Altri libri che potrebbero interessarti

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  100 Great Catholic Poems

  Sally Read

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  Poetry is the language of Catholicism. From the songs of Scripture to the hymns of St. Thomas Aquinas, the Church has always used metaphor and image, meter and rhyme, and the music of language to illuminate and inculcate the faith.  Yet, when it comes to Catholic poetry itself, the song too often remains unsung. Many devout believers recoil from poetry, even when it is deeply Catholic. Many poetry lovers overlook Catholic poetry, even when it is truly great. And passionate readers are left with few resources from which to draw inspiration—even as the number of great Catholic poems continues to grow. This groundbreaking collection is designed to change that. Edited by acclaimed poet and author Sally Read, it includes a carefully curated collection of poetry with brief essays to introduce each selection; a detailed introduction and glossary of poetic terms; and a wide range of poetic voices—from giants like Dante and Shakespeare, to mystical saints like Hildegard of Bingen and John of the Cross, to modern masters like Gerard Manley Hopkins and Oscar Wilde, to contemporary female poets like Denise Levertov and Anne Porter. What emerges is truly universal: an unparalleled collection spanning twenty countries and twenty centuries. Whether Catholic or non-Catholic, a poetry skeptic or a poetry lover, readers will glean from these pages a deepened appreciation of the history of poetry, the life of the Church, and the powerful ways in which each strengthens the other. 

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  Questa

  Stephanie Fleischmann

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  Jessie, who hasn’t seen her mother since she was 14, is on her way home, bringing with her a foster child who won’t talk and a runaway they’ve picked up along the way. Meanwhile, her estranged mother awaits their arrival at the bus station in Questa, New Mexico, next to a woman who longs for a disappeared love to return.
   
  
   
  Questa debuted at the historic CHARAS/El Bohio Community Center in New York City in 1991, and received its West Coast premiere in L.A. Theatre Works’ production.
   
  
   
  Recorded at The Guest Quarters Suite Hotel, Santa Monica, in June 1991.
   
  
   
  Directed by Michael Bloom
   
  Producing Director: Susan Albert Loewenberg
   
  
   
  An L.A. Theatre Works full-cast recording, starring:
   
  Christopher Dreyer as Albert
   
  Valerie Landsburg as Jessie
   
  Dorothy Lyman as Sophie
   
  Alma Martinez as Swan Lady
   
  Bianca Sanchez as Delia
   
  
   
  Produced for Radio by Steve Barker
   
  Stage Manager: Christopher Fox
   
  Original music by Michele Navazio

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  Berliners - A Dark Angels poem

  John Simons

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  Berliners is a poem that originated from a conversation in Berlin. After several visits to Berlin, and a recent work assignment there with the German Film Academy, John Simmons became fascinated by the role of the city in 20th century world history. From the First World War to the Weimar Republic; the rise of the Nazis leading to the next world war; followed by the Cold War, the separation of the city by a wall into east and west representing opposed ideologies; then eventually the destruction of the wall by the people and the reunification of Germany. Berlin was at the centre of the conflict and drama that shaped the modern world, and its history still resonates today. The poem tells the story of the 20th century through a tableau of vivid scenes brought to life by a diversity of poetic forms – all seen through the lens of the people and places of this one extraordinary city, Berlin.

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  Birds Knit My Ribs Together

  Phil Barnett

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  what if / I actually – am – a bird / my cupped hands / opening to release me... Phil Barnett's relationship with birds is so close that his poetry blurs the distinctions between himself and the birds - a kind of ornimorphology where rather than giving the birds human characteristics, the reverse happens, and he imagines himself as a bird. Phil Barnett is a photographer, writer, musician, artist and naturalist, who has a passion for the birds that kept him company through a long hard illness. His photography and poetry have quite a following on social media, which is where we found him, on The Daily Haiku. His skill as a photographer leads to an acute visual sensibility, and his slow recovery moves from a tick sheet his mother had to fill in for him, to extraordinary poetry - full of wit and wonder and spectacular language.

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  The Aeneid - Revised and...

  Vergil

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  A powerful and poignant translation of Vergil’s epic poem, newly equipped with introduction and notes 
   
  "Ruden set the bar for Aeneid translations in 2008, and has raised it now with this revision. I am confident it will be a long time before a translator exceeds the standard that she has set."—A.M. Juster, Athenaeum Review 
   
  This is a substantial revision of Sarah Ruden’s celebrated 2008 translation of Vergil’s Aeneid, which was acclaimed by Garry Wills as “the first translation since Dryden’s that can be read as a great English poem in itself.” Ruden’s line-for-line translation in iambic pentameter is an astonishing feat, unique among modern translations. Her revisions to the translation render the poetry more spare and muscular than her previous version and capture even more closely the essence of Vergil’s poem, which pits national destiny against the fates of individuals, and which resonates deeply in our own time. 
   
  This distinguished translation, now equipped with introduction, notes, and glossary by leading Vergil scholar Susanna Braund, allows modern readers to experience for themselves the timeless power of Vergil’s masterpiece. 
   
  Praise for the First Edition: 
   
  “Fast, clean, and clear, sometimes terribly clever, and often strikingly beautiful. . . . Many human achievements deserve our praise, and this excellent translation is certainly one of them.”—Richard Garner, The New Criterion 
   
  “Toning down the magniloquence, Sarah Ruden gives us an Aeneid more intimate in tone and soberer in measure than we are used to—a gift for which many will be grateful.”—J. M. Coetzee 
   
  “An intimate rendering of great emotional force and purity. . . . The immediacy, beauty, and timelessness of the original Latin masterpiece lift off these pages with gem-like originality.”—Choice

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  Happy Place

  Joey Polisena

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  IMPLIED SECRETS: Poetry slides an incisor behind our addiction to living, rips essence from its bones and grinds us chunk to paste, half sustenance, the rest, waste. Verses are beds for the senseless masturbated to perfect sense. Sentiments and sympathies in micro-doses of self-psychoanalytics affixed to symptoms, ticks, and epiphanies. Come inside, we have odes to sing. *** These verses twist trauma and grief into self-loving peace, a therapy cushion of words and doodle artwork. Come feel the dark so we can see the light again.

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