Altri libri che potrebbero interessarti

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  The Things I Meant to Say

  E. Barrett La Mont

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  Barrett began writing love poems in his early 20's. He is a distant relative of Elizabeth Barrett Browning, and when introduced to her work became immediately inspired. This book is comprised of poems Barrett has written over the past 40 years. They are both love poems and inspirational poems which he hopes will be enjoyed by readers of all ages. Many of the love poems were dedicated to his first real love, Lynn, and others written to his late wife, Patricia to whom he was married for 37 years. Some of the poetry is lyrical and some prose. His hope is that you will be touched by the words, perhaps warming your heart and those around you, whether remembering past or current loves, friends and family. This book is meant to awaken your passion for life and the emotions that you have deep inside, and even perhaps "the things you meant to say."

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  The Top 10 Poets – The Clergy -...

  John Donne, Gerard Manley...

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  The language of Poetry is an art that most of us attempt at some point in our lives.  Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. 
  But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. 
  Religion has inspired much of the World’s incredible art.  In this volume we learn from those poets that worked within the First Estate to help spread their beliefs through verse to audiences in both the religious and secular worlds.

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  Althea and Other Poems

  Gregory M Thompson

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  This audio collection of poetry from Gregory M. Thompson has over 35 poems about love, despair, and death in structured and free-form styles. Includes the two horror epic poems ALTHEA and MODERIA. Enjoy different types poetic styles from traditional to rhythmic to serious to humorous.

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  Mind-Deep ( Ex Machina ) - poem...

  Mike Blake

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  Mind-Deep ( Ex Machina ):   poem for Deep Minds.  
   A poem based around the popular Sci-Fi film Ex Machina released in 2015. 
  This poem was written on Saturday 25th November 2017 while watching the film on UK tv. 
  What an experience, and thus inspired. 
  ** To see more Poems by the same Author please follow the link below: 
  https://www.amazon.com/-/e/B00SG40RM8 
  *NO A.I. has been used in the creation of this Poem. * As for all my poems.* 
  Only the Purity of inspiration of the Author. 
  **If you enjoy reading this Poem, can you Please leave your feedback (NOT RATING, many thanks. 
  Other Poems on the theme: The_1 & The_0: :: Binary https://www.amazon.com/dp/B07GRC3428 
  To contact the Author: Please add me Mike Miko on Facebook & then message me, thanks. https://www.facebook.com/mike.cco1 
  I will then contact the Author your behalf. or on 
  Twitter: miko_1_dollar ~ Tumblr : ccobes ~ 
  Instagram: Wild_Poetrys / Wild.Poetry.Webs 
  FB: https://www.facebook.com/New.Poets.Corner/

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  Deed

  torrin a. greathouse

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  DEED, the follow-up to torrin a. greathouse's 2022 Kate Tufts Discovery Award winning debut, Wound from the Mouth of a Wound, is a formally and lyrically innovative exploration of queer sex and desire, and what it can cost. Sprawling across art, eros, survival, myth, etymology, and musical touchstones from Bruce Springsteen to Against Me!, this new book both subverts and pays homage to the poetic canon, examining an artistic lineage that doesn't always love trans or disabled people back. Written in a broad range of received and invented forms—from caudate sonnets and the sestina, to acrostics and the burning haibun—DEED indicts violent systems of carceral, medical, and legal power which disrupt queer and disabled love and solidarity, as well as the potentially vicarious manner in which audiences consume art. This collection is a poetic triptych centered on the question of how, in spite of all these complications, to write an honest poem about desire. At its core, DEED is a reminder of how tenderness can be made a shield, a weapon, or a kind of faith, depending on the mouth that holds it.[sample text]from EtymythologyI'm clocked by etymology,by the way even stilettos take their namefrom a knife. The way a knife, well-honed,can strip anything to the bone. Bear with me, sometimes even the myths growblurry in the distance. The root of Artemis, goddess of the hunt, is still unknown, but likely comes from artamos—butcher. Let's call this a kind of etymythology,post hoc history; let's call Artemis the root. For her wild heart. Her failedfemininity. Goddess of gender-fuckedgirls. Crooked prayer. The word worship is shaped from two shards—meaning worth & its giving. A mouth gives faith shape like clay. I mean that to pray is to god a God. To be butch & butcher the myth of a son, was to makea goddess of myself.

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  Embark

  Sean O'Brien

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  A new collection by Sean O’Brien – ‘Auden’s true inheritor’, and one of our wisest poetic chronographers – is not just a literary event, but also, invariably, a reckoning of the times. Given the nature of our times, his voice is an essential one: there is no other poet currently writing with O’Brien’s intellectual authority, historical literacy and sheer command of the facts. Embark also registers our unique cultural climacteric, where the larger crises of the planet – the pandemic and the terrifying spectre of revanchist nationalism among them – impact all of us, and where the illusion of a church-and-state separation of the personal and political can no longer hold. As the poet turns seventy, he shows us how the inevitable absences that age brings are assuaged by how we furnish them; the result is not just a logic made from loss and pain, but a music, a metaphysic, and finally a redemptive art. Embark reminds us of the enduring consolations of love, of friendship, of the freedoms and possible futures still afforded by the imagination – and, through O’Brien’s own exemplary model, of poetry itself.

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