Altri libri che potrebbero interessarti

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  The Climbers (NHB Modern Plays)

  Carmen Nasr

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  When Yasmin and her guide, Tshering, return from a perilous expedition to Everest without a member of their party, they have a lot of questions to answer. Where is Yasmin's husband Charlie? What happened on the mountain? Why do Yasmin and Tshering's accounts differ so drastically?
  As private investigator Connie tries to distinguish hallucination from reality, and fact from delusion, it's clear that someone, somewhere, is not telling the truth.
  Set at an altitude where life hangs by a thread, Carmen Nasr's play The Climbers is a thrilling exploration of the lure of the mountains, the drive to conquer and the price of staying alive. It was first performed in June 2022 at Theatre by the Lake, Keswick, directed by Guy Jones.

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  Black Oak - Odes Celebrating...

  Harold Green III

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  As he did for Black women in Black Roses, Harold Green III, poet and founder of the music collective Flowers for the Living, now honors the Black men he most admires—groundbreakers including Tyler Perry, Barry Jenkins, Billy Porter, Chance the Rapper, LeBron James, Colin Kaepernick, and John Legend—and celebrates their achievements which are transforming lives and making history. 
  Black men are changing society and the world through mastery, innovation, and inspiration at a pace never seen before. In awe of the myriad ways in which Black men are using their vision and power to remake culture and society, spoken word artist Harold Green began writing odes recognizing the extraordinary accomplishments of a series of Black men, which he shared on his Instagram account—tributes that went viral and became a social media sensation. Black Oak brings together many of these popular odes with original works written for this collection. 
  Divided into five sections—bravehearts, champions, dreamers, guardians, and humanitarians—Black Oak features iconic men who are spearheading movements, fighting for equality, challenging the status quo, embracing fatherhood, providing a transformative model of masculinity for our children, inspiring a new generation of creators, and more. Through these beautifully written verses, Harold does not simply place the Black men in this book on a pedestal, he transcends even the most positive stereotypes to view these men and their accomplishments in a new light, and creates meaningful connections between these beloved figures and the lives and experiences of readers of all backgrounds.  
  Black Oak includes odes to Barry Jenkins, Big K.R.I.T, Billy Porter, Black Thought, Chance the Rapper, Charles Booker, Colin Kaepernick, Dwyane Wade, Edmund Graham III, Eric Hale, Excell Hardy Jr., Harold Green III, Harold Green Jr., Harold Green Sr., Hebru Brantley, Henry Louis Gates Jr., Jamaal Bowman, Jason Reynolds, Jericho Brown, John Legend, Kehinde Wiley, Kerry James Marshall, Kevin Fredricks, Killer Mike, Kyler Broadus, LeBron James, Mahershala Ali, Marc Lamont Hill, Matthew Cherry, Orlando Cooper, Pharrell, Rev. Dr. Otis Moss III, Rev. Dr. William Barber II, Ryan Coogler, Swizz Beatz, Ta-Nehisi Coates, Theaster Gates, Tobe Nwigwe, Tristan Walker, and Tyler Perry. 
  The audiobook edition of Black Oak also includes an exclusive interview between Green, his father, and grandfather about the making of the collection.

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  What Is Amazing

  Heather Christle

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  Inspired by a voracious curiosity about humans and other subjects, the poems in Heather Christle's What Is Amazing describe and invent worlds in an attempt to understand through participation. The book draws upon the wisdom of foolishness and the logic of glee, while simultaneously exploring the suffering inherent to embodied consciousness. Speakers play out moments of bravado and fear, love and mortality, disappointment and desire. They socialize incorrigibly with lakes, lovers, fire, and readers, reasoning their way to unreasonable conclusions. These poems try to understand how it is that we come to recognize and differentiate objects and beings, how wholly each is attached to its name, and which space reveals them. What Is Amazing delights in fully inhabiting its varied forms and voices, singing worlds that often coincide with our own.

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  More American

  Sharon Hashimoto

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  Poetry. Asian & Asian American Studies. Winner of the 2021 Off the Grid Poetry Prize. In MORE AMERICAN, poet Sharon Hashimoto reconstructs a collective memory, conjuring the voices of grandparents, children, soldiers, and "those left to tell." In moving detail, these poems convey the realities of assimilation, service, and internment as experienced by Japanese Americans during, and in the decades following, the Second World War. In this stunning second collection, Hashimoto reckons with the limitations of language, and by extension, notions of citizenship. She deftly sounds the dissonances in the language of loyalty and allegiance.

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  Salvation on Peril Island

  Nash Knight

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  In the year 1983, a cargo plane crashes onto a desert island, somewhere in the Caribbean. The four survivors know their priorities well: find shelter, find food and fresh water, get rescued, and, above all, find the mysterious missing cargo. But, as time passes by, these priorities wane, as all of them seem to be having too good of a time. As they get to know each other better, they start re-examining their whole lives and the paths that led them to this island. 
  In the year 2028, a woman called Clarice Skaugen returns to her childhood home in Minneapolis for a family gathering. She is haunted and driven by nostalgia and memories of her childhood days, but she quickly puts it all aside when she realizes that her twin brother is missing, and that it seems like she is the only one in the family that notices or cares at all about his disappearance. 
  These two narratives twist around each other only to converge in an exciting finale and provide the answers sought from the start, not just "what" and "how", but, more importantly, "why".

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  Catastrophic Molting

  Amy Shimshon-Santo

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  CATASTROPHIC MOLTING (FlowerSong Press) Amy Shimshon-Santo uses the tools of language to remind readers there is power in repudiation, comfort in collective mourning, and possibility in reimagining. The book title is inspired by the molting ritual of sea elephants (Mirounga Angustirostris) along the California coast. The mirounga rest together on the shore as social protection from violence when they are the most vulnerable. Only through these periods of dramatic change can they grow sleek new coats. The book’s journey begins with “Contagion,” revealing a world split in half like a calabash by a virus. “Beating, trembling,” a woman pleads for mercy while the poems confront the liminality of profound change. “A new cycle had begun / I would never be the same again.” The second section, Sangue, gives voice to mourning and rage. “when you murder the future of music / you are conjuring extinction.” Dysfunction on planet Earth reverberates from the street into the expansive galaxy. Refusing to normalize violence, the poet gathers war inside her own body to detonate it, then blows “tsunami-wind / to rattle clear the desks.” With the verve of Oya, the goddess of ancestral and radical change, the book claims ground for empathy and inter-being. The collection asks readers to imagine: “what if we were a part of a whole / that loved us without ceasing?” Catastrophic Molting breaks from inertia and seeks new ground. Our “foremothers greet the unborn” and are “betrothed to a story that doesn’t wish us dead.” Shimshon-Santo suggests that “stepping off might actually be, stepping in / turning away might actually be, turning toward.”

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