Altri libri che potrebbero interessarti

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  A Hole in the Story - A Novel

  Ken Kalfus

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  At his desk one day, prominent Washington commentator Adam Zweig receives a text message. "Btw want to give you a heads-up abt some breaking news," it reads. "Call soonest." These are the early rumblings of an eventual media storm generated by small-town reporter Valerie Iovine, who has gone public with her account of sexual harassment at the hands of esteemed editor and liberal icon Max Lieberthol. Twenty years have passed since the incident, and though Adam wasn't directly involved, he quickly finds himself implicated and entangled, his career under imminent threat. 
   
  Adam has never forgotten his history with Valerie: as former colleagues, their workplace collaboration had gradually tipped into a mutual romantic attraction. Or so he believed. Confronted by the claims against his former boss and a growing awareness of rampant sexism in his industry, Adam, who had always thought of himself as progressive, is forced to challenge his own assumptions over the years. What once seemed incidental becomes sinister; what once seemed like a blundering encounter helped derail a young woman's promising career. 
   
  Sly and ironic, A Hole in the Story explores one imperfect man's dilemmas as he tries to keep his feet in a shifting moral landscape. 

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  Sylvia Plath Reads Her Poetry

  Sylvia Plath

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  Sylvia Plath born on October 27, 1932, in Boston, MA, was an American poet, novelist, and short story writer. She is credited with advancing the genre of confessional poetry and is best known for two of her published collections, The Colossus and Other Poems (1960) and Ariel (1965), and also The Bell Jar, a semi-autobiographical novel published shortly before her suicide on February 11, 1963. In this recording, Plath reads "Black Rook in Rainy Weather," "A Secret, Stopped Dead," "A Birthday Present," "November Graveyard," "Medusa," "The Disquieting Muses," "The Stones," and "Cut."

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  The Heidi Chronicles

  Wendy Wasserstein

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  This Pulitzer Prize winning play is the tale of a baby-boomer's long, hard road from 60's confusion to 1990's self-assured woman...or so she hopes.An L.A. Theatre Works full-cast performance featuring Lisa Akey, Kosha Engler, Kaitlin Hopkins, Barbara Klein, Lisa Pelikan, Martha Plimpton, Scot Reese, Raphael Sbarge and Grant Shaud.

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  Surface Tension

  Derek Beaulieu

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  Typography meets poetry at a Pink Floyd laser-light show 
  In Surface Tension, poetry is liquefied. Flowing away from meaning, letters and words gather and pool into puddles of poetry; street signs and logos reflected in the oily sheen of polluted gutters of rainwater. Like a funhouse mirror reflecting the language that surrounds us, the pages drip over the margins, suggesting that Madge was right, we are “soaking in it!” 
  Surface Tension updates visual poetry for our post-pandemic age, asking us rethink the verbiage around us, to imagine letters as images instead of text, to find meaning in their beautiful shapes as Beaulieu stretches, torques, slides, blurs, and melts them into Dali-esque collages. 
  "Not words, letters; not letters, shapes; not shapes, figures; not figures, ciphers; not ciphers, ornaments; not ornaments, decoration; not decoration, semiotics; not semiotics, communicative possibilities; not vagrant potential, slowly forming inflection; not melting deflection, language as dance: in, out, upside down, flapping, flipping, all ways round." – Charles Bernstein, recipient 2019 Bollingen Prize for American Poetry 
  "The striking compositions you’ll find in Surface Tension are being presented sequentially in book form, yet that they wouldn’t be out of place hanging on the wall goes without saying. Beaulieu swerves Gomringer when writing that 'Readibility is the key: like a logo, a poem should be instantly recognizable...' yet, to this reader, these works merit sustained and enthusiastic viewing precisely because they teeter on the edge of legibility. The kinetic, glitchy quality of their 'alphabetic strangeness' keeps them unrecognizable as poems and, here, 'that is poetry as I need it,' to quote Cage. Think of them as anti-advertisings selling you nothing but bountiful manifestations of the irreducible plasticity of numbers, punctuation marks, and letter forms. No logos." – Mónica de la Torre, Madelon Leventhal Rand Endowed Chair in Literature, Brooklyn College; co-editor of Women in Concrete Poetry 1959–1979  
  "With his distinctive visual palindromes and angled axes of symmetry, Derek Beaulieu has developed a signature mastery of Letraset, leveraging the twentieth-century technology as a vehicle for bring concrete poetry into the twenty-first century. With Surface Tension, Beaulieu takes the possibilities of that new idiom even further, unsettling the fixity his symmetries once reinforced and dislodging the set in Letraset as poems distort in fun-house-mirror swerves, sag as if under their own weight, pool and smear in the liquid logic of heated ink, or swoop and blur as if in motion. In the process, these poems make visible the filmic potential of the photocopier, the facture of abraded transfers from brittling stock, and the three-dimensional substrate of the page with its flexible bends in curving space. These are thus poems in part about their own modes of production. They are beautiful products of a self-aware and intelligent process." – Craig Dworkin, author of Radium of the Word: A Poetics of Materiality  
  "'When most of the language we consume is non-poetic, should poetry not attempt to poetically intervene within these spaces that are not traditionally poetic?' The answer to Derek Beaulieu’s question, put forward in his beautiful essay, is surely yes: the ten brilliantly adventurous visual poems in his Surface Tension make a startling case for his fascinating Letraset/photocopier inventions. Beaulieu’s compositions originate in a place of clean design and logical narrative; soon, as in a dream, they open up, ushering in what he calls 'a poetry of difference, chance, eruption.' Marcel Duchamp would have called it the poetry of the infrathin: watch 'Simple Symmetry' or 'Dendrochronology' open up and come alive in their minutely evolving new spaces. This is quite simply an enchanting book – a book producing new pleasures with each turn of the page." – Marjorie Perloff, Sadie Dernham Patek Professor of Humanities, Emerita, Stanford University

