Altri libri che potrebbero interessarti

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  Scattered Love

  Maylis Besserie

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  'She entered the house like a shadow … She was like a divine elixir: one drop for each of my thoughts. … I could feel the breath of the warrior, the Queen of Ireland, and it intoxicated me with the wind of hope, like noble wine.'
  She is Maud Gonne, the muse of writer William Butler Yeats. Yeats here returns as a ghost, having been buried in southern France in January 1939 at Roquebrune-Cap-Martin. Ten years later his remains are repatriated to Ireland. He emerges from his grave to recount his thwarted love for Maud, a story blending with the movement for Irish independence in which they each played an integral part.
  Yeats' ghost has suddenly appeared as diplomatic documents have come to light, casting doubt on the contents of the coffin brought back to Sligo for a state funeral. Where did the poet's body go? Does he still hover 'somewhere among the clouds above'? What remains of our loves and our deaths, if not their poetry?
  Maylis Besserie's exciting new work follows on from Yell, Sam, If You Still Can (Le tiers temps). In her second novel, she turns her attention from Samuel Beckett to another Irish writer, W.B. Yeats. The connection between Ireland and France is forged once again in the smithy of art, culture and the days at the end of life.
  A Guardian Most Anticipated Book of 2023
  An Irish Times Most Anticipated Book of 2023
  An Irish Independent Most Anticipated Book of 2023

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  TikTok Dopamine Balls - Mirth...

  Mike Blake

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  TikTok Dopamine Balls:   Mirth, Gongs & SingalongsThis poem is about the many varied experiences on TikTok. The high's, the lows, the fun, the throws.For a lot of Tiktokers, its a Dopamine fix, cavorting on cam, enjoying their 5 minutes ofTiktok fame. Lots go viral, and get enormous amounts of followers.Its all fun after all, its just one big Dopamine ball.Full of mirth, and singalongs, and the gongs of others.There's many things to say about Tiktok, but at the end of the day. It passes the time,in a positive rhymn like a Ticking tocking clock.

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  After the Fall: Dirges Among Ruins

  Eric Tinsay Valles

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  This collection explores the creative space of poetry as a means to unravel feelings evoked by the violence of war or by everyday traumatic events. One may come to terms with uncomfortable, including unspeakable, feelings by describing them with imagery from nature and one’s immediate environment. By participating in grieving, the self can better face any lingering effects of trauma. In this creative space, dramatic speakers retell stories and give vent to contradictory feelings through silences and free play. Their accounts attest to the dappled beauty of the human condition even if the full nature, scope and effects of traumatic memories are always beyond their grasp.

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  How Beautiful People Are

  Ayaz Pirani

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  In How Beautiful People Are, his third collection, Ayaz Pirani continues to write his people’s pothi: a trans-national, inter-generational poetry of post-colonial love and loss animated by the syncretizing figure of Kabir and drawn from the extraordinary diwan of ginan and granth literature. Walking alongside the tiger of Ali and an assortment of beloved infidels, Ayaz uncovers just How Beautiful People Are. After all, what will darkness do, his poems ask, when a true guru makes light?

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  The Elk in the Glade - The World...

  Bruce E. Whitacre

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  “Bruce E. Whitacre’s ability to capture this support network and the extraordinary efforts of Jennie Hicks in a manner that reaches beyond the usual literary or arts reader makes her story appealing to a much wider audience” —Diane Donovan, Midwest Book Review 
  “Side by side with the paintings, Whitacre’s book serves as a deeply personal yet relatable account of one woman’s life and turn-of-the-century lifestyle—and clearly demonstrates why this talented painter and pioneer stands as someone to remember.” —BookLife by Publishers Weekly 
  “Bruce E. Whitacre’s collection, The Elk in the Glade, is a lovely and loving celebration of his remarkable great grandmother, Jennie Hicks, life and art, and an inspiring example of how a woman's artistic discipline gave her the courage and insight to transcend the hardships of the Nebraska frontier.” —Ladette Randolph, Editor in Chief, Ploughshares 
  Based on personal memories and family oral history, Whitacre’s debut collection of sixteen poems traces the life and legacy of a family matriarch, his paternal great-grandmother, Jennie Hicks. The daughter of American pioneers, she marries a successful farmer, bearing him three girls, seeing them all married, only to outlive him and the farm. Once again alone and facing hardship, she transforms an almost forgotten hobby, her young girl dream, into a brilliant thirty-year career as a successful landscape painter, the future pride of her hometown, Farnam, Nebraska, and an important figure in American art. Lovers of American history, art, and strong female characters will enjoy these chronicles in verse.

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  Intruder

  Jerrold Yam

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  At home with loneliness and passing encounters, can we be familiar with another or even ourselves? Does love outweigh the uncertainty of its memory? In his third and latest collection, award-winning poet Jerrold Yam ushers us into a traveller's world through sensitive and enquiring eyes, navigating a landscape of flitting figures, thoughts and emotions. 
   
   
  Informed by expansive travel across Asia and Europe, Yam's poetry is as varied as his journey, exploring geysers, horse riding and Picasso, while building on his preoccupations with family, sensuality and displacement. His poems make fresh the contradictions of young adulthood, its heady mix of determined restlessness, bold insecurities, desire for intimacy and fear of commitment. In his unflinchingly honest treatment of these themes, Yam exhibits new range and complexity as he describes a shifting terrain, where moving on is as difficult as letting go. 
   
   
  Above all, Intruder is an attempt to make sense of the impermanent structures that hold up one's life. Home, like love, may be a fiction that we must resist claiming for our own. After all, can we--and should we--be more than intruders? 
   
  "Jerrold Yam writes with an old voice and the youthful abandon of a poet out of his safe shell; a strong conviction of his depthless solitude yet weak in the presence of love and desire. His poems are lamentable etudes of one-word titles so vocal of absence and longing they are heartrending to those in the thick throes of love's discovery, loss and reconciliation." 
  -Grace Chia, author of Cordelia and womango

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