Altri libri che potrebbero interessarti

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  Moments to Hold Close

  Molly Burford

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  Before a moment becomes a memory, hold it close. "Moments To Hold Close" is Molly Burford’s first poetry collection. Burford’s words encapsulate and express all facets of the human condition, including how to love and live a full life embracing the moments that matter.

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  Lemons Lemons Lemons Lemons Lemons

  Sam Steiner

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  'Let's just talk until it goes.'
  The average person will speak 123,205,750 words in a lifetime. But what if there were a limit? Oliver and Bernadette are about to find out.
  
  Lemons Lemons Lemons Lemons Lemons imagines a world where we're forced to say less. It's about what we say and how we say it; about the things we can only hear in the silence; about dead cats, activism, eye contact and lemons, lemons, lemons, lemons, lemons.
  Sam Steiner's play premiered at Warwick Arts Centre in 2015 and won three Judges' Awards at the National Student Drama Festival, before appearing at Latitude Festival, the Edinburgh Festival Fringe and Camden People's Theatre, London.

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  Rhyme A Dozen A - Evenings - 12...

  William Wordsworth, George...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
   
  01 - A Rhyme A Dozen - 12 Poems, 12 Poets, 1 Topic - Evenings- An Introduction 
  02 - Evening Star by Edgar Allan Poe 
  03 - It Is A Beauteous Evening by William Wordsworth 
  04 - Evening by Paul Laurence Dunbar 
  05 - Sweet Evenings Come and Go Love by George Eliot 
  06 - Evening Song by Willa Cather 
  07 - How The Old Mountains Drip with Sunset by Emily Dickinson 
  08 - Summer Evening by John Clare 
  09 - Bright Star by John Keats 
  10 - Evening in England by Francis Ledwidge 
  11 - Written Near a Port on a Dark Evening by Charlotte Smith 
  12 - Evening Song of the Thoughtful Child by Katherine Mansfield 
  13 - An Hymn to the Evening by Phyllis Wheatley

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  Poets & Their Inner Demons –...

  John Gould Fletcher, Marina...

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  The stereotypical image of a poet is one of unknown talent starving in a garret and who’s faithfulness and legacy to the art is discovered only after their death. 
  In some cases this is undoubtedly true, but Poets being human and with the same building blocks of physical and mental health as the rest of us, also had the same afflictions and problems as the rest of us.   
  The long roll call of names and the truncated legacies that were left behind is filled with these lost talents. 
  In this volume the despair at life in general and their art in particular ruins lives in a few short moments.  Do their poems reflect this upcoming tragedy or at a particular point are they simply overwhelmed by what they see as a hopeless situation.   
  The long roll call and the truncated legacies that were left behind is filled with the names of these lost talents.

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  The Nose - Gogol uses the absurd...

  Nikolai Gogol

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  Nikolai Vasilievich Gogol was born on 1st April 1809 to a father, descended from Ukrainian Cossacks and a mother with a military background in the Ukrainian town of Sorochyntsi, then part of the Russian Empire and rich in Cossack traditions and folklore.   
   
  His father wrote poetry and plays which the young Gogol helped stage at his uncle’s home theatre.  This helped ignite in him a love of literature and blossomed when he attended, what is now, the Nizhyn Gogol State University at the age of 12.  Here he participated in school theatre productions and refined his mastery of his native Ukrainian and also the Russian of his Imperial masters. 
   
  In 1828 he went to St Petersburg and unsuccessfully tried to begin a career as an actor after finding that with no money and no connections the civil service was barred to him. 
   
  Embezzling money from his mother he embarked on a trip to Germany. When the money ran out, he returned to St Petersburg but the experiences were used in a series of stories he contributed to periodicals.  These tales were steeped in his childhood memories of the Ukrainian landscape and peasantry enlivened with the supernatural of its folklore woven with realistic events of the day.  He wrote in Russian in a whimsical, colloquial style with a smattering of Ukrainian words and phrases that provided an authenticity.  Eight stories were published as ‘Evenings on a Farm near Dikanka’.  Seemingly all at once fame and fortune arrived. Gogol was hailed by his contemporaries, including Pushkin, as a pre-eminent writer of Russian literature.   
   
  His success continued with his brilliant plays ‘The Inspector General’ and the comedy ‘The Marriage for the Theatre’, both being highly acclaimed.   
   
  In 1834 he became Professor of Medieval History at the University of St. Petersburg but with little academic or teacher training, failed to adequately fulfil many of his duties and soon resigned this post.  With no obligations and using his earnings from his writing, which now included the impressionistic and immortal ‘Dead Souls’, Gogol travelled around Europe, spending the most time in Rome where he studied art, read Italian literature and developed a passion for opera.  
   
  In the 1840s Gogol became preoccupied with a need to purify his soul and embarked on a pilgrimage to Jerusalem. In tandem he fell under the influence of a strict and austere spiritual ascetic who persuaded him to observe strict fasts that, allied with his depression and deteriorating health, contributed to his death on 21st April 1852 at the age of only 43. 
   
  In the Nose Gogol reaches out with the absurd premise that a Nose can have, and enjoy, a life of its own regardless of the complications and consequences to its former owner.

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  Manland

  Peter Raynard

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  Peter Raynard's Manland is a bold, brilliant and outspoken new collection of poems that scrutinise men and manhood, mental health, working class lives and disability. Aloud and alive with music, wit, anger and rebellion, this is an accomplished, politically-aware and vital book.
  Raynard is a skilled observer, and these razor-sharp poems document parenthood through the lens of a stay-at-home dad, attempt to tell the truth about men and depression, study our cultural, social and medical relationships with drugs and drug-taking, and lay bare the realities of life at the sharpest edges of society. By turns frank, painful and bleakly funny, this humane and brilliant book encompasses pride and prejudices, the bonds between lads and dads, the toxic pressures of masculinity and the way illness and poverty irrevocably shape lives.

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