Altri libri che potrebbero interessarti

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  Mad Men - A Cultural History

  Bob Batchelor, M. Keith Booker

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   “A comprehensive examination of the ways in which [the series] uses American cultural memory . . . to shape . . . characters’ developments and the narrative arc.” —Journal of American Culture   From the opening credits that feature a silhouette falling among skyscrapers, Mad Men transcended its role as a series about the Madison Avenue advertising industry to become a modern classic. For seven seasons, Mad Men asked viewers to contemplate the 1960s anew, reassessing the era’s stance on women’s rights, race, war, politics, and family relationships that comprise the American Dream. Set in the mid-twentieth century, the show brought to light how deeply we still are connected to that age. The result is a show that continually asks us to rethink our own families, lives, work, and ethical beliefs as we strive for a better world.In Mad Men: A Cultural History, M. Keith Booker and Bob Batchelor offer an engaging analysis of the series, providing in-depth examinations of its many themes and nostalgic portrayals of the years from Camelot to Vietnam and beyond. Highly regarded cultural scholars and critics, Booker and Batchelor examine the show in its entirety, presenting readers with a deep but accessible exploration of the series, as well as look at its larger meanings and implications. This cultural history perspective reveals Mad Men’s critical importance as a TV series, as well as its role as a tool for helping viewers understand how they are shaped by history and culture. “This homage will appeal to fans and academic readers alike. . . . Recommended.” —Choice  “Offers a stimulating point of view on the role of mass communication products as keys to understanding our society.” —Journalism & Mass Communication Quarterly  

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  Art of Desire: Transforming...

  Griffin Marwood

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  Art of Desire: Transforming Connections into Lasting Influence 
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  The Mother Artist - Portraits of...

  Catherine Ricketts

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  Few women artists feature prominently in the history of art, and even fewer who are mothers. What can we learn about ambition, limitation, and creativity from women who persist in doing both? 
   
   
   
  Forged in the stress of early motherhood, The Mother Artist explores the fraught yet generative ties between caregiving and creative practice. As a young mother working at a museum, essayist Catherine Ricketts began asking questions about the making of motherhood and the making of art. Now, with incantatory prose and an intuitive gaze, she twines intimate meditations on parenthood with studies of the work and lives of painters, writers, dancers, musicians, and other creatives. Ricketts takes listeners through the studios of mother artists, placing us in the company of women from the past and the present who persevere in both art and caregiving. We encounter Senga Nengudi's sculptures, which celebrate the pregnant body, and Toni Morrison's powerful writing on childbirth. We behold Joan Didion's meditations on maternal grief and Alice Neel's portraits of mothers and babies. And we observe the ambition of sculptor Ruth Asawa, the activism of printmaker Elizabeth Catlett, and the constancy of writer Madeleine L'Engle. This book is for mothers who aspire to make art, anyone eager to discover the stories of visionary women, and all who long for a revolution of tenderness.

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  De-Integrate! - A Jewish...

  Max Czollek

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  Max Czollek's De-Integrate! is a polemical, often humorous examination of Jewish life in contemporary Germany that speaks to the position of minorities the world over. Rooted in sociological theory, the book offers an engaging and approachable critique of Germany's much-lauded traditions of memory culture and Vergangenheitsbewältigung—its "successful" negotiation of its Nazi past. 
   
   
   
  Although modern Reunified Germany presents itself as having overcome historical trauma and integrated its now diverse, multicultural society, Czollek argues that this public image is merely a "Theater of Integration:" showcasing those minoritized stories to bolster Germany's positive self-image, while sidelining the true potential of the country's radical diversity. Czollek posits that today's German minorities must embrace their differences and "de-integrate" from mainstream society in order to counter the rise of rightwing nationalism. 
   
   
   
  On the one hand a stirring look at integration, belonging, and cultural diversity, and on the other a passionate denunciation of bigotry and virulent nationalism, De-Integrate! speaks across cultural, racial, and national divisions and points to a livelier future for all of us.

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  The Eurasian Century - Hot Wars...

  Hal Brands

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  We often think of the modern era as the age of American power. In reality, we're living in a long, violent Eurasian century. That giant, resource-rich landmass possesses the bulk of the global population, industrial might, and potential military power. Eurasia is a strategic prize without equal—which is why the world has been roiled, reshaped, and nearly destroyed by clashes over the supercontinent. 
   
   
   
  Since the early twentieth century, autocratic powers have aspired for dominance by seizing commanding positions in the world's strategic heartland. Offshore sea powers, namely the United Kingdom and America, have sought to make the world safe for democracy by keeping Eurasia in balance. America's rivalries with China, Russia, and Iran are the next round in this geopolitical game. If this new authoritarian axis succeeds in enacting a radically revised international order, America and other democracies will be vulnerable and insecure. 
   
   
   
  Hal Brands argues that a better understanding of Eurasia's strategic geography can illuminate the contours of rivalry and conflict in today's world. The Eurasian Century explains how revolutions in technology and warfare, and the rise of toxic ideologies of conquest, made Eurasia the center of twentieth-century geopolitics—with pressing implications for the struggles that will define the twenty-first.

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  The Discovery of Eldorado

  Stefan Zweig

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  1834: Johann August Sutter, a cloth merchant residing in Burgdorf in the canton of Bern in Switzerland, fraudulently went bankrupt and was subsequently wanted by the warrant. To escape the authorities, Suter emigrated to the United States and became the richest man in the world as an entrepreneur. A lot of gold is found on his land in California and from then on, the gold hunters dispute his property rights. Ultimately, Suter looses all his fortunes.

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