Altri libri che potrebbero interessarti

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  The Ballad of a Nun - A decadent...

  John Davidson

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  John Davidson was born at Barrhead, East Renfrewshire on 11th April 1857.  
  In 1862 his family moved to Greenock and there he began his education at Highlanders' Academy.  Davidson would now spend many years at school and the beginnings of a career in various industries before gaining employment in various schools. 
  By now literature was a large part of his activities and his first published work was ‘Bruce, A Chronicle Play’ in 1886. Four other plays quickly followed including the somewhat brilliant pantomimic ‘Scaramouch in Naxos’ (1889). 
  With his reputation gradually providing an income he was also able to explore his true medium; Verse.  ‘In a Music Hall and Other Poems’ (1891) together with ‘Fleet Street Eclogues’ (1893) were ample proof that he possessed a quite rare, genuine and distinctive poetic gift.   
  Davidson now turned further and further towards verse. In 1894 he published his most popular volume, ‘Ballads and Songs’ (1894), and this was followed by a further ‘Fleet Street Eclogues’ (Second Series) (1896) and by ‘New Ballads’ (1897) and ‘The Last Ballad’ (1899). 
  As the new century dawned Davidson was hard at work on a series of ‘Testaments’, in which he gave definite expression to his philosophy and were published over a seven year period; ‘The Testament of a Vivisector’ (1901), ‘The Testament of a Man Forbid’ (1901), ‘The Testament of an Empire Builder’ (1902), and ‘The Testament of John Davidson’ (1908).  
  However, on 23rd March 1909, with his finances in ruins, the onset of cancer and profound hopelessness and clinical depression he left his house for the last time.  His body was only found on September 18th by some local fishermen.

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  The Raven - A Robin Reads Audiobook

  Edgar Allan Poe

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  Edgar Allan Poe's peerless narrative poem about a forlorn lover who is visited by a mysterious raven. 
  First published in 1845. Narrated by Robin Reads.

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  Meeting the Universe - The...

  Niko Riki

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  Vincent's first vivid childhood memories had flown with the wings of the wind, and they began to speak to him in a loud voice. He began to sink into them like quicksand. The glass of brandy slipped out of his hands, just as he had decided to pour himself a bit more of the alcohol, and shattered into many tiny shards with a loud bang. - Maybe it's a warning that I must change my life? - He saw nothing but a prism with white light. He was flying towards the light beam at a very high speed, just like the most powerful space rocket. The bright rays of light, like a white inclusive tunnel, began to narrow, and a mountain in the color of halva appeared in from of his eyes. He was flying directly towards it, just like the fastest eagle, and it seemed like he was about to crash into it. He felt scared of the unknown and that his body was moving by itself and that he couldn't control it anymore but, at the same time, he felt free because he could fly at such a tremendous speed, realizing that one part of his life was over. He was still alive but, only in a different form. Vincent was no longer Vincent because he no longer had his old name, and he didn't have his ancient past. Instead, he was greeted by a whole new life. His little heart was beating, and when he took a deep breath, he felt that he was alive again and felt his mother's warmth. The baby opened his little mouth and smiled. It was very dark but comfortable enough to turn slightly from side to side.

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  The Poetry of Sarojini Naidu -...

  Sarojini Naidu

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  Sarojini Chattopadhyay was born into a Bengali family in Hyderabad, India on 13th February 1879, the eldest of the eight siblings. The family was well-respected in Hyderabad and were established artists. 
   
  Naidu passed her matriculation examination at the University of Madras and took a four-year break from her studies.  
   
  In 1895, H.E.H. the Nizam's Charitable Trust founded by the 6th Nizam, Mahbub Ali Khan, gave her the chance to study in England, first at King's College, London and later at Girton College, Cambridge.  
   
  Even in these early times she was a social activist.  It was whilst in England that she worked as a suffragist and was first drawn to the Indian National Congress' Hindu movement for India's independence from British Colonial rule.  
   
  She began writing at the age of twelve. Her play, ‘Maher Muneer’, written in Persian, impressed the Nawab of Hyderabad. It was an auspicious start. 
   
  Sarojini met Paidipati Govindarajulu Naidu, a physician, and after finishing her studies at age 19 married him. The couple would have five children.  Interestingly their families approved their marriage even though they were from different castes and society was not as tolerant as it might be today.  Additionally, Sarojini was from Bengal and Naidu from Andhra Pradesh and marriages between those from the north and south were frowned upon.  Happily, they overcame these problems and both marriage and careers thrived. 
   
  In 1905, her first collection of poems, ‘The Golden Threshold’ was published. 
   
  Naidu became a part of the Indian nationalist movement and was a follower of Mahatma Gandhi and his idea of swaraj (this was an India without its colonial administration systems).  Despite her growing political career she still found time to write and published several further volumes of poetry. Such was her eloquence that she became known as the ‘Nightingale of India’. 
  Sarojini was appointed the President of the Indian National Congress in 1925 and was a major influence and figure in the Independence movement.  
   
  Along with several other Congress leaders including Gandhi and Jawaharlal Nehru she was arrested for taking part in the 1930 Salt March.  Indeed Sarojini faced frequent arrest by the British Authorities and spent, in total, many months in prison. 
   
  Following India's independence from British rule in 1947, Sarojini was appointed as the governor of the present-day Uttar Pradesh in so doing she became India's first female governor. 
   
  Returning from work in New Delhi on 15th February, 1949 she was advised to rest by her doctors, and her official engagements were cancelled.  Her health deteriorated rapidly and on 1st March bloodletting was performed after she complained of severe headache.  
   
  Sarojini Naidu died of a cardiac arrest on 2nd March 1949.  She was 70.

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  Paper Crusade

  Michelle Penn

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  On a wasted island in perpetual sun, the Father practices magic, laments his lost kingdom and commands a ragtag army of three: the passionate and damaged Daughter, the winged Spirit and an indigenous being known only as C. Behind their uniforms — white suits and full-face paper masks — the soldiers seethe with rebellion.
  The arrival of the Boy, a hapless prince, and the Brother, the Father's rival, unleashes desire, betrayal, insanity and revenge — all of it witnessed by an irate sea.
  Paper Crusade is a bold reinvention of Shakespeare's play, The Tempest. Michelle Penn's vivid imagery and startling, sensual language create an unforgettable dystopia for our own time.
  A visionary, intertextual journey that takes us far beyond standard retelling or response to Shakespeare. Penn brings new life to the characters here, with an incantatory power that threatens to lose us in the words and the waves but always takes us somewhere captivating and unexpected.
  Luke Kennard, 2022

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  Damengin

  Jenny Wellington

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  Damengin is a country town in Queensland weighed down by the worst drought in living memory and its inhabitants are all desperately waiting for government drought relief. The bad news is that the funds have been sent and spent by Council's Shire Clerk Shifty Grey and his corrupt cohorts. This is a rollicking fast-moving story about political skulduggery, greed, love and lust. It features outrageous characters, blossoming romances, pathos and importantly, has an incredibly happy ending.

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