Altri libri che potrebbero interessarti

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  My Land of Freedom - A poem of...

  Ifeanyi Njoku

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  This poem is a powerful reflection on war, displacement, and the struggle for freedom. It tells the tragic story of a people who fought for liberation but were met with violence, loss, and eventual surrender. Likely referencing the Igbo experience during the Nigerian Civil War, it captures the pain of oppression and the resilience of those who endured it. 
  The poem begins with a contradiction: "In my land of freedom, I walked with fear." This highlights the irony of living in a place meant to be free but being consumed by anxiety. The people demand justice, yet their cries are silenced by violence. The line "Killing our brothers, and leaving us undone" conveys both physical loss and emotional devastation. 
  The imagery of "scorching soil" and "separated from families" paints a picture of suffering and displacement. War does not just take lives—it tears families apart and leaves hearts unable to thrive. The mention of "refugee camps" emphasizes how many were forced from their homes, left to question their identity: "Are we unlucky, to be Igbo?" This speaks to a deep sense of abandonment and injustice. 
  The poem also highlights betrayal, as leaders fail to protect their people. "Everyone was a soldier, in this war we couldn't win." This line captures the grim reality of a war where survival itself was a battle. Despite their bravery, they were up against overwhelming forces. 
  The final lines are heartbreaking: "We had to surrender, and say goodbye to our pride." This is not just a loss of battle but a loss of dignity. Yet, even in surrender, their story lives on. This poem is a tribute to resilience, a reminder of suffering, and a call to remember those who fought, even when the world turned away.

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  Boy Mother

  Caroline Bracken

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  Boy/Mother is a deeply moving exploration of a mother's relationship with her son who has a long-term mental illness. In innovative forms the poems evoke the day-to-day depredations of illness, psychiatric treatment and societal attitudes and yet the thread that runs through the collection is love. – Jane Clarke

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  Mustafa

  Naylah Ahmed

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  A vivid and compelling thriller about belief and retribution.
  Mustafa is in prison for the death of a teenage boy during an exorcism. Racked with guilt at the loss of an innocent life and isolated in a world where his beliefs are constantly challenged, he's trying to avoid trouble. But when prisoners who taunt him suffer mysterious injuries and prison officers start behaving strangely, Mustafa realises the spirit he tried to banish is still with him, and he must confront it once again.
  Naylah Ahmed's play Mustafa was first performed at Soho Theatre, London, in 2012 in a co-production by Kali Theatre and Birmingham Rep.

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  A-Typical Rainbow

  JJ Green

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  'I can change colours of objects by looking at them, hear the symphonies of household simplicities, taste the emotions in a room like sweet or bitter wine, and feel life's every heartbeat breaking through my ribcage in glorious technicolour. Just don't ask me to make eye contact.'
  An imaginative child's glorious fantasies – of dolphins and dragonflies, gingerbread houses and chocolate rivers – offer him an escape from hostile reality.
  When reality dictates he has to conform to the 'real world', he has to make a choice. Should he live authentically and risk stigma, or can he continue to hide?
  Based on real events from the perspective of the writer and the autistic community, JJ Green's A-Typical Rainbow is an uplifting play about the experience of growing up neurodivergent and queer in early 2000s Britain.
  It premiered at London's Turbine Theatre in June 2022, produced by Aria Entertainment, directed by Bronagh Lagan, and starring playwright JJ Green, who is a passionate advocate for autistic artists like himself.
  This edition includes the full text of the play along with contributions from the largely – and proudly – neurodivergent cast and creative team.

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  The Holy Sonnets - Incredible...

  John Donne

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  John Donne was born on the 22nd January 1572 in London, into a Roman Catholic family when Catholicism was illegal in England, and there was turbulence and unrest with both state and church throughout much of Europe.  
   
  His father, also named John, died when he was four, and his mother, Elizabeth Haywood, married a wealthy widower, ensuring the family were looked after.  He received a good education at both Oxford and Cambridge but was unable to obtain a degree without taking the oath of supremacy, which as a Catholic he refused to do.  
   
  During the 1590s, Donne wrote a wide range of verses, including both erotic and sacred poems, creating two major volumes of work.  His strong vivacious and sensual style fusing intellect and passion, as well as inventive use of subtle argument and syntax, provided a new radical perspective that reached beyond his contemporaries, and continued to chime and charm poetry lovers throughout the ages.  
   
  Difficult to believe that with this enormous talent, Donne lived in poverty for many years, exacerbated by his secret marriage to Anne Moore, which meant no dowry, and they having twelve children.  Later he served in Parliament and became Dean of St Paul's in 1621, noted for his learned and charismatic sermons.  
   
  John Donne died in London on the 31st March 1631, but leaves an enormous legacy of many splendid influential poems.  He was known as the founder of the Metaphysical Movement and is widely regarded as one of Britain's best-loved poets.

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  The Day-Breakers

  Michael Fraser

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  Saturated with locutions lifted from the late 19th century, The Day-Breakers deeply conceives of what African Canadian soldiers experienced before, during, and in the immediate aftermath of the American Civil War.
  		 
  “It is not wise to waste the life / Against a stubborn will. / Yet would we die as some have done. / Beating a way for the rising sun” wrote Arna Bontemps. In The Day-Breakers, poet Michael Fraser imagines the selflessness of Black soldiers who fought for the Union during the American Civil War, of whom hundreds were African-Canadian, fighting for the freedom of their brethren and the dawning of a new day. Brilliantly capturing the rhythms of their voices and the era in which they lived and fought, Fraser’s The Day-Breakers is an homage to their sacrifice and an unforgettable act of reclamation: the restoration of a language, and a powerful new perspective on Black history and experience.

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