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  The Poetry of John Gould...

  John Gould Fletcher

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  John Gould Fletcher was born in Little Rock, Arkansas on the 3rd of January 1886 to a socially prominent family.  
   
  He was educated at Phillips Academy, Andover before advancing to Harvard University, which he attended from 1903 to 1907, before dropping out after his father's death. 
   
  As a young man Fletcher spent many years in England where he became part of the influential Imagist group of poets together with Amy Lowell and Ezra Pound.   
   
  His first marriage came from a resumed relationship with the now married Florence Emily ‘Daisy’ Arbuthnot.  Her adultery with Fletcher was the grounds for her divorce.  They married on 5th July 1916 but later divorced.  
   
  Fletcher first published in 1912, with ‘The Dominant City’ to much praise and admiration and followed this with other well-regarded volumes such as ‘Irradiations: Sand and Spray’, and ‘Goblins and Pagodas’. 
   
  In the late 1920s and 1930s Fletcher became increasingly active with a group of Southern writers and poets known as the Southern Agrarians. They published the classic ‘I'll Take My Stand: The South and the Agrarian Tradition’. 
   
  Although he was highly regarded as a poet, he was not very prolific.  However, such was the undoubted quality that in 1939 he received the Pulitzer Prize for his work ‘Selected Poems’.  He was the first poet from the south to receive such an accolade.  Fletcher’s other passion and pursuit was as an authority on modern painting, a subject on which he also published. 
   
  A second marriage followed in 1936 to the children’s author, Charlie May Simon.  They built ‘Johnswood’, a residence on the bluffs of the Arkansas River and travelled frequently to New York for shots of modern culture and intellectual stimulation as well as to the American West and South for the climate after Fletcher developed chronic arthritis. 
   
  In 1937 he wrote his autobiography, ‘Life is My Song’. 
   
  His developing passion for his roots and background resulted in the writing of a history of his State and published in 1947; ‘Arkansas’. 
   
  By now Fletcher was suffering from bouts of depression and on 10th May 1950, he committed suicide by drowning himself in a pond near his home in Little Rock, Arkansas.  He was 64.

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  Ancient Greek Tragedies Classic...

  Euripides, Sophocles, Aeschylus

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  This collection presents the works of the three fathers of ancient Greek tragedies: Aeschylus, Sophocles, and Euripides.The reader of this collection will be able to comprehend how the plots and conflicts populating classical tragedy developed.The principle theme of Aeschylus' tragedies is the idea of fate being omnipotent and the futility in struggling against it.The tragedies of Sophocles reflect the era of the Greeks' victorious war against the Persians, which opened up commercial prosperity through trade.Euripides propels his dramas by incorporating conflicts from within the human psyche.Contents:Euripides: MedeaSophocles: AntigoneAeschylus: The OresteiaAgamemnonEumenidesThe Choephori

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  The Bonfire Party - from the...

  Sean O'Brien

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  Not Yet Available

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  Holy Sparks - Poems

  Diana Woodcock

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  Holy Sparks is a collection of poems grounded in a belief in the kinship between the cosmos and its Creator. Biophilic imagery is used throughout the poems to suggest that reverence for the earth is a natural consequence of reverence for God. The language of poetry is used to interconnect the human, natural and sacred, and to express humanity's moral and ethical responsibility to our nonhuman kin. These poems question what it means for humans to live in right relationship with earth's lifesystems, and they suggest that our very identity is tied to our reverence for the natural world. They offer a space of confession, reparation and praise of what remains. Holy Sparks is a call to partake of Earth's wisdom so that we might participate in the Creator's ongoing work.

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  Let us learn english language -...

  Sr Balebi Alexis

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  If you you know conjugation and you would like to deepen it ; this ebook is fit you in term of knowing primary uxiliary verbs and modal auxiliary Verbs. Concerning to primary auxiliary verbs ; you can learn three primary auxiliary verbs and how to use them in different sentences such as : •	To be •	To have •	To do Furthermore ; you can learn how these three primary auxiliary verbs can be used in diverse sentences. You can discover other primary auxiliary verbs that are usually in english language. In this book ; you can see how tenses can be used with precised time words : For example : •	I am a president tomorrow •	James hosts us after tomorrow You can discover how precised time words are used in the sentence to build the « near future » such as : Today, soon, as long as, in july… For example : •	I am coming to school in the afternoon •	Nextweek, they are going to host guests •	When I end my work ; we are doing the assignments Thereafter, you can learn how tenses like simple present, present continuous can be linked to passive voice in order to build near future. For example : •	I am greeted tommorrow by Miriam •	French is being spoken by his friend tomorrow Moreover, you can discover the usage of modal auxiliary verbs with its synonyms hereafter : CAN : To be able to, to be capable of MUST : to have to, to be obliged to, to be to, need to MAY : to be permitted to, to be allowed to, to be enabled to, to be authorized to, to be afforded to. In this book, we provide the discrepancy between modal auxiliary verbs and primary auxiliary verbs that you have to discover in the chapter one of this boook. In the chapter two of this book, we have linked tenses with some synonyms of modal auxiliary verbs to build the passive voices. For examples : •	We are told to go abroad by the the ministry of education •	English will ibe explained to us by Alexis •	A black woman has been seen by kakule and them •	Etc…

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  Scattered Love

  Maylis Besserie

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  'She entered the house like a shadow … She was like a divine elixir: one drop for each of my thoughts. … I could feel the breath of the warrior, the Queen of Ireland, and it intoxicated me with the wind of hope, like noble wine.'
  She is Maud Gonne, the muse of writer William Butler Yeats. Yeats here returns as a ghost, having been buried in southern France in January 1939 at Roquebrune-Cap-Martin. Ten years later his remains are repatriated to Ireland. He emerges from his grave to recount his thwarted love for Maud, a story blending with the movement for Irish independence in which they each played an integral part.
  Yeats' ghost has suddenly appeared as diplomatic documents have come to light, casting doubt on the contents of the coffin brought back to Sligo for a state funeral. Where did the poet's body go? Does he still hover 'somewhere among the clouds above'? What remains of our loves and our deaths, if not their poetry?
  Maylis Besserie's exciting new work follows on from Yell, Sam, If You Still Can (Le tiers temps). In her second novel, she turns her attention from Samuel Beckett to another Irish writer, W.B. Yeats. The connection between Ireland and France is forged once again in the smithy of art, culture and the days at the end of life.
  A Guardian Most Anticipated Book of 2023
  An Irish Times Most Anticipated Book of 2023
  An Irish Independent Most Anticipated Book of 2023

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