Altri libri che potrebbero interessarti

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  Frédéric Bastiat: The Life and...

  Charles River Editors

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  Among those who championed free markets, perhaps no economist has written so forcefully as Frédéric Bastiat, whose seminal work The Law is still widely read today, over 150 years after his death. Bastiat’s work vigorously opposed government interference in matters affecting economies, and as socialism became more popular in the mid-19th century, he struck back at it, writing in The Law, “Socialism, like the ancient ideas from which it springs, confuses the distinction between government and society. As a result of this, every time we object to a thing being done by government, the socialists conclude that we object to its being done at all. We disapprove of state education. Then the socialists say that we are opposed to any education. We object to a state religion. Then the socialists say that we want no religion at all. We object to a state-enforced equality. Then they say that we are against equality. And so on, and so on. It is as if the socialists were to accuse us of not wanting persons to eat because we do not want the state to raise grain. I do not dispute their right to invent social combinations, to advertise them, to advocate them, and to try them upon themselves, at their own expense and risk. But I do dispute their right to impose these plans upon us by law – by force – and to compel us to pay for them with our taxes.” 
  	If anything, Bastiat’s views and works have only become more critical as modern societies debate the value of government spending and private spending across the world and often reach different conclusions. Frédéric Bastiat: The Life and Legacy of the Influential French Economist chronicles his life and work, as well as the massive impact he’s had on the field of economics. Along with pictures depicting important people, places, and events, you will learn about Bastiat like never before.

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  Top 10 Short Stories The -...

  George Eliot, John William...

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  Short stories have always been a sort of instant access into an author’s brain, their soul and heart.  A few pages can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. 
   
  In this series we try to offer up tried and trusted ‘Top Tens’ across many different themes and authors. But any anthology will immediately throw up the questions – Why that story? Why that author?  
   
  The theme itself will form the boundaries for our stories which range from well-known classics, newly told, to stories that modern times have overlooked but perfectly exemplify the theme.  Throughout the volume our authors whether of instant recognition or new to you are all leviathans of literature. 
   
  Some you may disagree with but they will get you thinking; about our choices and about those you would have made.  If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something. 
   
  As each page turns, secrets are revealed that compel our attention as we await the damning waves of shudders and fears.  We may well know what’s coming, what these unfriendly faces and ogres are about say in these classic and classic literary gems. 
  01 - The Top 10 - British Horror - An Introduction 
  02 - The Dead Hand by Wilkie Collins 
  03 - The Coach by Violet Hunt 
  05 - The Lifted Veil by George Eliot 
  05 - The Withered Arm by Thomas Hardy 
  06 - August Heat by W F Harvey 
  07 - The Monkey's Paw by W W Jacobs 
  08 - Lost Hearts by M R James 
  09 - The Vampyre. A Tale by John Willaim Polidori 
  10 - The Body Snatcher by Robert Louis Stevenson 
  11 - Dracula's Guest by Bram Stoker

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  British Short Story The - Volume...

  Ada Ester Leverson, William...

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  These British Isles, moored across from mainland Europe, are more often seen as a world unto themselves.  Restless and creative, they often warred amongst themselves until they began a global push to forge a World Empire of territory, of trade and of language. 
   
  Here our ambitions are only of the literary kind.  These shores have mustered many masters of literature. So this anthology’s boundaries includes only those authors who were born in the British Isles - which as a geographical definition is the UK mainland and the island of Ireland - and wrote in a familiar form of English. 
   
  Whilst Daniel Defoe is the normal starting point we begin a little earlier with Aphra Behn, an equally colourful character as well as an astonishing playwright and poet.  And this is how we begin to differentiate our offering; both in scope, in breadth and in depth.  These islands have raised and nurtured female authors of the highest order and rank and more often than not they have been sidelined or ignored in favour of that other gender which usually gets the plaudits and the royalties. 
   
  Way back when it was almost immoral that a woman should write.  A few pages of verse might be tolerated but anything else brought ridicule and shame.  That seems unfathomable now but centuries ago women really were chattel, with marriage being, as the Victorian author Charlotte Smith boldly stated ‘legal prostitution’.  Some of course did find a way through - Jane Austen, the Brontes and Virginia Woolf but for many others only by changing their names to that of men was it possible to get their book to publication and into a readers hands.  Here we include George Eliot and other examples. 
   
  We add further depth with many stories by authors who were famed and fawned over in their day.  Some wrote only a hidden gem or two before succumbing to poverty and death. There was no second career as a game show guest, reality TV contestant or youtuber. They remain almost forgotten outposts of talent who never prospered despite devoted hours of pen and brain. 
   
  Keeping to a chronological order helps us to highlight how authors through the ages played around with characters and narrative to achieve distinctive results across many scenarios, many styles and many genres. The short story became a sort of literary laboratory, an early disruptor, of how to present and how to appeal to a growing audience as a reflection of social and societal changes.  Was this bound to happen or did a growing population that could read begin to influence rather than just accept? 
   
