder that amidst desolation, hope and community flourish. Join me as we uncover the secrets of Slab City, where the mundane fades away and the extraordinary emerges. May this journey inspire you to seek your own path of authenticity and resilience, wherever your adventures may lead. Let the metamorphosis begin. JasonVoir livre
Of all the recordings to emerge from the Athens-via-Denver collective called Elephant 6, Neutral Milk Hotel’s second album is the one that has worked its way under the most skins. Magnet magazine named it the best album of the 1990s, and Creative Loafing recently devoted a cover story to one fan’s quest to understand why band leader Jeff Mangum dropped out of sight soon after Aeroplane’s release. The record sells steadily to an audience that finds it through word of mouth. Weird, beautiful, absorbing, difficult, In The Aeroplane Over the Sea is a surrealist text loosely based on the life, suffering and reincarnation of Anne Frank, with guest appearances from a pair of Siamese twins menaced by the cold and carnivores, a two-headed boy bobbing in a jar, anthropomorphic vegetables and a variety of immature erotic horrors. Mangum sings his dreamlike narratives with a dreamer's intensity, his creaky, off key voice occasionally breaking as he struggles to complete each dense couplet. The music is like nothing else in the 90s indie underground: a psychedelic brass band, its members self-taught, forging polychromatic washes of mood and tribute. The songs stick to one narrow key, the images repeat and circle back, and to listen is to be absorbed into a singular, heart-rending vision.Voir livre
I fly and travel with carry-on luggage only. That's 7 kgs. And yes, you can do it too!At Planepack, discover the art of light travel: skip the queues; hop in and out of trains, boats and planes. Lose your addiction to heavy cases and you too will be a liberated light traveler.I write and review light travel essentials, packing guides, travel tips - and how to travel with style and ease.Planepack is perfect for anyone wanting to enjoy their travel experience - and not be burdened with luggage. I hope this book inspires you too to travel light.Voir livre
Every time you open your mouth on stage you are trying to persuade somebody of something. Sometimes referred to as 'the art of persuasion', rhetoric means using language to communicate your ideas and intentions to other people – and to make sure you are heard, understood and believed. This clear and concise guide explains how it works in plays, and how actors can use it to bring their performances to life on stage. Drawing on her decades of experience working with actors on major productions, including as Head of Voice at the National Theatre, Jeannette Nelson introduces all the major rhetorical techniques and devices that playwrights use. She offers fascinating breakdowns of dialogue and speeches from across the theatrical canon – from Shakespeare and Ibsen, to Tennessee Williams, Lorraine Hansberry and Arthur Miller, right up to contemporary playwrights such as Helen Edmundson and Tanika Gupta. Each chapter also includes a series of practical exercises which combine spoken word with physical action to help you explore and understand these techniques, and harness their power in performance. Whether you're an actor, a director or a drama teacher, Keeping It Active will empower you with a greater understanding of the ways that language underpins all dramatic works, and will give you the tools you need to unlock the text, understand characters, connect with the audience, and perform with greater confidence, focus and authenticity. 'As this excellent book outlines, rhetoric is everywhere. It's not simply in the parliament, the press conference and the court; it's in the workplace, the home and the family. There's no argument, classical or modern, in a play that isn't informed and helped by Jeannette's work' Josie Rourke, from her Foreword 'A great resource for actors and directors' Ralph Fiennes 'Jeannette Nelson's revelatory relationship to language is, quite simply, life-changing' Simon Godwin 'Jeannette taught me so much... I felt like I could persuade anybody to do anything' Sophie OkonedoVoir livre
The director of the Pompeii Archaeological Park offers a vivid view of daily life in the lost city, shares the latest discoveries, and reflects on preserving heritage. In The Buried City, Gabriel Zuchtriegel takes us on a behind-the-scenes tour of Pompeii and reveals new archaeological finds that are being unearthed at the site’s biggest dig in a generation. As director of the Pompeii Archaeological Park, Zuchtriegel presents a uniquely intimate perspective on this city that was tragically destroyed and frozen in time by the eruption of Mount Vesuvius in 79 CE. Among the ruins, we find unmade beds, dishes left drying, and bodies of victims encased in ash, but Zuchtriegel shows that we’ve only begun to understand this fascinating place, as a third of the site remains unexcavated. Zuchtriegel leads us into the heart of the city, reconstructing Pompeii as it would have been, showing us who lived there, what mattered to them, and what happened in their final hours. The Buried City reveals the latest discoveries unearthed at Pompeii—including a banquet hall with murals of Greek gods, a fresco of what appears to be a pizza, and the remains of individuals crushed by debris—all buried for almost two thousand years. Zuchtriegel offers a vivid portrait of this World Heritage site as a vibrant and diverse city, connecting us to a past that is much closer than we think and inviting us to reflect on our role as keepers of the site and its history.Voir livre
The article on which this audio book is based was published in the 'New York American' on October 20th, 1912. The author, Dr. Paul Schliemann, claimed to be the grandson of Heinrich Schliemann (1822 - 1890), a founder of modern archaeology. In this famous archaeological hoax he makes outrageous and sensational claims about the lost continent Atlantis, and his grandfather’s research. The text was written in an age when many of the Victorian adventure writers, like H. Rider Haggard in Britain, Emilio Salgari in Italy and Karl May in Germany topped reading lists. In 1912, the jungle calls of Tarzan echoed through American pulp magazines for the very first time. Paul Schliemann capitalizes on the contemporary craze for his grandfather’s archaeological discoveries, for lost worlds and legendary characters like the queen of Sheba and Prester John. Since 1907, Howard Carter had been excavating in Egypt, and in 1922 Carter made his historical discovery of the tomb of Tutankhamun. Paul Schliemann’s article is highly entertaining, and features passages reminiscent of Indiana Jones. Michael Henrik Wynn, the editor of the educational net radio stream Historyradio.org, gives a spirited performance of what has become a classic and much loved hoax in archaeological circles.Voir livre
