Altri libri che potrebbero interessarti

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  Christmas At The Old Bull

  Old Bull Theatre Company

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  Set three years after the events of 'Connections', John (Matthew Mullan) finds himself in a sticky situation with his girlfriend, Lea (Amy Hosick). Set on the eve of Christmas, this story brings back familiar faces from the world of 'Connections' for a funny and lighthearted Christmas Special.  
  Starring Matthew Mullan as John, Amy Hosick as Lea, Séan Cooper as Tony, Jackson Allen as Sam, Jayden Kilkelly as Grace, Ella Kilpatrick as Amanda and Tom Moore as Ryan. 
  Produced by the Old Bull Theatre Company.

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  Poetic Persuasion: The Young...

  Emmanuel Borges-Da-Silva

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  Can light shine from the darkness of disability? Is there hope in the life of a young carer? "Poetic Persuasion: The Young Carer's Ink" by Emmanuel Borges-Da-Silva explores these questions through a poignant collection of poetry. Drawing from his own experiences as a former young carer, Emmanuel captures the profound challenges and triumphs of caring for a loved one. The poems delve into universal themes of grief, hope, love, masculinity, and faith in God, offering a raw yet uplifting perspective on the human experience.Written in a heartfelt and accessible style, this collection invites readers to find strength, resilience, and empowerment in the face of hardship. Each poem is a call to rethink preconceived notions and embrace a new perspective on life’s struggles and joys. Whether you’ve been a young carer, faced adversity, or simply seek inspiration, this book is a testament to the transformative power of poetry. A moving tribute to family, faith, and the human spirit, it offers comfort, hope, and encouragement for anyone on a journey of self-discovery. This was made for you. 
  “In this book, Emmanuel paints vivid imagery that draws you into a journey through grief and joy, disappointment and hope, insecurities, relationships and life transitions. He writes from a raw and vulnerable place, as one who has travelled this road and not just as a casual observer." ~ Daniel Ogbonna, Poet. 
  “A deeply moving body of work to visit and revisit. Get a box of tissues ready as Eman unfurls his thoughts and heart.” ~ Pelumi, author of Love LETTERS & HEART Ramblings 
  “Emmanuel’s tender portrait of love, faith and hope is honest and revelatory” ~ Lanaire Aderemi, bless the memory 
  "The poems are anecdotes, unravelling the seasons of his life up until this point." ~ Achayo, Music Artist

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  He Watched - Mekenze Walden

  Author Mekenze Walden,...

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  In the shadowed realm where life and death intertwine, an objective crow perches upon the precipice of existence. Its wings bear the weight of countless souls—both animal and human—whose final breaths echo through the void. 
  He Watched chronicles the crow’s solemn duty: to witness the unraveling of mortal threads. From the gnarled roots of ancient forests to the blood-soaked cobblestones of forgotten alleys, it observes without judgment. The grotesque and the sublime converge in a macabre ballet, each demise etched into the crow’s unyielding gaze. 
  But as the seasons turn and the moon waxes, a twist of fate awaits. The crow, once a silent observer, becomes ensnared in a web of treachery. Captured by unseen hands, it faces its own mortality—a revelation that transcends mere poetry. The boundaries blur, and the crow’s wings ache for flight beyond the ink-stained pages. 
  He Watched is a haunting tapestry woven from verses and prose, where the boundary between life and death dissolves. Prepare to be startled, unsettled, and transformed as you journey alongside the crow—a witness turned protagonist—in this enigmatic tale. 
  The crow’s secrets lie hidden within these verses. Will you dare to decipher them?

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  Through Old Eyes - Poems by...

