Casa editrice: BooxAi
This is the true story of a young child growing up with adversities, incredible deception, juvenile delinquency, and placed in several California state prisons. After serving 34 years in state prison for murder in the second degree, I have returned back to society as a productive citizen.
The Washington Post hailed Roger Rosenblatt's Making Toast as "a textbook on what constitutes perfect writing," and People lauded Kayak Morning as "intimate, expansive and profoundly moving." Classic tales of love and grief, the New York Times bestselling memoirs are also original literary works that carve out new territory at the intersection of poetry and prose. Now comes The Boy Detective, a story of the author's childhood in New York City, suffused with the same mixture of acute observation and bracing humor, lyricism and wit. Resisting the deadening silence of his family home in the elegant yet stiflingly safe neighborhood of Gramercy Park, nine-year-old Roger imagines himself a private eye in pursuit of criminals. With the dreamlike mystery of the city before him, he sets off alone, out into the streets of Manhattan, thrilling to a life of unsolved cases. Six decades later, Rosenblatt finds himself again patrolling the territory of his youth: The writing class he teaches has just wrapped up, releasing him into the winter night and the very neighborhood in which he grew up. A grown man now, he investigates his own life and the life of the city as he walks, exploring the New York of the 1950s; the lives of the writers who walked these streets before him, such as Poe and Melville; the great detectives of fiction and the essence of detective work; and the monuments of his childhood, such as the New York Public Library, once the site of an immense reservoir that nourished the city with water before it nourished it with books, and the Empire State Building, which, in Rosenblatt's imagination, vibrates sympathetically with the oversize loneliness of King Kong: "If you must fall, fall from me." As he walks, he is returned to himself, the boy detective on the case. Just as Rosenblatt invented a world for himself as a child, he creates one on this night—the writer a detective still, the chief suspect in the case of his own life, a case that discloses the shared mysteries of all our lives. A masterly evocation of the city and a meditation on memory as an act of faith, The Boy Detective treads the line between a novel and a poem, displaying a world at once dangerous and beautiful.Mostra libro
An unforgettable memoir about the turmoil of antidepressant withdrawal and the work it takes to unravel the stories we tell ourselves to rationalize our suffering. Brooke Siem was among the first generation of minors to be prescribed antidepressants. Initially diagnosed and treated in the wake of her father’s sudden death, this psychiatric intervention sent a message that something was pathologically wrong with her and that the only “fix” was medication. As a teenager, she stepped into the hazy world of antidepressants just at the time when she was forming the foundation of her identity. For the following fifteen years, every situation she faced was seen through the lens of brokenness. A decade and a half later, still on the same cocktail of drugs, Brooke found herself hanging halfway out her Manhattan high-rise window, calculating the time it would take to hit the ground. As she looked for breaks in the pedestrian traffic patterns, a thought dawned on her: “I’ve spent half my life—and my entire adult life—on antidepressants. Who might I be without them?” Unfurled against a global backdrop, May Cause Side Effects is the gripping story of what happened when, after fifteen years and 32,760 pills, Brooke was faced with a profound choice that plunged her into a year of excruciating antidepressant withdrawal and forced her to rebuild her entire life. An illuminating memoir for those who take, prescribe, or are considering psychiatric drugs, May Cause Side Effects is an honest reminder that the road to true happiness is not mapped on a prescription pad. Instead, Brooke’s story reveals the messy reality of how healing begins at the bottomless depth of our suffering, in the deep self-work that pushes us to the edges of who we are.Mostra libro
After years of working at the ends of the earth in human rights and development, Brent Preston and his wife were die-hard city dwellers. But when their second child arrived, the shine came off urban living. In 2003 they bought a hundred acres and a rundown farmhouse and set out to build a real farm, one that would sustain their family, nourish their community, heal their environment, and turn a profit. The New Farm is Preston’s memoir of a decade of grinding toil and perseverance. Farming is a complex and precarious business, and they made plenty of mistakes along the way. But as they learned how to grow food, and to succeed at the business of farming, they also found that a small, sustainable, organic farm could be an engine for change, a path to a more just and sustainable food system. Today, The New Farm supplies top restaurants, supports community food banks, hosts events with leading chefs, and grows extraordinary produce. Told with humor and heart, The New Farm is a joy, a passionate book by an important new voice.Mostra libro
Fiona Foley Provocateur provides insights into the life of one of Australia’s most influential urban Aboriginal and activist artists. From her beginnings in Hervey Bay, Queensland, it follows her young adult life in Sydney where she co-founded Boomalli Aboriginal Artists Co-Operative in 1986, to her rise through the art world and, most recently, into an academic life. This biography reveals how Foley’s life has impacted her art, and her art on her life. It explores the artist’s familial relations, her ancestral home of K’Gari/Fraser Island, and her approach to artmaking and teaching. A provocateur, the artist’s activism is captured delicately throughout. It’s a triumph in story-telling and reveals that there is no art without life. Key points: . An absorbing and uplifting insight into Foley’s courage and determination in confronting racism, the weight of history and the need to forge new models. . A rare account of a friendship between artist and writer, who are also Aboriginal and non-Aboriginal, which takes account of the identity politics that surround such relationships with nuanced authenticity. . It traverses the life of one of Australia's most important artists and documents the seismic shifts that have accompanied the decades through which her work has been made. . Wonderful insights into Foley’s heritage, and the process of her provocative commission at Brisbane Magistrates Court. An important book which records the present, before is glossed or altered by future historians.Mostra libro
Ulysses S. Grant stood at the center of the American Civil War maelstrom. The Ohio native answered his nation's call to service and finished the war as a lieutenant general in command of the United States Army. Four years later, he ascended to the presidency to better secure the peace he had helped win on the battlefield. Despite his major achievements in war and peace, political and sectional enemies battered his reputation. For nearly a century, his military and political career remained deeply misunderstood. Since the Civil War centennial, however, Grant's reputation has blossomed into a full renaissance. His military record garners new respect and, more recently, an appreciation for his political career—particularly his strong advocacy for equal rights—is quickly catching up. Throughout these decades, his personal memoirs marking him as a significant American "Man of Letters" have never gone out of print. Grant at 200: Reconsidering the Life and Legacy of Ulysses S. Grant celebrates the bicentennial of the birth of a man whose towering impact on American history has often been overshadowed and, in many cases, ignored. This collection of essays by some of today's leading Grant scholars offers fresh perspectives on Grant's military career and presidency, as well as underexplored personal topics such as his faith and family life.Mostra libro
"I am Mathilde, alias Mathilda. I am 37 years old and I prostitute myself to be a free woman. I have been an executive assistant, a sales manager in media, a communication manager for an employers' confederation and a company director in business aviation. But I was a precarious woman, being used for a low price, like a great majority of women in France. In parallel to my work activities, I became an escort to get out of my social condition and not be a free and disposable object anymore. I have been leading this double life for 10 years in Lyon; and today men, but also women, respect me for what I am. I like this life and I embrace it fully." Like 5% to 10% prostitutes in France (and certainly many more), Mathilde engages in this profession freely and without constraint, to no longer be the prey of males and a patriarchal society. Free, authentic and without pretense, she takes the reader on a journey of discovery of a profession that fascinates and that no one talks about in this way. With a provocative but always human tone, she reveals with strength and fragility her non-conformist universe and her atypical personality. From her family to her friends, from her lovers to her clients, from her jobs to her first trick, Mathilde shares her way of life openly because her reality does not need to be hidden.Mostra libro