  Moving through the centuries we gather a groundswell of authors as we hit the Victorian Age - an age of physical mass communication albeit only on an actual printed page.  An audience was offered a multitude of forms: novels (both whole and in serialised form) essays, short stories, poems all in weekly, monthly and quarterly form.  Many of these periodicals were founded or edited by literary behemoths from Dickens and Thackeray through to Jerome K Jerome and, even some female editors including Ethel Colburn Mayne, Alice Meynell and Ella D’Arcy. 
   
  Now authors began to offer a wider, more diverse choice from social activism and justice – and injustice to cutting stories of manners and principles.  From many forms of comedy to mental meltdowns, from science fiction to unrequited heartache.  If you can imagine it an author probably wrote it.  
   
  At the end of the 19th Century bestseller lists and then prizes, such as the Nobel and Pulitzer, helped focus an audience’s attention to a books literary merit and sales worth. Previously coffeehouses, Imperial trade, unscrupulous overseas printers ignoring copyright restrictions, publishers with their book lists as an appendix and the gossip and interchange of polite society had been the main avenues to secure sales and profits.

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  Cigars and Tobacco

  Mark Twain

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  As humans, we often wonder about our heroes’ (and, perhaps, our enemies’) opinions on the most assorted of topics. Mark Twain’s speech “Cigars and Tobacco” serves to satiate such curiosities. In it, he details his storied history with those two substances and his search for the “worst cigar in the New York Market.” It’s a brief treat for anyone who’s ever wondered about Twain’s tobacco consumption, or simply wants to read some miscellaneous wit from this literary master.  

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  Crear en peligro - El trabajo...

  Edwige Danticat

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  A mediados de los años sesenta, dos jóvenes haitianos fueron fusilados a las afueras del cementerio nacional de Puerto Príncipe frente a una multitud convocada por la dictadura de François "Papa Doc" Duvalier. La escritora haitiano-estadounidense Edwidge Danticat no recuerda cuándo escuchó por primera vez sobre esta ejecución convertida en espectáculo, pero sí que siempre la ha perseguido y obsesionado. Crear en peligro enlaza esta y otras historias que transcurren entre su país natal y Estados Unidos, su país adoptivo. Es un conjunto de ensayos literarios que exploran las vidas de artistas migrantes en momentos de crisis y diáspora, artistas que crean en peligro para gente que lee en peligro. Edwidge Danticat ha desarrollado una prosa nutrida de voces orales y cosmopolitas, de tradiciones narradas en inglés, creol y francés. Su originalidad la ha consolidado como una de las escritoras internacionales más celebradas y premiadas de su generación.

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  Samuel Adams - A Life

  Ira Stoll

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  In this stirring biography, Samuel Adams joins the first tier of founding fathers, a rank he has long deserved. With eloquence equal to that of Thomas Jefferson and Tom Paine, and with a passionate love of God, Adams helped ignite the flame of liberty and made sure it glowed even during the Revolution's darkest hours. He was, as Jefferson later observed, "truly the man of the Revolution."  In a role that many Americans have not fully appreciated until now, Adams played a pivotal role in the events leading up to the bloody confrontation with the British. Believing that God had willed a free American nation, he was among the first patriot leaders to call for independence from England. He was ever the man of action: He saw the opportunity to stir things up after the Boston Massacre and helped plan and instigate the Boston Tea Party, though he did not actually participate in it. A fiery newspaper editor, he railed ceaselessly against "taxation without representation."  In a relentless blizzard of articles and speeches, Adams, a man of New England, argued the urgency of revolution. When the top British general in America, Thomas Gage, offered a general amnesty in June 1775 to all revolutionaries who would lay down their arms, he excepted only two men, John Hancock and Samuel Adams: These two were destined for the gallows. It was this pair, author Ira Stoll argues, whom the British were pursuing in their fateful march on Lexington and Concord.  In the tradition of David McCullough's John Adams, Joseph Ellis's The Founding Brothers, and Walter Isaacson's Benjamin Franklin, Ira Stoll's Samuel Adams vividly re-creates a world of ideas and action, reminding us that none of these men of courage knew what we know today: that they would prevail and make history anew.  The idea that especially inspired Adams was religious in nature: He believed that God had intervened on behalf of the United States and would do so as long asits citizens maintained civic virtue. "We shall never be abandoned by Heaven while we act worthy of its aid and protection," Adams insisted. A central thesis of this biography is that religion in large part motivated the founding of America.  A gifted young historian and newspaperman, Ira Stoll has written a gripping story about the man who was the revolution's moral conscience. Sure to be discussed widely, this book reminds us who Samuel Adams was, why he has been slighted by history, and why he must be remembered.

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