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  Raven The - and Other Tailfeathers

  Edgar Allan Poe

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  A collection of six Edgar Allan Poe short stories. 
   
  Edgar Allan Poe was an American writer, poet, and literary critic of the early 19th century. He is widely regarded as a central figure in the development of the American Romantic movement and is known for his dark, macabre tales and poems, including "The Raven," "The Tell-Tale Heart," and "The Black Cat." Poe's works have had a lasting impact on American literature and popular culture, and his writing style, which often features atmospheric suspense and the supernatural, continues to be imitated and referenced today.

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  Grisha

  Anton Pavlovich Chekhov

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  Short story about a little boy who learns how to perceive the world.

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  The Island of Dr Moreau

  H. G. Wells

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  Edward Prendick, a shipwrecked gentleman stranded on a Pacific island, is lorded over by the notorious Dr. Moreau. He is forced to confront dark secrets, strange creatures, and a reason to run for his life.

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  Among the Farmyard People

  Clara Dillingham Pierson

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  Introduces young children to the animals of the farmyard through a series of engaging stories about the sheep, chickens, cows, and horses that live there. With new animals arriving regularly, we make the acquaintance also of a pig and a peacock, as well as some ducks and guinea fowls. Each story closes with a gentle moral, inspiring children to right behavior. Attractive black and white illustrations complement the text.

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  A Diagnosis of Death - From...

  Ambrose Bierce

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  Ambrose Gwinnett Bierce was born on 24th June 1842 at Horse Cave Creek in Meigs County, Ohio. His parents were poor but they introduced him to literature at an early age, instilling in him a deep appreciation of books, the written word and the elegance of language.  
  Growing up in Koscuisko County, Indiana poverty and religion were defining features of his childhood, and he would later describe his parents as “unwashed savages” and fanatically religious, showing him little affection but always quick to punish. He came to resent religion, and his introduction to literature appears to be their only positive effect. 
  At age 15 Bierce left home to become a printer’s devil, mixing ink and fetching type at The Northern Indian, a small Ohio paper. Falsely accused of theft he returned to his farm and spent time sending out work in the hopes of being published. 
  His Uncle Lucius advised he be sent to the Kentucky Military Institute. A year later he was commissioned as an Officer.  As the Civil War started Bierce enlisted in the 9th Indiana Infantry Regiment.  
  In April 1862 Bierce fought at the Battle of Shiloh, an experience which, though terrifying, became the source of several short stories. Two years later he sustained a serious head wound and was off duty for several months. He was discharged in early 1865.  
  A later expedition to inspect military outposts across the Great Plains took him all the way to San Francisco. He remained there to become involved with publishing and editing and to marry, Mary Ellen on Christmas Day 1871.  They had a child, Day, the following year.  
  In 1872 the family moved to England for 3 years where he wrote for Fun magazine. His son, Leigh, was born, and first book, ‘The Fiend’s Delight’, was published.  
  They returned to San Francisco and to work for a number of papers where he gained admiration for his crime reporting. In 1887 he began a column at the William Randolph Hearst’s San Francisco Examiner.  
  Bierce’s marriage fell apart when he discovered compromising letters to his wife from a secret admirer. The following year, 1889 his son Day committed suicide, depressed by romantic rejection. 
  In 1891 Bierce wrote and published the collection of 26 short stories which included ‘An Occurrence at Owl Creek Bridge’.  Success and further works including poetry followed.  
  Bierce with Hearst’s resources helped uncover a financial plot by a railroad to turn 130 million dollars of loans into a handout. Confronted by the railroad and asked to name his price Bierce answered “my price is $130 million dollars. If, when you are ready to pay, I happen to be out of town, you may hand it over to my friend, the Treasurer of the United States”.  
  He now began his first foray as a fabulist, publishing ‘Fantastic Fables’ in 1899.  But tragedy again struck two years later when his second son Leigh died of pneumonia relating to his alcoholism.  
  He continued to write short stories and poetry and also published ‘The Devil’s Dictionary’.  
  At the age of 71, in 1913 Bierce departed from Washington, D.C., for a tour of the battlefields where he had fought during the civil war. At the city of Chihuahua he wrote his last known communication, a letter to a friend. It’s closing words were “as to me, I leave here tomorrow for an unknown destination,” Ambrose Bierce then vanished without trace.

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  Better Angel

  Richard Meeker

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  ""Better Angel" is a novel by Forman Brown, initially published in 1933 under the pseudonym Richard Meeker. Later, it was republished as "Torment" in 1951. This early novel offers a portrayal of a gay lifestyle without condemnation. In fact, Christopher Carey hailed it as the ""first homosexual novel with a truly happy ending"".    The title of the novel alludes to Shakespeare's Sonnet 144, which includes the line: "the better angel is a man right fair". This poem has been interpreted as having a homosexual subtext12.    The plot follows the journey of Kurt Gray, whose experiences mirror those of the author, Forman Brown. Kurt's life unfolds from his adolescent years in central Michigan to adulthood as a musician and composer. His story encompasses solitude, religious awakening, same-sex relationships, and intellectual exploration. The love affair between Kurt and another man, Derry, forms a central theme, along with their relationship with a third man named Tony. Notably, Brown based these characters on real individuals, including himself and his long-time lover, Harry Burnett.    Despite its initial lack of critical attention, "Better Angel" remains a significant work. It resurfaced in 1987 under its original title, with an introduction by Hubert Kennedy. Brown, who had used a pseudonym to protect his writing career and family, provided an epilogue for the 1990 reprint, explaining his reasons for anonymity.    This novel stands as a testament to the courage of early LGBTQ+ literature and offers a glimpse into the complexities of identity, love, and acceptance during a time when such themes were often silenced"

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