  Uncle Wes Marne

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  Published to commemorate the author’s 100th birthday, this wide-ranging and thoughtful collection reflects on history, colonisation, family, childhood, Aboriginal Dreaming, traditions and storytelling, working lives and people. 
  Sometimes wistful, melancholic, poignant, at times the author’s wry sense of fun and humour shines through. 
  When he arrived in Sydney in the 1960s, Bigambul man, Uncle Wes, was not allowed to tell his stories at schools. He set up a fire bucket in his backyard and invited families and children from the local Aboriginal community to come to sit around the fire and share his stories. It did not take long for the police to arrive and arrest him for hosting an unlawful gathering – he spent two days in lock-up for sharing his stories. 
  Uncle Wes is a living treasure of Aboriginal storytelling wisdom. Through his poems Uncle Wes invites the reader to join him by the fire as he generously shares his reflections and reminiscences on one hundred years. 
  'It is my pleasure to honour Uncle Wes for his work in retaining the age-old storytelling tradition of our people. It is important to maintain this tradition of our Elders sharing their knowledge and insight through story and verse. Thank you Uncle Wes, for sharing your poems with us as you celebrate your 100th year.' - Dr Anne Pattel-Gray: Head of the Australia First Nations Program, World Vision Australia 
  'Uncle Wes Marne has a unique ability to allow the reader to see through his experienced eyes. The power and wisdom of his words is now more than ever important for the future generations to understand the time and place they exist in.' - Ben Bowen: CEO, Indigenous Literacy Foundation

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  Sylvia Plath Reads Her Poetry

  Sylvia Plath

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  Sylvia Plath born on October 27, 1932, in Boston, MA, was an American poet, novelist, and short story writer. She is credited with advancing the genre of confessional poetry and is best known for two of her published collections, The Colossus and Other Poems (1960) and Ariel (1965), and also The Bell Jar, a semi-autobiographical novel published shortly before her suicide on February 11, 1963. In this recording, Plath reads "Black Rook in Rainy Weather," "A Secret, Stopped Dead," "A Birthday Present," "November Graveyard," "Medusa," "The Disquieting Muses," "The Stones," and "Cut."

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  Republic

  Nerys Williams

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  Nerys Williams' new collection questions what makes a  Republic? Machinations of power? The speeches of politicians? The broad sweep of official histories? This sequence of 80 prose-poems, each constructed in 20 sentences, has arisen from the author's need to tell a more intimate history, to commit an untold oral history to paper. Williams returns to the meaning of "republic" in its Latin origins which meant "wealth of the people". 
  The poems tell the story of  a young Welsh woman growing up and coming of age in the 1980s and 90s, a time that culminated with new devolutionary powers in Wales. The explosion of the arts and culture looms large, through bands from New Order to my bloody valentine, but it is explored specifically through Cŵl Cymru', and the power of Welsh-language bands like Datblygu. This story is also about class, as we explore a family history of hard work in jobs from retail to caregiving. The poems introduce us to family influences, from a father who urges the narrator as a child to 'own the stage' in an early school Eisteddfod, to a grandmother who worked long hours in her rural shop, and a mother who was the local midwife.
  There are stories told, overheard, handed down, sometimes translated from Welsh. Together, they create an expansive portrait of the era, including the challenges for women, Welsh-speakers, and other marginalized groups. Ferocious remarks about the Welsh in the popular media are dissected with satirical humour and appalled fascination, while other poems describe being a token woman and political outsider on a TV current affairs show panel, tolerated but ostracized.
  From her more recent home, the republic of Ireland, Williams poses the possibilities of a nation looking at itself and its history from afar. Wales has not been allowed to be a republic, but is subject to a state that has military claims on its landscape and a second home explosion which has a severe impact on its communities. There is rebellion to be found in the older meaning of "republic": since the wealth of the people is a wealth of sounded stories, culture, art, and history.
  'Nerys Williams's Republic is a tour de force, a masterful account of the intellectual, political and personal development of a young woman from Welsh-speaking rural Wales and out in the world. Pitched against nostalgia, Nerys Williams's prose poems are tough-minded, shrewd and hugely evocative of the times she chronicles. She deploys details so vividly and with such a light a touch that she's created a new music all of her own. This book, like a waistcoat belt she describes, is a 'steel buckle, once harnessed to silk'.' —Gwyneth Lewis
  'The poetry of Nerys Williams is both playful and sharply preceptive, drawing on a wide range of often unexpected influences. She brings a unique set of interests to bear not just poetry in Wales, but on poetry generally.'—Zoë Skoulding
  'Nerys Williams brings precision, scrutiny, and synaesthesia to her terse, contemplative poems.' -Ben Wilkinson, The Guardian
  '…a strong imagism and an engaging 'I' voice that sometimes subverts expectations, allowing for a shift into more collective concerns. In addition, her deft handling of soundplay (especially the use of alliteration and assonance) greatly add to the experience of the poem as art.' -Michael S. Bengal  Poetry Ireland 

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