Altri libri che potrebbero interessarti

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  Inner Sanctum Mystery: Song of...

  Himan Brown

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  A good story about a cop who discovers that he's living in the same building with a homicidal maniac.

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  Caravaggio - Painter of Miracles

  Francine Prose

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  Francine Prose's life of Caravaggio evokes the genius of this great artist through a brilliant reading of his paintings. Caravaggio defied the aesthetic conventions of his time; his use of ordinary people, realistically portrayed—street boys, prostitutes, the poor, the aged—was a profound and revolutionary innovation that left its mark on generations of artists. His insistence on painting from nature, on rendering the emotional truth of experience, whether religious or secular, makes him an artist who speaks across the centuries to our own time.Born in 1571 near Milan, Michelangelo Merisi (da Caravaggio) moved to Rome when he was twenty-one years old. He became a brilliant and successful artist, protected by the influential Cardinal del Monte and other patrons. But he was also a man of the streets who couldn't seem to free himself from its brawls and vendettas. In 1606 he fled Rome, apparently after killing another man in a dispute. He spent his last years in exile, in Naples, Malta, and Sicily, at once celebrated for his art and tormented by his enemies. Through it all, he produced masterpieces of astonishing complexity and power. Eventually he received a pardon from the Pope, only to die, in mysterious circumstances, on the way back to Rome in 1610.

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  Collection of Sand

  Italo Calvino

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  This “brilliant collection of essays” and travelogues by the celebrated author of Invisible Cities “may change the way you see the world around you” (The Guardian, UK).   Italo Calvino’s boundless curiosity and ingenious imagination are displayed in peak form in Collection of Sand, his last collection of new works published during his lifetime. Delving into the delights of the visual world—both in art and travel—the subjects of these 38 essays range from cuneiform and antique maps to Mexican temples and Japanese gardens. In Calvino’s words, this collection is “a diary of travels, of course, but also of feelings, states of mind, moods…The fascination of a collection lies just as much in what it reveals as in what it conceals of the secret urge that led to its creation” (from Collection of Sand).   Never before translated into English, Collection of Sand is an incisive and often surprising meditation on observation and knowledge, “beautifully translated by Martin McLaughlin” (The Guardian, UK).

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  The American Resting Place -...

  Marilyn Yalom

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  An illustrated cultural history of America through the lens of its gravestones and burial practices—featuring eighty black-and-white photographs. 
   
  In The American Resting Place, cultural historian Marilyn Yalom and her son, photographer Reid Yalom, visit more than 250 cemeteries across the United States. Following a coast-to-coast trajectory that mirrors the historical pattern of American migration, their destinations highlight America’s cultural and ethnic diversity as well as the evolution of burials rites over the centuries. 
   
  Yalom’s incisive reading of gravestone inscriptions reveals changing ideas about death and personal identity, as well as how class and gender play out in stone. Rich particulars include the story of one seventeenth-century Bostonian who amassed a thousand pairs of gloves in his funeral-going lifetime, the unique burial rites and funerary symbols found in today’s Native American cultures, and a “lost” Czech community brought uncannily to life in Chicago’s Bohemian National Columbarium. 
   
  From fascinating past to startling future—DVDs embedded in tombstones, “green” burials, and “the new aesthetic of death”—The American Resting Place is the definitive history of the American cemetery.

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  The Musician as Entrepreneur...

  William Weber

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  “Marries scholarly discipline with intriguing reading . . . The book will satisfy the thirst of historians, musicians and perhaps even an economist or two.” —American Music Teacher 
   
  To be successful, a musician often has to be an entrepreneur: someone who starts a performing venue, develops patrons, and promotes the project aggressively. Accomplishing this requires musicians to acquire social and business skills and to be highly opportunistic in what they do. In The Musician as Entrepreneur, 1700–1914, international scholars investigate cases of musical entrepreneurship between around 1700 and 1914 in Britain, France, Germany, and the United States. By uncovering the ways in which musicians such as Telemann, Beethoven, Paganini, and Liszt conducted their daily business, the authors reveal how musicians reshaped the frameworks of musical culture and, in the process, the nature of the music itself. 
   
  “Weber is an excellent music historian and the book will please all readers interested in musical sociology.” —Choice

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  Ernie Kovacs & Early TV Comedy -...

  Andrew Horton

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  Exploring the pioneering career of the man whose quirky comic experiments influenced decades of television, from Laugh-In to Late Night.   A true pioneer of television, Ernie Kovacs entertained audiences throughout the 1950s and early 1960s with his zany, irreverent, and surprising humor—and also inspired a host of later comedies and comedians, including Monty Python, David Letterman, much of Saturday Night Live, Rowan and Martin’s Laugh-In, Captain Kangaroo, and even Sesame Street. Kovacs created laughter through wildly creative comic jokes, playful characterizations, hilarious insights, and wacky experiments—“Nothing in moderation,” his motto and epitaph, sums up well Kovacs’s wholehearted approach to comedy and life.   In this book, Andrew Horton offers the first sustained look at Ernie Kovacs’s wide-ranging and lasting contributions to the development of TV comedy. He discusses in detail Kovacs’s work in New York, which included The Ernie Kovacs Show (CBS prime time 1952–1953), The Ernie Kovacs Show (NBC daytime variety 1956–1957), Tonight (NBC late-night comedy/variety 1956-1957), and a number of quiz shows. Horton also looks at Kovacs’s work in Los Angeles and in feature film comedy. He vividly describes how Kovacs and his comic co-conspirators created offbeat characters and situations that subverted expectations and upended the status quo. Most of all, Horton demonstrates that Kovacs grasped the possibility for creating a fresh genre of comedy through the new medium of television—and exploited it to the fullest.

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