Altri libri che potrebbero interessarti

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  Julia or The Convent of St...

  Amelia Opie

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  Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. 
  After the death of her mother on New Year’s Eve 1784 she became her father's housekeeper and hostess. 
  The young Amelia was energetic, attractive, and an admirer of fashion.  She spent much of her youth writing poetry and plays and putting on local amateur theatricals.  At 18 she had published anonymously ‘The Dangers of Coquetry’. 
  Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. 
  Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times.  From this point on published works were far more regular.  The following year her volume ‘Poems’ appeared and was again very popular.  Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works.  She was also keenly involved in a love of society and its attendant frills. 
  Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery.  
  Her husband died in 1807 and she paused from writing for a few years before resuming with further novels and poems.  Of particular interest was her short poem ‘The Black Man's Lament’ in 1826.  Her life now was in the main spent travelling and working for charities and against slavery.  She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. 
  After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom.  
  Amelia Opie died on the 2nd December 1853 in Norwich.  She was 84.

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  The Brightening Air

  Conor McPherson

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  'You'll remember how much of living is really just forgetting.'
  The family home is more than a building. It's a destination of pilgrimage, an inherited investment, a repository of memory or magic. But, for brother and sister Stephen and Billie, home is all they've got. Mucking along in their decaying farmhouse, they're doing just fine.
  That is, until the arrival of an ex-clergyman uncle with an unscrupulous plan, a sister-in-law seeking a miracle, and a prodigal brother hell-bent on trouble…
  An entrancing tale of fate, family and unseen forces in 1980s Ireland, Conor McPherson's play The Brightening Air was the winner of the Edgerton Foundation New Play Award. It was first performed at The Old Vic, London, in 2025, directed by the playwright.

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  Be Holding - A Poem

  Ross Gay

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  Winner, 2021 PEN/Jean Stein Award Winner, 2021 Ohioana Book Award in Poetry Winner, 2022 Indiana Author Award in Poetry Be Holding is a love song to legendary basketball player Julius Erving—known as Dr. J—who dominated courts in the 1970s and ‘80s as a small forward for the Philadelphia ‘76ers. But this book-length poem is more than just an ode to a magnificent athlete. Through a kind of lyric research, or lyric meditation, Ross Gay connects Dr. J’s famously impossible move from the 1980 NBA Finals against the Los Angeles Lakers to pick-up basketball and the flying Igbo and the Middle Passage, to photography and surveillance and state violence, to music and personal histories of flight and familial love. Be Holding wonders how the imagination, or how our looking, might make us, or bring us, closer to each other. How our looking might make us reach for each other. And might make us be reaching for each other. And how that reaching might be something like joy.

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  Judas Goat - Poems

  Gabrielle Bates

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  "Stellar . . . with great humanity, grace and precision." —Nicole Sealey, author of Ordinary Beast 
   
   
   
  Gabrielle Bates's electric debut collection Judas Goat plumbs the depths of intimate relationships. The book's eponymous animal is used to lead sheep to slaughter, while its own life is spared, and its harrowing existence echoes through this spellbinding collection of forty poems, which wrestle with betrayal and forced obedience, violence and young womanhood, and the "forbidden felt language" of sexual and sacred love. These poems conjure encounters with figures from scriptures, domesticated animals eyeing the wild, and mothering as a shape-shifting, spectral force; they question what it means to love another person and how to exorcise childhood fears. All the while, the Deep South haunts, and no matter how far away the speaker moves, the South always draws her back home. 
   
   
   
  In confession, in illumination, Bates establishes herself as an unflinching witness to the risks that desire necessitates, as Judas Goat holds listeners close and whispers its unforgettable lines.

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  On Baile's Strand

  W. B. Yeats

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  This is the climax of the Myth of Cuchulainn as set out by W.B. Yeats. 
  This play is juxtaposed between the frivolities and passionate natures of man with the ritual and order of its systems, and how one can not be beholden to both and still treat each side with the same worthiness upon the crossing of that threshold. The ideal of duty can drive a once powerful and spirited fighter to the ruin of himself and, more importantly, his legacy. 
  "On Baile's Strand," is one of the best testaments to W.B. Yeats' understanding of human nature and larger than life pathos.

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  A Gay Century Volume 2 1973-2001...

  Peter Scott-Presland

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  ‘A Gay Century: Vol 2’ is a vivid portrait of gay life in recent history, using a series of seven playlets which are dramatic, angry, funny and heartbreaking in turn. A camp old man collides with Gay Liberation and gets a new lease of life; a gay bandsman can’t grieve for his lover killed in an IRA bomb – until he’s thrown out of the army for being gay; a gay man and a lesbian decide to have a baby, but their partners plot to stop it; the bombing of the Admiral Duncan pub devastates not only the victims but their friends. Queen Victoria and Oscar Wilde – repression and liberation – battle for supremacy; there can only be one victor.

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