Altri libri che potrebbero interessarti

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  Don't You Ever - My Mother and...

  Anonimo

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  From a prizewinning journalist, Mary Carter Bishop, a moving and beautifully rendered memoir about the half-brother she didn’t know existed that hauntingly explores family, class, secrets, and fate. 
  Applying for a passport as an adult, Mary Carter Bishop made a shocking discovery. She had a secret half-brother. Her mother, a farm manager’s wife on a country estate, told Mary Carter the abandoned boy was a youthful ""mistake"" from an encounter with a married man. There’d been a home for unwed mothers; foster parents; an orphanage. 
  Nine years later, Mary Carter tracked Ronnie down at the barbershop where he worked, and found a near-broken man—someone kind, and happy to meet her, but someone also deeply and irreversibly damaged by a life of neglect and abuse at the hands of an uncaring system. He was also disfigured because of a rare medical condition that would eventually kill him, three years after their reunion. During that window, Mary Carter grew close to Ronnie, and as she learned more about him she became consumed by his story. How had Ronnie’s life gone so wrong when hers had gone so well? How could she reconcile the doting, generous mother she knew with a woman who could not bring herself to acknowledge her own son? 
  Digging deep into her family’s lives for understanding, Mary Carter unfolds a sweeping story of religious intolerance, poverty, fear, ambition, class, and social expectations. Don’t You Ever is a modern Dickensian tale about a child seemingly cursed from birth; a woman shattered by guilt; a husband plagued by self-doubt; a prodigal daughter whose innocence was cruelly snatched away—all living in genteel central Virginia, a world defined by extremes of rural poverty and fabulous wealth. 
  A riveting memoir about a family haunted by a shameful secret, Don’t You Ever is a powerful story of a woman’s search for her long-hidden sibling, and the factors that profoundly impact our individual destinies.

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  The Vanishing of Carolyn Wells -...

  Rebecca Rego Barry

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  The Vanishing of Carolyn Wells is the first biography of one of the “lost ladies” of detective fiction who wrote more than eighty mysteries and hundreds of other works between the 1890s and the 1940s. Carolyn Wells (1862–1942) excelled at writing country house and locked-room mysteries for a decade before Agatha Christie entered the scene. In the 1920s, when she was churning out three or more books annually, she was dubbed “about the biggest thing in mystery novels in the US.” On top of that, Wells wielded her pen in just about every literary genre, producing several immensely popular children’s books and young adult novels; beloved anthologies; and countless stories, prose, and poetry for magazines such as Thrilling Detective, Life, The Saturday Evening Post, Harper’s, and The New Yorker. All told, Wells wrote over 180 books. Some were adapted into silent films, and some became bestsellers. Yet a hundred years later, she has been all but erased from literary history. Why? How? This investigation takes us on a journey to Rahway, New Jersey, where Wells was born and is buried; to New York City’s Upper West Side, where she spent her final twenty-five years; to the Library of Congress, where Carolyn’s world-class collection of rare books now resides; and to many other public and private collections where exciting discoveries unfolded. Part biography and part sleuthing narrative, The Vanishing of Carolyn Wells recovers the life and work of a brilliant writer who was considered one of the funniest, most talented women of her time.

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  The Roman Catholic Bishops of...

  Paul Severn

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  Since the reviving of the dioceses in 1850, Bishops of Hexham and Newcastle ostensibly all had the same “job” to do: to lead and care for their diocese – teaching, sanctifying and governing. But each brought a different background and personality to this task; each had his own strengths and weaknesses, and each approached the task in a slightly different way. This book chronicles the lives of the bishops from the indefatigable founding Bishop William Hogarth to Bishop Robert Byrne.
  
   
  Some of the men were scholars; some had a passion for education and established schools, and some were noted for their pastoral zeal or their ministry to young people. Some guided the diocese through times of great change and some consolidated and steadied the ship. One was appointed rather against his will and resigned, and another uniquely combined the task of bishop with rector of the former diocesan seminary at Ushaw. In this book, Paul Severn narrates the lives of these fascinating men, and thereby tells the story of the evolution and development of the diocese over some 170 years.

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  Familiar Violence - A History of...

  Heather Montgomery

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  Child abuse casts a long shadow over the history of childhood. Across the centuries there are numerous accounts of children being beaten, neglected, sexually assaulted, or even killed by those closest to them. This book explores this darker side of childhood history, looking at what constituted cruelty towards children in the past and at the social responses towards it. Focusing primarily on England, it is a history of violence against children in their own homes, covering a large timeframe which extends from medieval times to the present. 
   
   
   
  Undeniably, the experience of children in the past was often brutal, and children were treated with, what seems to contemporary mores, callousness and cruelty. However, historians have paid far less attention to how the mistreatment of children was understood within its contemporary context. Most parents, both now and in the past, loved their children and there have always been widely shared understandings of the boundaries that separate the acceptable treatment of children from the intolerable and morally wrong. This book will examine how these boundaries have changed and been contested over time and, in doing so, provides a context to the many forms of violence experienced by children in the past.

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  Hitler and Poland - How the...

  Norman Ridley

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  Following the end of the First World War, Poland was wedged uncomfortably between the two dominant nations of Germany and the Soviet Union. Poland was obliged to plot and negotiate to try and prevent them from realizing their ambitions to eviscerate the country. 
   
   
   
  As well as bitter ethnic battles between Germany and Poland for the political control of Upper Silesia, there were also the burning ambitions of Weimar Germany, and later Nazi Germany, to reclaim lands incorporated into the new state of Poland at Versailles. 
   
   
   
  Despite America's initial support, the US thereafter showed little interest in Poland's predicament. While France was a traditional friend to the Polish peoples, its political influence over eastern European affairs weakened. 
   
   
   
  The emergence of Hitler and the Nazis in Germany did little to bring the countries together. This drove them further apart as the Führer ramped up his rhetorical assault on the perceived injustices of Versailles. 
   
   
   
  London and Paris found themselves in the disagreeable position of seeing no option but to throw their whole weight behind the integrity of the Polish state if they were ever going to make any sort of stand against Nazi aggression.

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  Fantasies of Nina Simone

  Jordan Alexander Stein

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  Since her death in 2003, Nina Simone has been the subject of an astonishing number of rereleased, remastered, and remixed albums and compilations as well as biographies, films, viral memes, samples, and soundtracks. In Fantasies of Nina Simone, Jordan Alexander Stein examines the space between our collective and individual fantasies about Simone the performer, civil rights activist, and icon, and her own fantasies about herself. Stein outlines how Simone gave voice to personal fantasies through releasing dozens of covers of her white male contemporaries. With her covers of George Harrison, the Bee Gees, Bob Dylan, and others, Simone explored and claimed the power and perspective that come with race and gender privilege. Looking at examples from Simone's four-decade genre-bending career—from songbook standards, jazz, and pop to folk, junkanoo, and reggae—and at her work's many uptakes and afterlives, Stein mobilizes the psychoanalytic concept of fantasy to build a black feminist history with and for this multifaceted performing artist.

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