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  The Flag Burner

  Patrick Babin

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  This is a love story unlike any you have ever read. Join Mark Caan on his journey to save his soul. After a brush with death, he confesses to an unthinkable crime. A crime that could send him to jail for the rest of his life. His confession takes us back to his freshman year in college. There he meets and falls in love with Byron, a charismatic anti-war protester. Together they form a relationship that challenges the norms of what love means and to what ends it will take them. 
  The times are chaotic. It is 1968. The Vietnam war dominates the airwaves. The nightly news brings the war’s death and destruction into America’s living rooms with vivid details while the ominous threat of the draft haunts every young man’s psyche. The hippie culture is emerging and confronting the establishment head on. Anti-war protests are taking place on Main streets and college campuses across the country. Old perceptions about love, sex, drugs and war are all being challenged. After decades of struggle, and with the assassination of Bobby Kennedy and Dr. King, the civil rights movement is reaching a combustible crescendo. 
  As this historic backdrop unfolds, Mark and Byron must navigate their undeniable sexual attraction. 
  As Mark’s poignant confession gradually unfolds, it reveals a love that is layered with strength, sensuality, regret and forgiveness. 
  Now, twenty years later, as Mark is confessing to his pastor, all the emotions of a life lived in grief and regret are exposed. His haunting and powerful story aches with longing. A longing for his youthful naivety and absolute commitment to a love that knows no limits. 
  You will laugh and cry as Mark’s words spill from his heart. And finally, as a witness, you will cheer at his boundless love, and what it can achieve, even in the face of absolute resistance.

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  Es & Flo

  Jennifer Lunn

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  'I know it's difficult. You've obviously been a good friend to her but it's time to let us take over now.'
  Es and Flo fell fiercely in love in the eighties. They've been living as secret lovers ever since. As Es becomes more forgetful around their home, an unexpected carer arrives. Who sent this woman? Why? And can they trust her?
  As the outside world comes crashing in, Flo fights to protect the life they've built together over forty years behind closed doors. And faces the hardest battle of her life – to hold on to the woman she loves.
  Jennifer Lunn's play Es & Flo is a sharply observed, deeply compassionate drama, coloured with memories of the Greenham Common Women's Peace Camp. It celebrates an older lesbian relationship, women coming together to fight for what's right, and the healing power of chosen family.
  The play was produced by Wales Millennium Centre, Cardiff, and opened there in 2023 before moving to Kiln Theatre, London, directed by Susie McKenna. It won the Popcorn Group Writing Award and the Nancy Dean Lesbian Playwriting Award.

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